SD3.5 Community Gallery

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    🚨 All generations are PUBLIC.

    The purpose of this site is to allow everyone to openly experiment with Flux Pro, so that we can assess it's strengths and weaknesses collectively rather than in isolation, and to learn about it's prompting styles from one another.

    closeup, sensual pinup female, [Afremov | Ernst Haeckel | Charles Burns | Mark Ryden] clouds body suit, [Giovanni Boldini | Egger-Lienz | Andy Kehoe | RossDraws | Feininger] impasto oil, heavy brushstrokes, fractal dotted tiles swamp jungle tiles, 2d 3d textured stained oil curvy-geometric art, [Sapphire nickel, Burgundy mercury, Magenta chromium] vector painting, rim light, inner glow, volumetric light
    A lone figure emerges on the left, limbs dissolving into fractured geometric abstraction on the right, bisected by a vertical split that bleeds luminous cracks. Set in an ethereal void, the foreground prioritizes hyper-detailed textures—porcelain skin melting into jagged metallic shards. Blends Salvador Dalí’s surrealism with Gerhard Richter’s abstract tension: muted earth tones clash against neon splatters under dual lighting—soft gradients meet stark, angular shadows. Tactile contrasts: silk robes unravel into wire mesh, fingertips graze liquid mercury. Mood: surreal tension, whispered secrets in static. Symbolic details: a fading hourglass, a mirror shard reflecting nothing.
    A colossal, androgynous face dissolves into a pristine alpine lake, its rippling silver surface fracturing into kaleidoscopic shards that bloom like liquid stained glass (low-angle view, face occupying 2/3 frame, dwarfed by jagged violet mountains). In the style of Salvador DalĂ­'s dreamscapes fused with Leonid Afremov's impasto vibrancy: iridescent teal waters swirl with peacock blues and molten gold, while dawn's axial light casts prismatic halos through suspended mist. Velvet-textured cherry blossoms float atop mercury-like liquid, their petals mirroring eyelashes. Submerged clock gears glint beneath the surface, warping the reflection's jawline into cascading rubies. Air hums with chromatic aberration, skin tones shifting moss-green to coral where droplets kiss the water.
    sensual pinup female, [Afremov | Ernst Haeckel | Charles Burns | Mark Ryden] clouds body suit, [Giovanni Boldini | Egger-Lienz | Andy Kehoe | RossDraws | Feininger] impasto oil, heavy brushstrokes, fractal dotted tiles swamp jungle tiles, 2d 3d textured stained oil curvy-geometric art, [Sapphire nickel, Burgundy mercury, Magenta chromium] vector painting, rim light, inner glow, volumetric light
    Aerial perspective overlooks a fractured waterfront: angular planes of chalk-white and slate cascade into a still mercury-toned bay, their jagged edges dissolving into mist. Cubist distortions fragment the horizon into intersecting triangles and rhomboids, echoing Picasso’s analytic phase fused with Tamara de Lempicka’s sleek minimalism. The palette hinges on bleached cobalt shadows and whispers of burnt umber, backlit by a diffused saffron glow that etches geometric halos onto the water’s matte, inkblot surface. A lone silhouetted arch—sliced by intersecting black lines—floats mid-air, its reflection shattered into monochrome shards that ripple with ghostly symmetry.
    Aerial perspective overlooks a fractured waterfront: angular planes of chalk-white and slate cascade into a still mercury-toned bay, their jagged edges dissolving into mist. Cubist distortions fragment the horizon into intersecting triangles and rhomboids, echoing Picasso’s analytic phase fused with Tamara de Lempicka’s sleek minimalism. The palette hinges on bleached cobalt shadows and whispers of burnt umber, backlit by a diffused saffron glow that etches geometric halos onto the water’s matte, inkblot surface. A lone silhouetted arch—sliced by intersecting black lines—floats mid-air, its reflection shattered into monochrome shards that ripple with ghostly symmetry.
    Low-angle perspective frames Rukia Kuchiki mid-leap above a twilight Senkaimon-scarred cityscape, her Sode no Shirayuki trailing crystalline frost that fractures like shattered quartz. Stylized in Koyama Akira’s razor-etched linework blended with Art Nouveau fluidity, her shihakusho shimmers in indigo and mercury silver, kinetic folds echoing her motion. Cold moonlight bathes the scene in arctic cyan, casting sharp, geometric shadows that interlock with neon glyphs below. Serenity clashes with latent violence: cherry blossoms, edges frosted, swirl around her, while her blade’s hilt reveals a faint crack—a whisper of vulnerability. Textured ink washes bleed into matte metallic finishes, amplifying the duality of elegance and rupture.
    A colossal, androgynous face dissolves into a pristine alpine lake, its rippling silver surface fracturing into kaleidoscopic shards that bloom like liquid stained glass (low-angle view, face occupying 2/3 frame, dwarfed by jagged violet mountains). In the style of Salvador DalĂ­'s dreamscapes fused with Leonid Afremov's impasto vibrancy: iridescent teal waters swirl with peacock blues and molten gold, while dawn's axial light casts prismatic halos through suspended mist. Velvet-textured cherry blossoms float atop mercury-like liquid, their petals mirroring eyelashes. Submerged clock gears glint beneath the surface, warping the reflection's jawline into cascading rubies. Air hums with chromatic aberration, skin tones shifting moss-green to coral where droplets kiss the water.
    Low-angle perspective captures an Aerenal necromancer elf kneeling in a crumbling moonlit ossuary, her gold-embroidered onyx robes cascading like liquid shadow across weathered stone. Hyperrealist detail reveals cracked skull warpaint over luminous olive skin textured with faint ritual scars, while Craig Mullins-inspired chiaroscuro sculpts her angular features with ghostly bioluminescence. Molten gold threads pulse through her garments in fractal patterns, mirroring the swirling spirit essence coalescing around skeletal fingers. A single preserved lily blooms from a nearby skull's eye socket, its pearlescent petals reflecting in her mercury-flecked eyes. Palette: tarnished silver, charred umber, and necrotic jade interacting through volumetric mist.
    Low-angle perspective frames Rukia Kuchiki mid-leap above a twilight Senkaimon-scarred cityscape, her Sode no Shirayuki trailing crystalline frost that fractures like shattered quartz. Stylized in Koyama Akira’s razor-etched linework blended with Art Nouveau fluidity, her shihakusho shimmers in indigo and mercury silver, kinetic folds echoing her motion. Cold moonlight bathes the scene in arctic cyan, casting sharp, geometric shadows that interlock with neon glyphs below. Serenity clashes with latent violence: cherry blossoms, edges frosted, swirl around her, while her blade’s hilt reveals a faint crack—a whisper of vulnerability. Textured ink washes bleed into matte metallic finishes, amplifying the duality of elegance and rupture.
    Low-angle perspective frames Rukia Kuchiki mid-leap above a twilight Senkaimon-scarred cityscape, her Sode no Shirayuki trailing crystalline frost that fractures like shattered quartz. Stylized in Koyama Akira’s razor-etched linework blended with Art Nouveau fluidity, her shihakusho shimmers in indigo and mercury silver, kinetic folds echoing her motion. Cold moonlight bathes the scene in arctic cyan, casting sharp, geometric shadows that interlock with neon glyphs below. Serenity clashes with latent violence: cherry blossoms, edges frosted, swirl around her, while her blade’s hilt reveals a faint crack—a whisper of vulnerability. Textured ink washes bleed into matte metallic finishes, amplifying the duality of elegance and rupture.
    A colossal, androgynous face dissolves into a pristine alpine lake, its rippling silver surface fracturing into kaleidoscopic shards that bloom like liquid stained glass (low-angle view, face occupying 2/3 frame, dwarfed by jagged violet mountains). In the style of Salvador DalĂ­'s dreamscapes fused with Leonid Afremov's impasto vibrancy: iridescent teal waters swirl with peacock blues and molten gold, while dawn's axial light casts prismatic halos through suspended mist. Velvet-textured cherry blossoms float atop mercury-like liquid, their petals mirroring eyelashes. Submerged clock gears glint beneath the surface, warping the reflection's jawline into cascading rubies. Air hums with chromatic aberration, skin tones shifting moss-green to coral where droplets kiss the water.
    closeup, sensual pinup female, [Afremov | Ernst Haeckel | Charles Burns | Mark Ryden] clouds body suit, [Giovanni Boldini | Egger-Lienz | Andy Kehoe | RossDraws | Feininger] impasto oil, heavy brushstrokes, fractal dotted tiles swamp jungle tiles, 2d 3d textured stained oil curvy-geometric art, [Sapphire nickel, Burgundy mercury, Magenta chromium] vector painting, rim light, inner glow, volumetric light
    A minimalist abstract painting of interlocking geometric forms suspended in harmonious equilibrium, rendered with sharp-edged precision against a gradient void of midnight blue. Bauhaus-influenced composition with radial symmetry, focal converging lines drawing the eye to a glowing core of burnt orange and metallic gold. Textures shift from matte to iridescent, echoing Hilma af Klint’s spiritual abstraction. Tactile gradients mimic liquid mercury meeting velvet. Ambient diffusion creates soft halos around stark shapes, contrasting cool/warm tones. Subtle concentric circles pulse beneath layered translucence, evoking celestial alignment. Palette: oxidized cobalt, saffron, bone white. Style: Zen serenity meets constructivist tension
    A lone figure emerges on the left, limbs dissolving into fractured geometric abstraction on the right, bisected by a vertical split that bleeds luminous cracks. Set in an ethereal void, the foreground prioritizes hyper-detailed textures—porcelain skin melting into jagged metallic shards. Blends Salvador Dalí’s surrealism with Gerhard Richter’s abstract tension: muted earth tones clash against neon splatters under dual lighting—soft gradients meet stark, angular shadows. Tactile contrasts: silk robes unravel into wire mesh, fingertips graze liquid mercury. Mood: surreal tension, whispered secrets in static. Symbolic details: a fading hourglass, a mirror shard reflecting nothing.
    A tension-charged duo floats in a liquid-dim void, their torsos warped like Dali’s melting clocks, faces half-dissolved into Hilma af Klint’s geometric spirals. Extreme close-up from a skewed worm’s-eye view amplifies emotional claustrophobia: his hand—cracked terracotta glowing with inner magma—reaches toward her mercury-silver lips, frozen mid-syllable. Chiaroscuro lighting carves their forms in midnight blue and burnt umber, shadows pooling like spilled ink. Iridescent mist swirls where words fail, each particle humming with unvoiced desire. Critical details: his iris reflects miniature collapsing staircases; her breath crystallizes as Cyrillic question marks. Textures clash—glossy vs. corroded—as a fractured hourglass leaks cobalt sand between them.
    A colossal, androgynous face dissolves into a pristine alpine lake, its rippling silver surface fracturing into kaleidoscopic shards that bloom like liquid stained glass (low-angle view, face occupying 2/3 frame, dwarfed by jagged violet mountains). In the style of Salvador DalĂ­'s dreamscapes fused with Leonid Afremov's impasto vibrancy: iridescent teal waters swirl with peacock blues and molten gold, while dawn's axial light casts prismatic halos through suspended mist. Velvet-textured cherry blossoms float atop mercury-like liquid, their petals mirroring eyelashes. Submerged clock gears glint beneath the surface, warping the reflection's jawline into cascading rubies. Air hums with chromatic aberration, skin tones shifting moss-green to coral where droplets kiss the water.
    A tension-charged duo floats in a liquid-dim void, their torsos warped like Dali’s melting clocks, faces half-dissolved into Hilma af Klint’s geometric spirals. Extreme close-up from a skewed worm’s-eye view amplifies emotional claustrophobia: his hand—cracked terracotta glowing with inner magma—reaches toward her mercury-silver lips, frozen mid-syllable. Chiaroscuro lighting carves their forms in midnight blue and burnt umber, shadows pooling like spilled ink. Iridescent mist swirls where words fail, each particle humming with unvoiced desire. Critical details: his iris reflects miniature collapsing staircases; her breath crystallizes as Cyrillic question marks. Textures clash—glossy vs. corroded—as a fractured hourglass leaks cobalt sand between them.
    A lone figure emerges on the left, limbs dissolving into fractured geometric abstraction on the right, bisected by a vertical split that bleeds luminous cracks. Set in an ethereal void, the foreground prioritizes hyper-detailed textures—porcelain skin melting into jagged metallic shards. Blends Salvador Dalí’s surrealism with Gerhard Richter’s abstract tension: muted earth tones clash against neon splatters under dual lighting—soft gradients meet stark, angular shadows. Tactile contrasts: silk robes unravel into wire mesh, fingertips graze liquid mercury. Mood: surreal tension, whispered secrets in static. Symbolic details: a fading hourglass, a mirror shard reflecting nothing.
    Hypnotic serpentine eyes dominate the composition, their emerald pupils splitting the silvery irises like ancient blades through silk, each eye a portal reflecting twisted trees bathed in spectral moonlight and the translucent wisps of lost souls. Intricate tattoos of phosphorescent vines and mystical runes weave around the eye sockets, pulsing with an inner light that seems to breathe with ancient magic. The color palette weaves between abyssal greens, mercury silvers, and ghostly whites that seem to float off the surface, creating an otherworldly luminescence. Delicate linework flows like spun moonlight, while watercolor-like effects suggest bioluminescent organisms deep in enchanted waters. The piece channels the ethereal mysticism of Stephanie Law's botanical fantasies, the primal magic of Brian Froud's faerie art, and the luminous delicacy of James Jean's flowing lines, with touches of Yoshitaka Amano's ghostly elegance in the glowing accents
    A minimalist abstract painting of interlocking geometric forms suspended in harmonious equilibrium, rendered with sharp-edged precision against a gradient void of midnight blue. Bauhaus-influenced composition with radial symmetry, focal converging lines drawing the eye to a glowing core of burnt orange and metallic gold. Textures shift from matte to iridescent, echoing Hilma af Klint’s spiritual abstraction. Tactile gradients mimic liquid mercury meeting velvet. Ambient diffusion creates soft halos around stark shapes, contrasting cool/warm tones. Subtle concentric circles pulse beneath layered translucence, evoking celestial alignment. Palette: oxidized cobalt, saffron, bone white. Style: Zen serenity meets constructivist tension
    A colossal, androgynous face dissolves into a pristine alpine lake, its rippling silver surface fracturing into kaleidoscopic shards that bloom like liquid stained glass (low-angle view, face occupying 2/3 frame, dwarfed by jagged violet mountains). In the style of Salvador DalĂ­'s dreamscapes fused with Leonid Afremov's impasto vibrancy: iridescent teal waters swirl with peacock blues and molten gold, while dawn's axial light casts prismatic halos through suspended mist. Velvet-textured cherry blossoms float atop mercury-like liquid, their petals mirroring eyelashes. Submerged clock gears glint beneath the surface, warping the reflection's jawline into cascading rubies. Air hums with chromatic aberration, skin tones shifting moss-green to coral where droplets kiss the water.
    A minimalist abstract painting of interlocking geometric forms suspended in harmonious equilibrium, rendered with sharp-edged precision against a gradient void of midnight blue. Bauhaus-influenced composition with radial symmetry, focal converging lines drawing the eye to a glowing core of burnt orange and metallic gold. Textures shift from matte to iridescent, echoing Hilma af Klint’s spiritual abstraction. Tactile gradients mimic liquid mercury meeting velvet. Ambient diffusion creates soft halos around stark shapes, contrasting cool/warm tones. Subtle concentric circles pulse beneath layered translucence, evoking celestial alignment. Palette: oxidized cobalt, saffron, bone white. Style: Zen serenity meets constructivist tension
    A colossal, androgynous face dissolves into a pristine alpine lake, its rippling silver surface fracturing into kaleidoscopic shards that bloom like liquid stained glass (low-angle view, face occupying 2/3 frame, dwarfed by jagged violet mountains). In the style of Salvador DalĂ­'s dreamscapes fused with Leonid Afremov's impasto vibrancy: iridescent teal waters swirl with peacock blues and molten gold, while dawn's axial light casts prismatic halos through suspended mist. Velvet-textured cherry blossoms float atop mercury-like liquid, their petals mirroring eyelashes. Submerged clock gears glint beneath the surface, warping the reflection's jawline into cascading rubies. Air hums with chromatic aberration, skin tones shifting moss-green to coral where droplets kiss the water.
    Aerial perspective overlooks a fractured waterfront: angular planes of chalk-white and slate cascade into a still mercury-toned bay, their jagged edges dissolving into mist. Cubist distortions fragment the horizon into intersecting triangles and rhomboids, echoing Picasso’s analytic phase fused with Tamara de Lempicka’s sleek minimalism. The palette hinges on bleached cobalt shadows and whispers of burnt umber, backlit by a diffused saffron glow that etches geometric halos onto the water’s matte, inkblot surface. A lone silhouetted arch—sliced by intersecting black lines—floats mid-air, its reflection shattered into monochrome shards that ripple with ghostly symmetry.
    closeup, sensual pinup female, [Afremov | Ernst Haeckel | Charles Burns | Mark Ryden] clouds body suit, [Giovanni Boldini | Egger-Lienz | Andy Kehoe | RossDraws | Feininger] impasto oil, heavy brushstrokes, fractal dotted tiles swamp jungle tiles, 2d 3d textured stained oil curvy-geometric art, [Sapphire nickel, Burgundy mercury, Magenta chromium] vector painting, rim light, inner glow, volumetric light
    Aerial perspective overlooks a fractured waterfront: angular planes of chalk-white and slate cascade into a still mercury-toned bay, their jagged edges dissolving into mist. Cubist distortions fragment the horizon into intersecting triangles and rhomboids, echoing Picasso’s analytic phase fused with Tamara de Lempicka’s sleek minimalism. The palette hinges on bleached cobalt shadows and whispers of burnt umber, backlit by a diffused saffron glow that etches geometric halos onto the water’s matte, inkblot surface. A lone silhouetted arch—sliced by intersecting black lines—floats mid-air, its reflection shattered into monochrome shards that ripple with ghostly symmetry.
    Hypnotic serpentine eyes dominate the composition, their emerald pupils splitting the silvery irises like ancient blades through silk, each eye a portal reflecting twisted trees bathed in spectral moonlight and the translucent wisps of lost souls. Intricate tattoos of phosphorescent vines and mystical runes weave around the eye sockets, pulsing with an inner light that seems to breathe with ancient magic. The color palette weaves between abyssal greens, mercury silvers, and ghostly whites that seem to float off the surface, creating an otherworldly luminescence. Delicate linework flows like spun moonlight, while watercolor-like effects suggest bioluminescent organisms deep in enchanted waters. The piece channels the ethereal mysticism of Stephanie Law's botanical fantasies, the primal magic of Brian Froud's faerie art, and the luminous delicacy of James Jean's flowing lines, with touches of Yoshitaka Amano's ghostly elegance in the glowing accents

      Stable Diffusion 3 (SD3)

    • SD3 Medium - stableDiffusion3SD3_sd3Medium.safetensors
    • SD3 Medium Incl. Clips - stableDiffusion3SD3_sd3MediumInclClips.safetensors
    • SD3 Medium Incl Clip FP16 - stableDiffusion3SD3_sd3MediumInclClip.safetensors
    • SD3 Medium Incl T5XXL - stableDiffusion3SD3_sd3MediumInclT5XXL.safetensors
    • Text Encoder - Clip L - stableDiffusion3SD3_textEncoderClipL.safetensors
    • Text Encoder - Clip G - stableDiffusion3SD3_textEncoderClipG.safetensors
    • Text Encoder - T5 e4m3fn - stableDiffusion3SD3_textEncoderT5E4m3fn.safetensors
    • Text Encoder - T5XXLFP16 - stableDiffusion3SD3_textEncoderT5XXLFP16.safetensors
    • ComfyUI Workflows - stableDiffusion3SD3_comfyuiWorkflows_trainingData.zip
    • Demo Prompts - stableDiffusion3SD3_demoPrompts_trainingData.zip

      Stable Diffusion 3.5 Large

    • Large - stableDiffusion35_large.safetensors
    • Workflow - stableDiffusion35_workflow_trainingData.zip

      Stable Diffusion 3.5 Large Turbo

    • Large Turbo - stableDiffusion35_largeTurbo.safetensors
    • Workflow - stableDiffusion35_workflow_trainingData.zip

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