SD3.5 Community Gallery

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    The purpose of this site is to allow everyone to openly experiment with Flux Pro, so that we can assess it's strengths and weaknesses collectively rather than in isolation, and to learn about it's prompting styles from one another.

    a detailed black-and-white pencil drawing that combines realistic elements with a surreal, artistic style. The central focus is a large, powerful brown bear walking in shallow water, its fur meticulously detailed with shading and texture. The bear is depicted from the side, its head slightly lowered, with water splashing around its feet. In the background, a rustic log cabin with a pitched roof is situated on a hillside, surrounded by dense forest. The cabin has a porch and windows, which are detailed with intricate textures and shading. Behind the cabin, a majestic mountain range rises dramatically, with snow-capped peaks visible through a misty atmosphere. The forest surrounding the cabin is dense, with tall evergreen trees and a mix of deciduous trees, their branches reaching upwards. The foreground transitions seamlessly into the background, with the bear's shadow blending into the water and the forest. The overall effect is a harmonious blend of realism and surrealism, with a focus on nature and the serene beauty of a remote wilderness setting. The drawing uses a high level of detail and shading to create depth and texture, making it a captivating and immersive piece of art.
    the head of a 25 year old woman made from glass her face is oval shaped with a heavy lower lip and a slightly upturned nose the lips are painted deep red her hair is long thick and jet black, in her hair over her ear is a single small white orchid flower her face is entirely expressionless her eyes are very dark brown the lighting is an atmospheric single spotlight that casts deep shadows the background is a neutral grey wall
    the head of a 25 year old woman made from glass her face is oval shaped with a heavy lower lip and a slightly upturned nose the lips are painted deep red her hair is long thick and jet black, in her hair over her ear is a single small white orchid flower her face is entirely expressionless her eyes are very dark brown the lighting is an atmospheric single spotlight that casts deep shadows the background is a neutral grey wall
    with a stylized depiction of a mountain range in the lower part of the painting, a larger, both symbolizing spiritual enlightenment. The background features a lush, seated on lotus flowers or cushions. These deities are arranged in a symmetrical pattern, sacred atmosphere. The lower section presents a similar composition but with a slightly different arrangement. Here, traditional media This image is a photograph of a traditional Tibetan thangka painting, and other mythical creatures, holding a bell and a dorje (thunderbolt scepter), a large, all painted in gold and red. It wears a dhoti (a traditional garment) and has a third eye on its forehead, stylized manner typical of Tibetan art. The background is a deep, with intricate patterns and textures suggesting silk or brocade. The background is a deep, there are numerous smaller deities and celestial beings depicted in various poses and colors. These figures are arranged symmetrically, in a religious context. The painting is rendered in rich, possibly representing various aspects of the deity or protective spirits. The figure's arms are bent, giving a sense of a chaotic, off-white border, and a row of smaller, almost geometric pattern around the central deity. The background features a stylized, and the deity's body is rendered in vivid, and mythological figures, and gold. The background is a deep, colorful robes and seated in meditative postures. Below them, depicted in a meditative posture, symmetrical pattern with a stylized lotus flower at the top and a stylized sun and moon at the bottom, with a focus on precise, with elongated bodies and exaggerated features, all rendered in various colors including red, and some flying, likely representing various deities or celestial beings, likely Avalokiteshvara, showcasing a central figure of a deity, typical of thangka art. The image is a photograph of a traditional thangka, depicted in red with intricate details. Surrounding the central figure, while others appear to be in contemplative or celebratory postures. In the upper right corner, all with serene expressions. Each deity holds various attributes like swords, symbolizing power and energy. The figure is depicted with multiple arms, almost cartoonish depictions of the deities. The image is a photograph of a traditional Tibetan thangka, pointy ears, creating a dense, including blue, surrounded by various other deities and symbolic elements. The central deity is dressed in vibrant red and orange robes, drums, known for his compassionate nature. The figure is rendered in vibrant, and a sword. Above and around the central figure, stylized foliage and a halo. The background of the thangka is a deep, the scene becomes more dynamic, detailed floral patterns. Surrounding the deity are smaller figures, swords, and intricate style typical of Tibetan Buddhist art. The central figure is the Buddha, with the same intricate leaf and flower patterns filling the background. The thangka art style is highly stylized and symbolic
    sfumato soft oil painting alessandro tomasetti rule of thirds composition This digital painting features a man submerged up to his chest in water, set against a textured, abstract background. The color palette is dominated by muted greens, yellows, and beige tones, giving the scene a warm yet weathered appearance. The background has a worn, cracked surface that resembles peeling paint on a wall, adding a gritty and raw feel to the environment. The man’s muscular upper body and intense, calm expression are accentuated by soft lighting that creates defined shadows on his face and chest. His hair is wet and slightly messy, with a few strands sticking up. The water around him reflects his body, adding depth to the lower part of the image. Overall, the artwork exudes a sense of introspection and stillness, as though he is lost in thought or at peace in this isolated space. The painterly, impressionistic brushstrokes give the piece an emotional depth and slightly surreal atmosphere.
    The scene is an extreme close-up of a woman’s face, centered around her eyes and upper cheekbones, capturing every fine detail of her skin texture, eyelashes, and brows. Her skin has a natural, slightly dewy appearance with hints of light freckles across her nose bridge and upper cheeks. The pores are visible, adding a realistic and intimate quality to the image. Soft, natural light illuminates her face from one side, casting delicate shadows across her nose and under her brow, highlighting the smooth, subtle contours of her skin. Her complexion has warm undertones, suggesting she’s in soft sunlight, with a hint of golden hour glow, creating a gentle contrast across her skin’s surface. Her eyes, the focal point of the composition, are slightly widened, bringing attention to the intricate details of her irises and the subtle veins within. Her irises are a deep, vibrant shade—perhaps hazel with flecks of amber—catching light in small reflective glints that add a sense of life and movement to the otherwise still image. Each eyelash is sharply defined, some curling at slight angles, casting tiny shadows over her lower eyelid. Her eyebrows are well-shaped, with a few stray hairs, creating a sense of natural beauty and realism. The background is softly blurred, focusing solely on her facial features, with no additional elements to distract from the intensity of the close-up. The lighting brings out fine textures on her skin, such as a slight sheen on her cheekbones and the faintest hint of tiny facial hairs illuminated by the light source. The colors are rich yet soft, with warm undertones in the skin balanced by the darker, more saturated hues of her hair and eyes. The overall image is detailed, intense, and intimate, capturing the subtle elegance of her natural features with a lifelike clarity.
    with intricate patterns and symbols. Surrounding the central figure are numerous other deities and celestial beings, symbolizing power and energy. The figure is depicted with multiple arms, showcasing a vibrant, surrounded by smaller figures and various symbols. The background is filled with intricate patterns of leaves and flowers, with a mix of geometric and organic forms. The artwork is framed by a simple, and intricate design. The painting features a central figure of a deity, and geometric shapes. The outer edges of the painting are filled with rows of smaller, likely representing the heart of the mandala. The background of the mandala is a deep, there are additional smaller figures, including mythical animals and stylized human figures, all with elaborate headdresses and ornate attire. They are adorned with intricate patterns and symbols, such as swords, each containing a seated figure, while the left hand is held in a gesture of blessing. The figure's lower body is adorned with elaborate, each filled with various depictions of deities, surrounded by various other figures and entities. The central deity is depicted in a vibrant red and gold, and flowing robes. Many figures are in motion, swirling patterns. The figures are rendered in bright, with the horse's mane and tail depicted in intricate detail, depicting multiple deities in a detailed, symbolism The image is a photograph of a traditional Tibetan thangka, populated by smaller deities and mythical beings. The overall composition is dense and intricate, vibrant color scheme dominated by reds, is seated in a meditative pose, a type of sacred art typically used in Tibetan Buddhism. The painting depicts two central figures, likely from the East Asian tradition, giving a sense of a chaotic, vibrant colors, rendered in a variety of colors. The creatures appear to be in motion, flowing robe and a sash tied at the waist. The lower body is depicted in a dynamic, slightly worn appearance, and greens, moons, and other symbolic objects., colorful robes and seated in meditative postures. Below them, a smaller figure of a peaceful deity, giving the painting a dynamic, likely bodhisattvas and other celestial beings, symmetrical design. To his left, characterized by bold lines, and gold. The background features stylized clouds and celestial beings, instrument, depicted in a red hue with a serene expression. The deity is surrounded by numerous smaller figures, and blacks. At the center, traditional media This image is a photograph of a traditional Tibetan thangka painting, there is a stylized tree with a bird perched on it, typical of Tibetan art. The bottom of the painting features a stylized depiction of a river, vibrant painting in the traditional Tibetan thangka style, adding to the overall religious significance. The circular frames are arranged in a symmetrical pattern, depicted in deep blue and red tones. Mahakala is seated on a lotus base, japanese clothes
    sfumato soft oil painting alessandro tomasetti rule of thirds composition This digital painting features a man submerged up to his chest in water, set against a textured, abstract background. The color palette is dominated by muted greens, yellows, and beige tones, giving the scene a warm yet weathered appearance. The background has a worn, cracked surface that resembles peeling paint on a wall, adding a gritty and raw feel to the environment. The man’s muscular upper body and intense, calm expression are accentuated by soft lighting that creates defined shadows on his face and chest. His hair is wet and slightly messy, with a few strands sticking up. The water around him reflects his body, adding depth to the lower part of the image. Overall, the artwork exudes a sense of introspection and stillness, as though he is lost in thought or at peace in this isolated space. The painterly, impressionistic brushstrokes give the piece an emotional depth and slightly surreal atmosphere.
    Close-up underwater shot of a fawn-colored little dog puppy wearing red swimming goggles. The puppy's face is the main focus, taking up most of the frame. Its eyes are visible through the goggles, appearing dark and alert. Bubbles surround the puppy's head and body, indicating movement in the water. The water is a teal color, and the background is slightly blurred. The puppy's fur appears wet and slightly darker around its eyes and muzzle. The goggles are snug on the puppy's face. The puppy's ears are partially visible, pointing slightly back. The puppy's lower body is out of focus, but its legs are visible.

      Stable Diffusion 3 (SD3)

    • SD3 Medium - stableDiffusion3SD3_sd3Medium.safetensors
    • SD3 Medium Incl. Clips - stableDiffusion3SD3_sd3MediumInclClips.safetensors
    • SD3 Medium Incl Clip FP16 - stableDiffusion3SD3_sd3MediumInclClip.safetensors
    • SD3 Medium Incl T5XXL - stableDiffusion3SD3_sd3MediumInclT5XXL.safetensors
    • Text Encoder - Clip L - stableDiffusion3SD3_textEncoderClipL.safetensors
    • Text Encoder - Clip G - stableDiffusion3SD3_textEncoderClipG.safetensors
    • Text Encoder - T5 e4m3fn - stableDiffusion3SD3_textEncoderT5E4m3fn.safetensors
    • Text Encoder - T5XXLFP16 - stableDiffusion3SD3_textEncoderT5XXLFP16.safetensors
    • ComfyUI Workflows - stableDiffusion3SD3_comfyuiWorkflows_trainingData.zip
    • Demo Prompts - stableDiffusion3SD3_demoPrompts_trainingData.zip

      Stable Diffusion 3.5 Large

    • Large - stableDiffusion35_large.safetensors
    • Workflow - stableDiffusion35_workflow_trainingData.zip

      Stable Diffusion 3.5 Large Turbo

    • Large Turbo - stableDiffusion35_largeTurbo.safetensors
    • Workflow - stableDiffusion35_workflow_trainingData.zip

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