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    The purpose of this site is to allow everyone to openly experiment with Flux Pro, so that we can assess it's strengths and weaknesses collectively rather than in isolation, and to learn about it's prompting styles from one another.

    A satirical, alternate history scene of a fake moon landing, where astronauts and cameramen are captured in an unusual moment. The astronauts are seen raising their cans of beer in a toast, a stark contrast to the historical accuracy. The cameramen are focused on their filming equipment, capturing the surreal event. The background shows a blurred, distorted image of the moon's surface, adding to the absurdity of the situation.
    ORIGINAL PROMPT: An artwork done in the style of (arnold lobel:1.4), as a (zentangle:1.6). A surrealistic depiction of going from the sublime to the ridiculous. complex patterns. PRODUCTION PROMPT: An artwork done in the style of (arnold lobel:1.4), as a (zentangle:1.6). As I stood at the edge of the precipice, gazing out at the vast expanse of turbulent sea, the waves seemed to swirl and twist in impossible ways, as if the very fabric of reality was being torn asunder by their ceaseless motion. The sky above was a deep, foreboding shade of indigo, with clouds that appeared to be made of some sort of dark, rubbery material that quivered and flexed like living things. As I peered out into the void, my reflection began to take shape in the water below, only to morph and contort in ways that defied all logic or reason. My image stretched and elongated, its limbs growing longer and more spindly, until I resembled some sort of aquatic, Gothic archangel. The air around me seemed to ripple and distort, as if reality itself was bending to accommodate the absurdity of my presence. But then, in an instant, everything changed. My figure began to shift and contort once more, its features melting away like wax in a furnace as it resolved into that of a rubbery, anthropomorphic chicken. The waves ceased their turbulent motion, and the clouds snapped back into their proper, shapeless forms, but the sky remained, an unsettling shade of indigo that seemed to pulse with a malevolent energy. As I stood there, frozen in wonder at the absurdity of it all, a great, gaudy castle rose up from the depths of the sea, its towers and turrets glinting like polished gold in the faint light. The chicken-chicken hybrid that was once my reflection gazed back at me with beady, black eyes, as if to say, "What's for lunch?"
    Cyberpunk Carnival, Mechanical Mime Artist with Quantum Bubbles under Neon Lights: Capture the absurdity and charm in this retro-futuristic photograph. At the center of the frame is a mechanical mime artist dressed in a flickering LED costume, interacting with floating quantum bubbles. His face is a high-definition display screen, constantly shifting with exaggerated expressions. Surrounding him is a sea of neon lights, with colorful beams interweaving into psychedelic patterns. In the distance, giant holographic billboards play surrealist animations. The ground is littered with remnants of obsolete tech products, contrasting sharply with the futuristic technology. The entire scene is filled with a cyberpunk atmosphere, tinged with a hint of vintage nostalgia., atmospheric haze, film grain, cinematic film still, shallow depth of field, highly detailed, high budget, cinemascope, moody, epic, OverallDetail, 2000s vintage RAW photo, photorealistic, candid camera, color graded cinematic, eye catchlights, atmospheric lighting, imperfections, natural, shallow dof
    Larvascope, Giant Butterfly Larva Strolling Through a Microscopic City: A colossal velvet-textured butterfly larva gracefully meanders through a miniature city. The urban landscape is crafted from intricate electronic components and gears, glimmering with neon lights. Each step of the larva triggers minuscule earthquakes, reverberating through capacitor skyscrapers. The background features a nebula composed of DNA helices, hinting at the origins of life. The entire scene is shrouded in a psychedelic purple haze, creating a dreamlike and absurd atmosphere. 2010s vintage RAW photo effect, highly detailed, shallow depth of field, cinematic lens, imperfections in natural lighting, color graded
    Larvascope, Giant Butterfly Larva Strolling Through a Microscopic City: A colossal velvet-textured butterfly larva gracefully meanders through a miniature city. The urban landscape is crafted from intricate electronic components and gears, glimmering with neon lights. Each step of the larva triggers minuscule earthquakes, reverberating through capacitor skyscrapers. The background features a nebula composed of DNA helices, hinting at the origins of life. The entire scene is shrouded in a psychedelic purple haze, creating a dreamlike and absurd atmosphere. 2010s vintage RAW photo effect, highly detailed, shallow depth of field, cinematic lens, imperfections in natural lighting, color graded
    Cyberpunk Carnival, Mechanical Mime Artist with Quantum Bubbles under Neon Lights: Capture the absurdity and charm in this retro-futuristic photograph. At the center of the frame is a mechanical mime artist dressed in a flickering LED costume, interacting with floating quantum bubbles. His face is a high-definition display screen, constantly shifting with exaggerated expressions. Surrounding him is a sea of neon lights, with colorful beams interweaving into psychedelic patterns. In the distance, giant holographic billboards play surrealist animations. The ground is littered with remnants of obsolete tech products, contrasting sharply with the futuristic technology. The entire scene is filled with a cyberpunk atmosphere, tinged with a hint of vintage nostalgia., atmospheric haze, film grain, cinematic film still, shallow depth of field, highly detailed, high budget, cinemascope, moody, epic, OverallDetail, 2000s vintage RAW photo, photorealistic, candid camera, color graded cinematic, eye catchlights, atmospheric lighting, imperfections, natural, shallow dof
    ORIGINAL PROMPT: An artwork done in the style of (william stout:1.4), as a (satellite view:1.6). A surrealistic depiction of going from the sublime to the ridiculous. complex patterns. PRODUCTION PROMPT: An artwork done in the style of (william stout:1.4), as a (satellite view:1.6). Imagine a serene landscape of towering cliffs and swirling mist, with delicate filigree adorning the rocky outcroppings. In this mystical realm, the air is filled with iridescent petals that drift lazily towards the ground, like confetti carried on a gentle breeze. As we wander along the winding path, the mist begins to thicken, taking on a life of its own, and swirling patterns start to emerge – intricate mandalas that shimmer like stardust, echoing the rhythms of the universe. Suddenly, our steps become uncertain, and the landscape around us starts to warp and distort. The rocky outcroppings melt away, replaced by giant pink flamingos balancing on one leg, their feathers glowing softly in time with the beating of some unseen heart. Tendrils of mist wrap themselves around the flamingos, transforming them into majestic, rainbow-colored candelabras that cast an otherworldly glow across the absurd scene. In this topsy-turvy world, we find ourselves standing on a giant beach ball, floating effortlessly on a sea of liquid silver. Seagulls made from gleaming mother-of-pearl soar overhead, leaving trails of glittering fairy dust in their wake. The air is filled with a cacophony of sound – the gentle lapping of waves against an infinite ocean, the joyful chatter of invisible mermaids, and the distant, mournful strains of a trombone played by a maestro in a tutu. As we gaze out upon this fantastical realm, it becomes clear that the sublime has given way to the ridiculous, yet somehow, amidst all the absurdity, there is an underlying harmony – a reminder that even in the most surreal landscapes, beauty and wonder can be found waiting just beneath the surface.
    ORIGINAL PROMPT: An artwork done in the style of (chris dyer:1.4), as a (cuneiform:1.6). A surrealistic depiction of going from the sublime to the ridiculous. complex patterns. PRODUCTION PROMPT: An artwork done in the style of (chris dyer:1.4), as a (cuneiform:1.6). Imagine a majestic mountain range at dawn, its snow-capped peaks reaching for the sky like shards of crystal. The air is crisp and clean, with a hint of mist that carries the whispers of ancient forests. As we ascend into the realm of the sublime, the clouds grow denser and more turbulent, their wispy tendrils stretching across the sky like ethereal fingers. But then, as we reach the apex of this majestic landscape, something strange occurs. A giant inflatable unicorn bursts forth from the summit, its rainbow-colored mane and tail flailing wildly in the wind. The creature's horn glows with an otherworldly light, pulsing in time with the rhythms of a thousand disco balls spinning at once. Below us, the ground gives way to a sea of rubber chickens, each one meticulously dressed in tiny suits and top hats, as if preparing for some grand masquerade ball. The air is filled with the sound of jazz music drifting on the breeze, accompanied by the distant chatter of flapper girls sipping champagne cocktails. As we delve deeper into this topsy-turvy world, the mountains give way to a seemingly endless expanse of fluffy kittens playing tiny instruments, their fur woven together in intricate patterns that evoke both wonder and bewilderment. The very fabric of reality appears to be unraveling, revealing hidden pathways of glittering silver dust that lead off into the void. And yet, amidst this whirlwind of illogical fantasy, there exists a quiet sense of coherence, as if our minds are being rewired to adapt to this wondrous and bizarre world. We become one with the whimsy, embracing the ridiculousness of it all with an open heart and mind, allowing ourselves to be transported to realms both fantastical and sublime. In this realm of absurdity, anything is possible – mountains can turn into cake stands, rivers flow with candy canes, and stars shimmer like diamonds scattered across the velvet expanse. The ordinary rules of reality no longer apply; instead, we find ourselves lost in an endless dance of wonder, where beauty and absurdity become intertwined and indistinguishable.
    cinematic film still an ogre riding a giant dire wolf in a desert ravine,approaching perfection,dynamic,highly detailed,smooth,sharp focus,art by Carne Griffiths and Wadim Kashin,trending on artstation,sharp focus,intricate details,highly detailed,by greg rutkowski,mysterious,epic,cinematic,create a photo realistic image that the viewer has never envisioned before,the image should demonstrate extreme creativity,imaginative,bold,inspiring,original in subject,original in style,amazing composition,intricately detailed,absurdly complex, . shallow depth of field, vignette, highly detailed, high budget, bokeh, cinemascope, moody, epic, gorgeous, film grain, grainy
    A torrential thunderstorm rages, lightning illuminating the grotesque figure of Homer Simpson, re-imagined as Frankenstein's monster. His skin is a sickly green hue, stitches crisscrossing his forehead and neck, one bolt protruding at an awkward angle. His trademark balding hair is even more sparse and disheveled, and his eyes bulge with a mixture of hunger and confusion. Clutched in his oversized, bolted hand is a half-eaten sprinkled doughnut, pink frosting smeared across his monstrous jowls. Rain lashes down, plastering his tattered clothes to his hulking frame. The background is a blur of wind-whipped trees and flashes of lightning, the thunder echoing like a monstrous growl. Despite the horror, a flicker of Homer's familiar dopiness remains, making the scene both terrifying and absurdly funny. This is a monstrous parody, a collision of classic horror and iconic cartoon imagery. The style evokes the bold lines and lurid colors of a classic EC Comics horror panel, with a touch of Matt Groening's signature caricature style. The desired emotion is a blend of fear and amusement, a grotesque comedy rendered with a dark, saturated color palette and dramatic lighting to emphasize the stormy atmosphere and Homer's monstrous transformation.
    A torrential thunderstorm rages, lightning illuminating the grotesque figure of Homer Simpson, re-imagined as Frankenstein's monster. His skin is a sickly green hue, stitches crisscrossing his forehead and neck, one bolt protruding at an awkward angle. His trademark balding hair is even more sparse and disheveled, and his eyes bulge with a mixture of hunger and confusion. Clutched in his oversized, bolted hand is a half-eaten sprinkled doughnut, pink frosting smeared across his monstrous jowls. Rain lashes down, plastering his tattered clothes to his hulking frame. The background is a blur of wind-whipped trees and flashes of lightning, the thunder echoing like a monstrous growl. Despite the horror, a flicker of Homer's familiar dopiness remains, making the scene both terrifying and absurdly funny. This is a monstrous parody, a collision of classic horror and iconic cartoon imagery. The style evokes the bold lines and lurid colors of a classic EC Comics horror panel, with a touch of Matt Groening's signature caricature style. The desired emotion is a blend of fear and amusement, a grotesque comedy rendered with a dark, saturated color palette and dramatic lighting to emphasize the stormy atmosphere and Homer's monstrous transformation.
    A torrential thunderstorm rages, lightning illuminating the grotesque figure of Homer Simpson, re-imagined as Frankenstein's monster. His skin is a sickly green hue, stitches crisscrossing his forehead and neck, one bolt protruding at an awkward angle. His trademark balding hair is even more sparse and disheveled, and his eyes bulge with a mixture of hunger and confusion. Clutched in his oversized, bolted hand is a half-eaten sprinkled doughnut, pink frosting smeared across his monstrous jowls. Rain lashes down, plastering his tattered clothes to his hulking frame. The background is a blur of wind-whipped trees and flashes of lightning, the thunder echoing like a monstrous growl. Despite the horror, a flicker of Homer's familiar dopiness remains, making the scene both terrifying and absurdly funny. This is a monstrous parody, a collision of classic horror and iconic cartoon imagery. The style evokes the bold lines and lurid colors of a classic EC Comics horror panel, with a touch of Matt Groening's signature caricature style. The desired emotion is a blend of fear and amusement, a grotesque comedy rendered with a dark, saturated color palette and dramatic lighting to emphasize the stormy atmosphere and Homer's monstrous transformation.
    ORIGINAL PROMPT: An artwork done in the style of (leone frollo:1.4), as a (fused glass:1.6). A surreal depiction of Duck Quixote, tilting at windmills in the Spanish countryside, accompanied by his trusted companion, Sancho Panda. PRODUCTION PROMPT: An artwork done in the style of (leone frollo:1.4), as a (fused glass:1.6). A surreal duck in 17th-century Spanish armor rides a donkey through a deserted landscape with rusting windmill silhouettes, symbolizing the absurdity of perseverance amidst reality.
    A dapper octopus, sporting a top hat and monocle, nonchalantly riding a unicycle along a tightrope stretched between two skyscrapers. His tentacles, instead of the typical eight, are elongated to form a pair of stylish arms in a sharp black suit and a pair of legs in shiny tap shoes, all perfectly balanced on the unicycle. In one hand, he holds a cane that doubles as a paintbrush, which is dipped in a palette of swirling, colorful inks. As he pedals through the cloudless sky, he leaves a trail of abstract art behind him, splattering the buildings with vibrant, surreal patterns. The scene is bathed in a warm, cartoonish light, with the setting sun casting long shadows that dance playfully on the ground below. The octopus's facial expression is one of focused concentration yet absolute confidence, as if he's been performing this absurd balancing act all his life. The background is a bustling cityscape, with people and animals in various states of amazement, pausing to watch the unusual spectacle. The buildings are a mix of modern and whimsical architectural styles, with windows popping open to reveal the curious faces of onlookers. The overall effect is a delightful blend of subjective absurdity and creative flair that invites the viewer to question the boundaries of reality and revel in the whimsy of the moment.
    A dapper octopus, sporting a top hat and monocle, nonchalantly riding a unicycle along a tightrope stretched between two skyscrapers. His tentacles, instead of the typical eight, are elongated to form a pair of stylish arms in a sharp black suit and a pair of legs in shiny tap shoes, all perfectly balanced on the unicycle. In one hand, he holds a cane that doubles as a paintbrush, which is dipped in a palette of swirling, colorful inks. As he pedals through the cloudless sky, he leaves a trail of abstract art behind him, splattering the buildings with vibrant, surreal patterns. The scene is bathed in a warm, cartoonish light, with the setting sun casting long shadows that dance playfully on the ground below. The octopus's facial expression is one of focused concentration yet absolute confidence, as if he's been performing this absurd balancing act all his life. The background is a bustling cityscape, with people and animals in various states of amazement, pausing to watch the unusual spectacle. The buildings are a mix of modern and whimsical architectural styles, with windows popping open to reveal the curious faces of onlookers. The overall effect is a delightful blend of subjective absurdity and creative flair that invites the viewer to question the boundaries of reality and revel in the whimsy of the moment.
    logo art,Mouse holding a cardboard sign that reads "Will Dance For Buzz!",create a photo realistic image that the viewer has never envisioned before,the image should demonstrate extreme creativity,imaginative,bold,inspiring,original in subject,original in style,amazing composition,intricately detailed,absurdly complex,cute,cuddly,funny,
    ORIGINAL PROMPT: An artwork done in the style of artist (farel dalrymple:1.4), as a (pebble art:1.6). An evocative and detailed random scene that best depicts the Absurdist Fiction genre. PRODUCTION PROMPT: An artwork done in the style of artist (farel dalrymple:1.4), as a (pebble art:1.6). A lone figure stands at the edge of a desolate, twilight beach, surrounded by nothing but the remnants of a forgotten carnival. The rickety, painted facade of a once-vibrant funhouse towers above the shore, its entrance now a gaping mouth in the sand. The figure's face is obscured by a tattered, oversized novelty hat adorned with faded, colorful feathers and a lone, shiny button for an eye. In the distance, a decrepit Ferris wheel creaks ominously, its seats empty except for a lone, limp scarecrow perched on one, staring out to sea as if lost in thought. To the left of the beach lies a row of dilapidated game stalls, each one bearing a sign that creaks in the wind, reading "Win Big!" and "Never Give Up!" The sun sets over the ocean, casting an otherworldly glow across the desolate landscape. In the foreground, a soggy, stained ticket booth seems to slouch against the sand, as if weighed down by some unseen force. Amidst the chaos, a single, flickering neon sign casts an eerie light on the figure's hands, which are clenched into fists and grasping a forgotten, creased ticket stub like it was a lifeline. The entire scene is bathed in a surreal, dreamlike quality, as if the laws of reality had been gently nudged off-kilter to create this fleeting moment of absurdity.
    Ultra-realistic photo: a highly detailed military fighter jet with a surreal twist, featuring an anthropomorphic metallic donkey's head seamlessly integrated into the jet's design. The head is adorned with a crimson military beret, which has comically exaggerated holes through which the metallic donkey ears protrude, adding an absurd yet captivating charm. The head exudes a sense of anthropomorphism with expressive, lifelike eyes and a slight, knowing smile crafted in metal. Red tired eyes. The scene is set in the middle of an expansive, bustling military hangar. The hangar's vast interior is filled with intricate details: towering steel beams, shadowy corners, and scattered military equipment, including crates, fuel drums, and tools. In the background, there are groups of military personnel and technicians moving around, all seen from the back, engaging in various activities, which adds a sense of life and dynamism to the scene. Some are inspecting other jets, while others are in discussion or transporting equipment. Behind the jet, the open hangar doors reveal a bright, contrasting scene outside. The view includes a part of the runway and a distant forest or landscape, adding depth and a sense of openness to the composition. The ambient lighting inside the hangar casts dramatic shadows and highlights that accentuate the metallic textures and features of both the jet and the donkey's head, creating a striking contrast between the cold, hard metal and the almost lifelike expression. The overall atmosphere is a blend of surrealism and hyperrealism, with an undertone of dark humor, creating a visually stunning and memorable piece of art. Artstation. The dynamic elements, such as the movement of people and the vast scale of the hangar, add depth and liveliness to the composition, while ensuring that all individuals are viewed from behind to maintain focus on the main subject.
    A surreal and humorous illustration that embodies the phrase 'This is funny because we’ve decided it’s funny.' The scene features a nonsensical yet meme-like composition: a cartoonish-looking banana wearing sunglasses, standing triumphantly on top of a slice of pizza, holding a tiny flag that reads 'Approved Humor.' Surrounding the banana are floating rubber ducks and a disinterested cat sitting on a cloud, all set against a colorful, abstract background with vibrant swirls and patterns. The overall tone is absurd and playful, capturing the randomness and shared humor of modern meme culture.
    dynamic scene, impressive angle, absurd scene, a huge bright moon falls into the water displacing and splashing the water, the moon is sinking, the bright moon illuminates the depths, underwater light
    A dapper octopus, sporting a top hat and monocle, nonchalantly riding a unicycle along a tightrope stretched between two skyscrapers. His tentacles, instead of the typical eight, are elongated to form a pair of stylish arms in a sharp black suit and a pair of legs in shiny tap shoes, all perfectly balanced on the unicycle. In one hand, he holds a cane that doubles as a paintbrush, which is dipped in a palette of swirling, colorful inks. As he pedals through the cloudless sky, he leaves a trail of abstract art behind him, splattering the buildings with vibrant, surreal patterns. The scene is bathed in a warm, cartoonish light, with the setting sun casting long shadows that dance playfully on the ground below. The octopus's facial expression is one of focused concentration yet absolute confidence, as if he's been performing this absurd balancing act all his life. The background is a bustling cityscape, with people and animals in various states of amazement, pausing to watch the unusual spectacle. The buildings are a mix of modern and whimsical architectural styles, with windows popping open to reveal the curious faces of onlookers. The overall effect is a delightful blend of subjective absurdity and creative flair that invites the viewer to question the boundaries of reality and revel in the whimsy of the moment.
    lovecraftian horror Alien-themed create a photo realistic image that the viewer has never envisioned before,the image should demonstrate extreme creativity,imaginative,bold,inspiring,original in subject,original in style,amazing composition,intricately detailed,absurdly complex . Extraterrestrial,cosmic,otherworldly,mysterious,sci-fi,highly detailed,slime,corridor with hatched alien eggs
    A close-up, high-fidelity image of a perfectly textured waffle cone filled with two scoops of creamy vanilla ice cream, the glossy surface of the ice cream glistening under soft, natural light. Atop the ice cream, a generous pile of baked beans in rich, glossy sauce is carefully placed, their vibrant reddish hue contrasting starkly against the white ice cream. A few drops of bean sauce trickle down the cone, blending slightly with the melting edges of the ice cream. The background is softly blurred, with faint bokeh lights creating an elegant contrast to the absurd and detailed focal point
    ORIGINAL PROMPT: An artwork done in the style of (travis charest:1.4), as a (crayon drawing:1.6). A Pop surrealism depiction of going from the sublime to the ridiculous, in a random scene containing complex objects that best depicts the Post-Apocalyptic genre. PRODUCTION PROMPT: An artwork done in the style of (travis charest:1.4), as a (crayon drawing:1.6). A lone figure stands amidst a swirling vortex of discarded machinery and twisted metal, its face frozen in a mix of awe and bewilderment as it gazes upon a gigantic, mutant mechanical spider sitting atop a pile of rusting computer servers, its legs splayed wide in an absurdly triumphant pose, set against the backdrop of a ruined cityscape. <lora:cg_concept_style:0.20> <lora:dr_diffusion_negative_detail_enhancer_pnte_2_0:-0.60>
    ORIGINAL PROMPT: An artwork done in the style of (ken sugimori:1.4), as a (comic strip style:1.6). A surrealistic depiction of going from the sublime to the ridiculous, in a random scene containing complex objects that best depicts the Philosophical Fiction genre. PRODUCTION PROMPT: An artwork done in the style of (ken sugimori:1.4), as a (comic strip style:1.6). A woman stands at the edge of a vast, dark lake, surrounded by towering trees and misty fog, as a giant clockwork crab emerges from the water, its mechanical legs unfolding like a twisted bouquet, while above it, a fluttering rainbow-colored umbrella reads "THE ENDLESS MEETING OF REALITY AND ABSURDITY." <lora:cg_concept_style:0.80> <lora:dr_diffusion_negative_detail_enhancer_pnte_2_0:-0.60>
    A torrential thunderstorm rages, lightning illuminating the grotesque figure of Homer Simpson, re-imagined as Frankenstein's monster. His skin is a sickly green hue, stitches crisscrossing his forehead and neck, one bolt protruding at an awkward angle. His trademark balding hair is even more sparse and disheveled, and his eyes bulge with a mixture of hunger and confusion. Clutched in his oversized, bolted hand is a half-eaten sprinkled doughnut, pink frosting smeared across his monstrous jowls. Rain lashes down, plastering his tattered clothes to his hulking frame. The background is a blur of wind-whipped trees and flashes of lightning, the thunder echoing like a monstrous growl. Despite the horror, a flicker of Homer's familiar dopiness remains, making the scene both terrifying and absurdly funny. This is a monstrous parody, a collision of classic horror and iconic cartoon imagery. The style evokes the bold lines and lurid colors of a classic EC Comics horror panel, with a touch of Matt Groening's signature caricature style. The desired emotion is a blend of fear and amusement, a grotesque comedy rendered with a dark, saturated color palette and dramatic lighting to emphasize the stormy atmosphere and Homer's monstrous transformation.
    An absurdly epic confrontation unfolds as a dramatically downsized Godzilla, now only eight inches tall but maintaining all his fearsome features and atomic presence, squares off against an ordinary yellow rubber duck in a bathroom environment. The tiny kaiju's scales still gleam with detail, his atomic breath now merely a blue sparkle, while the completely unperturbed rubber duck towers slightly over him with its characteristic innocent smile. Water droplets create miniature puddles around them, reflecting the scene like tiny mirrors and adding gravitas to this ridiculous standoff. Bathroom tiles and chrome fixtures provide a sterile arena for their confrontation, with soft bathroom lighting casting dramatic shadows that treat this silly scenario with all the seriousness of a kaiju film. The artwork merges the whimsical humor of Pixar's concept artists with the detailed monster designs of Wayne Douglas Barlowe and the playful narrative style of James Gurney, creating a perfectly balanced blend of epic and adorable.
    a female character with long,black hair that glows a dim, yellow light. The background is nightsky with milkyway and a absurdly large moon. Her skin is pale. She wears a Yukata with goldfish pattern. She holds a white paper with large text "Chinpo！！" on it. The overall style of the artwork is reminiscent of Japanese anime.
    silent-rock music, real texture, movie scene, poster, absurd
    A truly humorous and ironic take on the phrase 'This page intentionally left blank.' The image features an official-looking document with the phrase written boldly in the center, but surrounded by absurd and unexpected elements—a confused office worker peeking in from the side, a mischievous cat knocking over an ink bottle, or a tiny stick figure scribbling graffiti in the corner. The background retains a serious, formal paper-like texture, but the added chaos brings a surreal, comedic twist. The contrast between the intended blankness and the unexpected absurdity makes for a visually amusing contradiction.
    A truly humorous and ironic take on the phrase 'This page intentionally left blank.' The image features an official-looking document with the phrase written boldly in the center, but surrounded by absurd and unexpected elements—a confused office worker peeking in from the side, a mischievous cat knocking over an ink bottle, or a tiny stick figure scribbling graffiti in the corner. The background retains a serious, formal paper-like texture, but the added chaos brings a surreal, comedic twist. The contrast between the intended blankness and the unexpected absurdity makes for a visually amusing contradiction.
    dynamic scene, impressive angle, absurd scene, a huge bright moon falls into the water displacing and splashing the water, the moon is sinking, the bright moon illuminates the depths, underwater light
    upscale, a black fire phoenix, body made of fire, massive gigantic fire phoenix, fierce, roaring, looking at the viewer, hyperrealistic, fantasy, flying around, angry, highly detailed body, super realistic, hi_res, absurd detailed, very detailed face, in a volcanic environment, volcanic eruption on the background,
    An absurdly epic confrontation unfolds as a dramatically downsized Godzilla, now only eight inches tall but maintaining all his fearsome features and atomic presence, squares off against an ordinary yellow rubber duck in a bathroom environment. The tiny kaiju's scales still gleam with detail, his atomic breath now merely a blue sparkle, while the completely unperturbed rubber duck towers slightly over him with its characteristic innocent smile. Water droplets create miniature puddles around them, reflecting the scene like tiny mirrors and adding gravitas to this ridiculous standoff. Bathroom tiles and chrome fixtures provide a sterile arena for their confrontation, with soft bathroom lighting casting dramatic shadows that treat this silly scenario with all the seriousness of a kaiju film. The artwork merges the whimsical humor of Pixar's concept artists with the detailed monster designs of Wayne Douglas Barlowe and the playful narrative style of James Gurney, creating a perfectly balanced blend of epic and adorable.
    ORIGINAL PROMPT: An artwork done in the style of (stephen wiltshire:1.4), as a (tie dye:1.6). A surrealistic depiction of going from the sublime to the ridiculous, in a random scene containing complex objects that best depicts the Western genre. Use a wide-angle environmental panoramic view. PRODUCTION PROMPT: An artwork done in the style of (stephen wiltshire:1.4), as a (tie dye:1.6). Paint a vintage steampunk saloon filled with intricate brass contraptions and complex clockwork mechanisms, but instead of cowboys and outlaws, it's occupied by robots engaged in an absurd dance-off under a ceiling that morphs into a swirling vortex of purple clouds, with the air thick with glittering dust and steam-powered confetti. Use a wide-angle environmental panoramic view. <lora:cg_concept_style:0.60> <lora:dr_diffusion_negative_detail_enhancer_pnte_2_0:-0.60>
    ORIGINAL PROMPT: An artwork done in the style of (larry elmore:1.4), as a (quilted:1.6). A surrealistic depiction of going from the sublime to the ridiculous, in a random scene containing complex objects that best depicts the Satire genre. PRODUCTION PROMPT: An artwork done in the style of (larry elmore:1.4), as a (quilted:1.6). A satirical illustration of a mundane, everyday encounter between an individual and a cluttered antique shop, where grandeur and chaos converge, highlighting the absurdity in human experience. <lora:cg_concept_style:0.80> <lora:dr_diffusion_negative_detail_enhancer_pnte_2_0:-0.60>
    A surreal and humorous illustration that embodies the phrase 'This is funny because we’ve decided it’s funny.' The scene features a nonsensical yet meme-like composition: a cartoonish-looking banana wearing sunglasses, standing triumphantly on top of a slice of pizza, holding a tiny flag that reads 'Approved Humor.' Surrounding the banana are floating rubber ducks and a disinterested cat sitting on a cloud, all set against a colorful, abstract background with vibrant swirls and patterns. The overall tone is absurd and playful, capturing the randomness and shared humor of modern meme culture.
    ORIGINAL PROMPT: An artwork done in the style of (mark waid:1.4), as a (alebrije:1.6). A surrealistic depiction of going from the sublime to the ridiculous, in a random scene containing complex objects that best depicts the Biopunk genre. Use a wide-angle environmental panoramic view. PRODUCTION PROMPT: An artwork done in the style of (mark waid:1.4), as a (alebrije:1.6). Render a sprawling, cyberpunk laboratory overrun with twisted organic machinery and eerie bioluminescent growths, as a lone figure in a hazmat suit stands triumphantly amidst a jumble of razor-sharp surgical instruments, syringes filled with glowing fluids, and discarded microchips, their expression shifting from intensity to absurdity as they suddenly break into an unsettling rendition of a 1980s pop song. Use a wide-angle environmental panoramic view. <lora:sd35/dr_diffusion_negative_detail_enhancer_pnte_2_0:-0.60>
    A surreal and humorous illustration that embodies the phrase 'This is funny because we’ve decided it’s funny.' The scene features a nonsensical yet meme-like composition: a cartoonish-looking banana wearing sunglasses, standing triumphantly on top of a slice of pizza, holding a tiny flag that reads 'Approved Humor.' Surrounding the banana are floating rubber ducks and a disinterested cat sitting on a cloud, all set against a colorful, abstract background with vibrant swirls and patterns. The overall tone is absurd and playful, capturing the randomness and shared humor of modern meme culture.
    A truly humorous and ironic take on the phrase 'This page intentionally left blank.' The image features an official-looking document with the phrase written boldly in the center, but surrounded by absurd and unexpected elements—a confused office worker peeking in from the side, a mischievous cat knocking over an ink bottle, or a tiny stick figure scribbling graffiti in the corner. The background retains a serious, formal paper-like texture, but the added chaos brings a surreal, comedic twist. The contrast between the intended blankness and the unexpected absurdity makes for a visually amusing contradiction.
    A surreal and humorous illustration that embodies the phrase 'This is funny because we’ve decided it’s funny.' The scene features a nonsensical yet meme-like composition: a cartoonish-looking banana wearing sunglasses, standing triumphantly on top of a slice of pizza, holding a tiny flag that reads 'Approved Humor.' Surrounding the banana are floating rubber ducks and a disinterested cat sitting on a cloud, all set against a colorful, abstract background with vibrant swirls and patterns. The overall tone is absurd and playful, capturing the randomness and shared humor of modern meme culture.
    ORIGINAL PROMPT: An artwork done in the style of (michael deforge:1.4), as a (fujifilm instax:1.6). A Pop surrealism depiction of going from the sublime to the ridiculous, in a random scene containing complex objects that best depicts the Comedy genre. PRODUCTION PROMPT: An artwork done in the style of (michael deforge:1.4), as a (fujifilm instax:1.6). A hyper-realistic, pop-surrealist portrait of an everyday suburban setting descending into absurdity, with oversized, fragmented buildings and chaotic consumer goods, set against a backdrop of laughter and chaos. <lora:cg_concept_style:0.20> <lora:dr_diffusion_negative_detail_enhancer_pnte_2_0:-0.60>
    A truly humorous and ironic take on the phrase 'This page intentionally left blank.' The image features an official-looking document with the phrase written boldly in the center, but surrounded by absurd and unexpected elements—a confused office worker peeking in from the side, a mischievous cat knocking over an ink bottle, or a tiny stick figure scribbling graffiti in the corner. The background retains a serious, formal paper-like texture, but the added chaos brings a surreal, comedic twist. The contrast between the intended blankness and the unexpected absurdity makes for a visually amusing contradiction.

      Stable Diffusion 3 (SD3)

    • SD3 Medium - stableDiffusion3SD3_sd3Medium.safetensors
    • SD3 Medium Incl. Clips - stableDiffusion3SD3_sd3MediumInclClips.safetensors
    • SD3 Medium Incl Clip FP16 - stableDiffusion3SD3_sd3MediumInclClip.safetensors
    • SD3 Medium Incl T5XXL - stableDiffusion3SD3_sd3MediumInclT5XXL.safetensors
    • Text Encoder - Clip L - stableDiffusion3SD3_textEncoderClipL.safetensors
    • Text Encoder - Clip G - stableDiffusion3SD3_textEncoderClipG.safetensors
    • Text Encoder - T5 e4m3fn - stableDiffusion3SD3_textEncoderT5E4m3fn.safetensors
    • Text Encoder - T5XXLFP16 - stableDiffusion3SD3_textEncoderT5XXLFP16.safetensors
    • ComfyUI Workflows - stableDiffusion3SD3_comfyuiWorkflows_trainingData.zip
    • Demo Prompts - stableDiffusion3SD3_demoPrompts_trainingData.zip

      Stable Diffusion 3.5 Large

    • Large - stableDiffusion35_large.safetensors
    • Workflow - stableDiffusion35_workflow_trainingData.zip

      Stable Diffusion 3.5 Large Turbo

    • Large Turbo - stableDiffusion35_largeTurbo.safetensors
    • Workflow - stableDiffusion35_workflow_trainingData.zip

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