SD3.5 Community Gallery

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The purpose of this site is to allow everyone to openly experiment with Flux Pro, so that we can assess it's strengths and weaknesses collectively rather than in isolation, and to learn about it's prompting styles from one another.

A minimalist abstract painting evoking melancholic harmony through a solitary, simplified figure in cool cerulean and slate, centered against a warm backdrop of crimson and burnt sienna gradients. Inspired by Mark Rothko’s color fields and Agnes Martin’s geometric serenity, the composition balances stark contrasts with soft, diffused autumn twilight lighting. Textured impasto strokes merge into smooth washes, while scattered golden leaves and faint charcoal cracks suggest ephemeral balance. Dynamic warm-cool interplay whispers quiet sorrow, anchored by a wilting sunflower at the figure’s base, symbolizing fragile unity amidst decay.

professional photography of male eighteen lanky, maori, ruby red eyes, split ears, u-shaped jaw, round cheeks, unique face shape, , chestnut mid fade hair, grief wearing quinacridone magenta organza pleated shorts, burnt umber polo sweater, chiffon neckerchief , arms crossed tightly, suggesting defensiveness or discomfort, bulky full body clothing, boat neck, poplin, three-quarter sleeves, floor-length, high waist, mermaid skirt, stone wash, In very detailled reveal utopian nanostructure

$A vortex of life-sized crimson roses spirals infinitely upward from a twilight garden, viewed through a low-angle fisheye lens amplifying their towering scale. Van Gogh’s swirling brushstrokes merge with Klimt’s gilded ornamentation: petals ripple like molten velvet, thorns gleam as fractured obsidian shards. The palette smolders—burnt umber shadows, cadmium red blooms, and cerulean mist bleeding into saffron halos. Luminescent pollen drifts like drowned stars, casting kaleidoscopic shadows on petals that simultaneously wilt and regenerate. A single fractured mirror floats at the vortex’s heart, reflecting fractured glimpses of a winding path swallowed by thorns.$

A bold inkplash-meets-watercolor wash artwork, expertly painted on rice paper using rich sepia, burnt henna, and ink-black hues. A Japanese femme fatale, breathtaking and powerful, is silhouetted sharply against a dark, abstract cityscape. Her long, flowing hair dances around her face, her sidelocks framing her piercing, shadowed eyes and bright red lips. She stands confidently in a short, sensual red cocktail dress, accentuating her form under the chaotic, colorful bokeh lights of a busy Tokyo backstreet at night. The lighting is dramatic and intimate, a perfect study in chiaroscuro, mixing shadowy depth with vibrant city light fragments, inspired by Japanese urban noir photography.

$Aerial perspective overlooks a fractured waterfront: angular planes of chalk-white and slate cascade into a still mercury-toned bay, their jagged edges dissolving into mist. Cubist distortions fragment the horizon into intersecting triangles and rhomboids, echoing Picasso’s analytic phase fused with Tamara de Lempicka’s sleek minimalism. The palette hinges on bleached cobalt shadows and whispers of burnt umber, backlit by a diffused saffron glow that etches geometric halos onto the water’s matte, inkblot surface. A lone silhouetted arch—sliced by intersecting black lines—floats mid-air, its reflection shattered into monochrome shards that ripple with ghostly symmetry.$

$A cubist lake fractures into angular planes at twilight, its mirrored surface splintered by geometric ripples echoing Picasso’s "Glass Absinthe" abstractions. Low-angle perspective amplifies towering, minimalist cliffs of burnt umber and cadmium yellow, their jagged edges dissolving into cerulean gradients. A single prismatic bird—origami-sharp—glides through air thick with iridescent mist, casting elongated shadows that bleed into the water. Smooth, liquid cobalt contrasts fractured ochre terraces; diffused light blurs boundaries between solid and reflection. Serenity pulses beneath surreal disquiet, the scene balanced between collapse and infinite stillness$

$Construct a photorealistic depiction of a dilapidated observatory, rendered in a fractured Cubist style. The observatory's dome and telescope are deconstructed into shards of stained glass, each piece displaying a slightly different perspective and reflecting moonlight. The color palette is a stark contrast of deep indigo, burnt ochre, and polished silver, with sharp, overlapping lines and fragmented forms. Incorporate subtle gradients within each glass shard to mimic refracted light, blurring the line between abstract geometry and tangible reality. The overall composition should evoke a sense of lost knowledge and cosmic wonder.$

A minimalist abstract painting of interlocking geometric forms suspended in harmonious equilibrium, rendered with sharp-edged precision against a gradient void of midnight blue. Bauhaus-influenced composition with radial symmetry, focal converging lines drawing the eye to a glowing core of burnt orange and metallic gold. Textures shift from matte to iridescent, echoing Hilma af Klint’s spiritual abstraction. Tactile gradients mimic liquid mercury meeting velvet. Ambient diffusion creates soft halos around stark shapes, contrasting cool/warm tones. Subtle concentric circles pulse beneath layered translucence, evoking celestial alignment. Palette: oxidized cobalt, saffron, bone white. Style: Zen serenity meets constructivist tension

Visualize a traditional Indian shadow puppet theatre performance, rendered as a Cubist stained-glass panorama. Intricately carved leather puppets dance across a backlit screen, casting dramatic shadows. A puppeteerâs hands, partially visible, manipulate the puppets with skill and artistry. The color palette utilizes deep sepia, burnt orange, indigo, and charcoal gray, emphasizing the theatrical lighting and shadow play. Blend photorealistic details â the texture of the leather puppets, the grain of the wooden stage, the intricate details of the shadows â with the geometric abstraction of Cubism. The overall composition should convey a sense of enchanting storytelling, cultural heritage, and the magic of shadow and light, deeply immersed in a dramatic interplay of light and shadow.

A minimalistic abstract painting of interlocking geometric shapes in burnt sienna and crimson, symbolizing harmony, set against a flowing autumnal backdrop of soft gradients and organic curves. Composition features sharp, angular foreground elements contrasting with ethereal background washes, centered on a focal point of balanced asymmetry. Influenced by Hilma af Klint’s spiritual abstraction and Rothko’s color fields, with tactile textures of rough edges meeting smooth gradients. Warm golden light casts subtle shadows, evoking tranquility and introspection. A single gold leaf drifts subtly, symbolizing fleeting balance. Contrasting red and cool tones enhance depth, rendered in a thought-provoking, conceptual style.

Slightly low-angle medium shot inside Grumble's Grains bakery. A formidable, flour-dusted proprietor with sharp grey eyes stands behind a sturdy oak counter piled with dense oatcakes and rustic dark rye loaves. Style: Vermeer's intimate light rendering Millet's grounded realism. Single-source illumination casts deep, velvety shadows, sculpting form across a warm ochre, burnt sienna, deep umber palette. Textures tangible: rough-hewn wood, powdery flour, craggy crusts, weathered skin. Atmosphere of grounded competence, no-nonsense warmth. Visible flour motes dance in the light beam. Gleaming brass scale weight provides a focal point.

$A surreal fine art photograph capturing the explosive tension of a fractured moment: shattered glass shards (foreground) spiral toward a suspended debris vortex (midground) against a stormy, ink-wash sky (background), centered perspective amplifying chaos. Style fuses Gerhard Richter’s blurred abstraction with Cubist fragmentation; chiaroscuro lighting casts stark shadows across electric blue and burnt umber tones, neon cracks pulsing with molten energy. Tactile contrasts: ice-cold glass versus radiating heat, a melting clock embedded in debris. Internationally-acclaimed, hyper-detailed, evoking visceral unease and temporal distortion.$

$A lone figure kneels in contemplation at the heart of a sparse autumn forest, crimson leaves swirling like suspended tears. Foreground focus on the figure’s bowed silhouette, backdropped by stark, vertical birch trunks receding into mist. Stylized in Mark Rothko’s color-field minimalism fused with Zdzisław Beksiński’s surreal melancholy: layered washes of burnt umber, gold, and blood-red gradients clash against slate-gray shadows. Thin winter light fractures through bare branches, casting geometric patterns on cracked earth. Tactile contrasts: gossamer leaf veins, rough bark, a single glass-like teardrop merging with a fallen leaf. Eerie serenity, transience as harmony.$

$male focus, A luminous and ruggedly handsome man with crystalline hair that refracts light into rainbows, standing on a surface made of shifting liquid mirrors. The man’s eyes are blue, flowing streams of stardust that dissolve into the air. Around the man, the environment is an endless expanse of kaleidoscopic patterns, where the ground and sky blend into an ever-changing mosaic of impossible colors and shapes. The man seems to be the only fixed point in this reality, radiating an aura of calm amidst the chaotic beauty, highly detailed face, sexy, sensual, erotic, masterpiece, best quality, high resolution, 8k, highly detailed, golden hour, sun burnt skin, sweaty$

Old burnt photograph style, pale minimalistic watercolor portrait of a girl, smudge painting technique, with a single streak of paint smearing across and obscuring her eyes — faded tones, delicate brushwork, haunting and abstract aesthetic.

Low-angle view of a weathered oak door creaking inward, warmth and yeasted grain-scent spilling into dim streetlight. Shelves loom with cracked-crust rye loaves, burlap sacks spilling spelt flour, oatcakes studded with barley. Dutch Golden Age chiaroscuro (reminiscent of Vermeer’s textural intimacy) bathes a flour-dusted counter: tarnished brass scale, hand-carved coin box, linen cloth tenting lumpy oat biscuits. Centered, a broad-shouldered woman—ash braid coiled like rope, apron smudged with charcoal-grey rye—fixes steel-blue eyes on the viewer. Palette: burnt umber shadows, wheat-gold highlights, hearthstone greys. Textures: coarse linen, gritty stone, flour-kissed skin. Mood: austere comfort, where labor and sustenance intertwine.

35 mm photo of a beautiful 18yo bodybuilder man posing in a tight fitting white ribbed vest with plunging neckline, full body shot, messed up style hair, deep chest cleavage, skin details, ultrarealistic, hyperdetailed photography, soft light, model look, standing at the 50-yard line in a crowded stadium, looking at camera, long hair, earrings, blue eyes, chiseled muscles, narrow waist, broad shoulders, vascular, cocky attitude, he lifts up one arm and flexes his huge bicep, vascular, handsome, light stubble, sun burnt skin, sweaty

$A tension-charged duo floats in a liquid-dim void, their torsos warped like Dali’s melting clocks, faces half-dissolved into Hilma af Klint’s geometric spirals. Extreme close-up from a skewed worm’s-eye view amplifies emotional claustrophobia: his hand—cracked terracotta glowing with inner magma—reaches toward her mercury-silver lips, frozen mid-syllable. Chiaroscuro lighting carves their forms in midnight blue and burnt umber, shadows pooling like spilled ink. Iridescent mist swirls where words fail, each particle humming with unvoiced desire. Critical details: his iris reflects miniature collapsing staircases; her breath crystallizes as Cyrillic question marks. Textures clash—glossy vs. corroded—as a fractured hourglass leaks cobalt sand between them.$

ORIGINAL PROMPT: An artwork done in the style of artist (tatsuro kiuchi:1.4), as a (cutaway view:1.6).
A poignant Steampunk Science Fiction scene.
PRODUCTION PROMPT: An artwork done in the style of artist (tatsuro kiuchi:1.4), as a (cutaway view:1.6).
In a dimly lit, smoke-filled laboratory, a lone figure sits hunched over a workbench, surrounded by scattered gears, copper wires, and broken clockwork mechanisms. The air is thick with the smell of machine oil and burnt solder. A faint glow emanates from a nearby lantern, casting an otherworldly light on the scene. In the background, a massive clock tower looms, its intricate stonework etched with symbols of ancient knowledge. The figure's head is bent in intense concentration as it tinkers with a magnificent steampunk contraption, its brass limbs and copper visage glinting in the soft lantern light. Time seems to be standing still, suspended between past and present, as if the very fabric of reality has been warped by the boundaries of science and imagination. The atmosphere is heavy with anticipation, expectation, or perhaps even despair â only the figure knows for certain what the future holds.

$A lone figure in a 1940s tailored suit stands silhouetted against a fractured metropolis, angular buildings tilting like expressionist shadows. Cinematic noir meets emotional abstraction: Fritz Lang’s chiaroscuro clashes with Edvard Munch’s brushwork, drenching the scene in slate blues and burnt umber pierced by neon crimson. Foreground textures—rough brushstrokes on a frayed trenchcoat, a cracked pocket watch—contrast midground geometric shards. A fractured mirror reflects splintered selves, lit by a solitary streetlamp casting long, distorted shadows. Stylized vintage glamour dissolves into chaos through layered, color-blocked despair.$