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    The purpose of this site is to allow everyone to openly experiment with Flux Pro, so that we can assess it's strengths and weaknesses collectively rather than in isolation, and to learn about it's prompting styles from one another.

    A torrential thunderstorm rages, lightning illuminating the grotesque figure of Homer Simpson, re-imagined as Frankenstein's monster. His skin is a sickly green hue, stitches crisscrossing his forehead and neck, one bolt protruding at an awkward angle. His trademark balding hair is even more sparse and disheveled, and his eyes bulge with a mixture of hunger and confusion. Clutched in his oversized, bolted hand is a half-eaten sprinkled doughnut, pink frosting smeared across his monstrous jowls. Rain lashes down, plastering his tattered clothes to his hulking frame. The background is a blur of wind-whipped trees and flashes of lightning, the thunder echoing like a monstrous growl. Despite the horror, a flicker of Homer's familiar dopiness remains, making the scene both terrifying and absurdly funny. This is a monstrous parody, a collision of classic horror and iconic cartoon imagery. The style evokes the bold lines and lurid colors of a classic EC Comics horror panel, with a touch of Matt Groening's signature caricature style. The desired emotion is a blend of fear and amusement, a grotesque comedy rendered with a dark, saturated color palette and dramatic lighting to emphasize the stormy atmosphere and Homer's monstrous transformation.
    A torrential thunderstorm rages, lightning illuminating the grotesque figure of Homer Simpson, re-imagined as Frankenstein's monster. His skin is a sickly green hue, stitches crisscrossing his forehead and neck, one bolt protruding at an awkward angle. His trademark balding hair is even more sparse and disheveled, and his eyes bulge with a mixture of hunger and confusion. Clutched in his oversized, bolted hand is a half-eaten sprinkled doughnut, pink frosting smeared across his monstrous jowls. Rain lashes down, plastering his tattered clothes to his hulking frame. The background is a blur of wind-whipped trees and flashes of lightning, the thunder echoing like a monstrous growl. Despite the horror, a flicker of Homer's familiar dopiness remains, making the scene both terrifying and absurdly funny. This is a monstrous parody, a collision of classic horror and iconic cartoon imagery. The style evokes the bold lines and lurid colors of a classic EC Comics horror panel, with a touch of Matt Groening's signature caricature style. The desired emotion is a blend of fear and amusement, a grotesque comedy rendered with a dark, saturated color palette and dramatic lighting to emphasize the stormy atmosphere and Homer's monstrous transformation.
    A torrential thunderstorm rages, lightning illuminating the grotesque figure of Homer Simpson, re-imagined as Frankenstein's monster. His skin is a sickly green hue, stitches crisscrossing his forehead and neck, one bolt protruding at an awkward angle. His trademark balding hair is even more sparse and disheveled, and his eyes bulge with a mixture of hunger and confusion. Clutched in his oversized, bolted hand is a half-eaten sprinkled doughnut, pink frosting smeared across his monstrous jowls. Rain lashes down, plastering his tattered clothes to his hulking frame. The background is a blur of wind-whipped trees and flashes of lightning, the thunder echoing like a monstrous growl. Despite the horror, a flicker of Homer's familiar dopiness remains, making the scene both terrifying and absurdly funny. This is a monstrous parody, a collision of classic horror and iconic cartoon imagery. The style evokes the bold lines and lurid colors of a classic EC Comics horror panel, with a touch of Matt Groening's signature caricature style. The desired emotion is a blend of fear and amusement, a grotesque comedy rendered with a dark, saturated color palette and dramatic lighting to emphasize the stormy atmosphere and Homer's monstrous transformation.
    A dapper octopus, sporting a top hat and monocle, nonchalantly riding a unicycle along a tightrope stretched between two skyscrapers. His tentacles, instead of the typical eight, are elongated to form a pair of stylish arms in a sharp black suit and a pair of legs in shiny tap shoes, all perfectly balanced on the unicycle. In one hand, he holds a cane that doubles as a paintbrush, which is dipped in a palette of swirling, colorful inks. As he pedals through the cloudless sky, he leaves a trail of abstract art behind him, splattering the buildings with vibrant, surreal patterns. The scene is bathed in a warm, cartoonish light, with the setting sun casting long shadows that dance playfully on the ground below. The octopus's facial expression is one of focused concentration yet absolute confidence, as if he's been performing this absurd balancing act all his life. The background is a bustling cityscape, with people and animals in various states of amazement, pausing to watch the unusual spectacle. The buildings are a mix of modern and whimsical architectural styles, with windows popping open to reveal the curious faces of onlookers. The overall effect is a delightful blend of subjective absurdity and creative flair that invites the viewer to question the boundaries of reality and revel in the whimsy of the moment.
    A dapper octopus, sporting a top hat and monocle, nonchalantly riding a unicycle along a tightrope stretched between two skyscrapers. His tentacles, instead of the typical eight, are elongated to form a pair of stylish arms in a sharp black suit and a pair of legs in shiny tap shoes, all perfectly balanced on the unicycle. In one hand, he holds a cane that doubles as a paintbrush, which is dipped in a palette of swirling, colorful inks. As he pedals through the cloudless sky, he leaves a trail of abstract art behind him, splattering the buildings with vibrant, surreal patterns. The scene is bathed in a warm, cartoonish light, with the setting sun casting long shadows that dance playfully on the ground below. The octopus's facial expression is one of focused concentration yet absolute confidence, as if he's been performing this absurd balancing act all his life. The background is a bustling cityscape, with people and animals in various states of amazement, pausing to watch the unusual spectacle. The buildings are a mix of modern and whimsical architectural styles, with windows popping open to reveal the curious faces of onlookers. The overall effect is a delightful blend of subjective absurdity and creative flair that invites the viewer to question the boundaries of reality and revel in the whimsy of the moment.
    Ultra-realistic photo: a highly detailed military fighter jet with a surreal twist, featuring an anthropomorphic metallic donkey's head seamlessly integrated into the jet's design. The head is adorned with a crimson military beret, which has comically exaggerated holes through which the metallic donkey ears protrude, adding an absurd yet captivating charm. The head exudes a sense of anthropomorphism with expressive, lifelike eyes and a slight, knowing smile crafted in metal. Red tired eyes. The scene is set in the middle of an expansive, bustling military hangar. The hangar's vast interior is filled with intricate details: towering steel beams, shadowy corners, and scattered military equipment, including crates, fuel drums, and tools. In the background, there are groups of military personnel and technicians moving around, all seen from the back, engaging in various activities, which adds a sense of life and dynamism to the scene. Some are inspecting other jets, while others are in discussion or transporting equipment. Behind the jet, the open hangar doors reveal a bright, contrasting scene outside. The view includes a part of the runway and a distant forest or landscape, adding depth and a sense of openness to the composition. The ambient lighting inside the hangar casts dramatic shadows and highlights that accentuate the metallic textures and features of both the jet and the donkey's head, creating a striking contrast between the cold, hard metal and the almost lifelike expression. The overall atmosphere is a blend of surrealism and hyperrealism, with an undertone of dark humor, creating a visually stunning and memorable piece of art. Artstation. The dynamic elements, such as the movement of people and the vast scale of the hangar, add depth and liveliness to the composition, while ensuring that all individuals are viewed from behind to maintain focus on the main subject.
    A dapper octopus, sporting a top hat and monocle, nonchalantly riding a unicycle along a tightrope stretched between two skyscrapers. His tentacles, instead of the typical eight, are elongated to form a pair of stylish arms in a sharp black suit and a pair of legs in shiny tap shoes, all perfectly balanced on the unicycle. In one hand, he holds a cane that doubles as a paintbrush, which is dipped in a palette of swirling, colorful inks. As he pedals through the cloudless sky, he leaves a trail of abstract art behind him, splattering the buildings with vibrant, surreal patterns. The scene is bathed in a warm, cartoonish light, with the setting sun casting long shadows that dance playfully on the ground below. The octopus's facial expression is one of focused concentration yet absolute confidence, as if he's been performing this absurd balancing act all his life. The background is a bustling cityscape, with people and animals in various states of amazement, pausing to watch the unusual spectacle. The buildings are a mix of modern and whimsical architectural styles, with windows popping open to reveal the curious faces of onlookers. The overall effect is a delightful blend of subjective absurdity and creative flair that invites the viewer to question the boundaries of reality and revel in the whimsy of the moment.
    A close-up, high-fidelity image of a perfectly textured waffle cone filled with two scoops of creamy vanilla ice cream, the glossy surface of the ice cream glistening under soft, natural light. Atop the ice cream, a generous pile of baked beans in rich, glossy sauce is carefully placed, their vibrant reddish hue contrasting starkly against the white ice cream. A few drops of bean sauce trickle down the cone, blending slightly with the melting edges of the ice cream. The background is softly blurred, with faint bokeh lights creating an elegant contrast to the absurd and detailed focal point
    A torrential thunderstorm rages, lightning illuminating the grotesque figure of Homer Simpson, re-imagined as Frankenstein's monster. His skin is a sickly green hue, stitches crisscrossing his forehead and neck, one bolt protruding at an awkward angle. His trademark balding hair is even more sparse and disheveled, and his eyes bulge with a mixture of hunger and confusion. Clutched in his oversized, bolted hand is a half-eaten sprinkled doughnut, pink frosting smeared across his monstrous jowls. Rain lashes down, plastering his tattered clothes to his hulking frame. The background is a blur of wind-whipped trees and flashes of lightning, the thunder echoing like a monstrous growl. Despite the horror, a flicker of Homer's familiar dopiness remains, making the scene both terrifying and absurdly funny. This is a monstrous parody, a collision of classic horror and iconic cartoon imagery. The style evokes the bold lines and lurid colors of a classic EC Comics horror panel, with a touch of Matt Groening's signature caricature style. The desired emotion is a blend of fear and amusement, a grotesque comedy rendered with a dark, saturated color palette and dramatic lighting to emphasize the stormy atmosphere and Homer's monstrous transformation.
    An absurdly epic confrontation unfolds as a dramatically downsized Godzilla, now only eight inches tall but maintaining all his fearsome features and atomic presence, squares off against an ordinary yellow rubber duck in a bathroom environment. The tiny kaiju's scales still gleam with detail, his atomic breath now merely a blue sparkle, while the completely unperturbed rubber duck towers slightly over him with its characteristic innocent smile. Water droplets create miniature puddles around them, reflecting the scene like tiny mirrors and adding gravitas to this ridiculous standoff. Bathroom tiles and chrome fixtures provide a sterile arena for their confrontation, with soft bathroom lighting casting dramatic shadows that treat this silly scenario with all the seriousness of a kaiju film. The artwork merges the whimsical humor of Pixar's concept artists with the detailed monster designs of Wayne Douglas Barlowe and the playful narrative style of James Gurney, creating a perfectly balanced blend of epic and adorable.
    An absurdly epic confrontation unfolds as a dramatically downsized Godzilla, now only eight inches tall but maintaining all his fearsome features and atomic presence, squares off against an ordinary yellow rubber duck in a bathroom environment. The tiny kaiju's scales still gleam with detail, his atomic breath now merely a blue sparkle, while the completely unperturbed rubber duck towers slightly over him with its characteristic innocent smile. Water droplets create miniature puddles around them, reflecting the scene like tiny mirrors and adding gravitas to this ridiculous standoff. Bathroom tiles and chrome fixtures provide a sterile arena for their confrontation, with soft bathroom lighting casting dramatic shadows that treat this silly scenario with all the seriousness of a kaiju film. The artwork merges the whimsical humor of Pixar's concept artists with the detailed monster designs of Wayne Douglas Barlowe and the playful narrative style of James Gurney, creating a perfectly balanced blend of epic and adorable.

      Stable Diffusion 3 (SD3)

    • SD3 Medium - stableDiffusion3SD3_sd3Medium.safetensors
    • SD3 Medium Incl. Clips - stableDiffusion3SD3_sd3MediumInclClips.safetensors
    • SD3 Medium Incl Clip FP16 - stableDiffusion3SD3_sd3MediumInclClip.safetensors
    • SD3 Medium Incl T5XXL - stableDiffusion3SD3_sd3MediumInclT5XXL.safetensors
    • Text Encoder - Clip L - stableDiffusion3SD3_textEncoderClipL.safetensors
    • Text Encoder - Clip G - stableDiffusion3SD3_textEncoderClipG.safetensors
    • Text Encoder - T5 e4m3fn - stableDiffusion3SD3_textEncoderT5E4m3fn.safetensors
    • Text Encoder - T5XXLFP16 - stableDiffusion3SD3_textEncoderT5XXLFP16.safetensors
    • ComfyUI Workflows - stableDiffusion3SD3_comfyuiWorkflows_trainingData.zip
    • Demo Prompts - stableDiffusion3SD3_demoPrompts_trainingData.zip

      Stable Diffusion 3.5 Large

    • Large - stableDiffusion35_large.safetensors
    • Workflow - stableDiffusion35_workflow_trainingData.zip

      Stable Diffusion 3.5 Large Turbo

    • Large Turbo - stableDiffusion35_largeTurbo.safetensors
    • Workflow - stableDiffusion35_workflow_trainingData.zip

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