SD3.5 Community Gallery

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    🚨 All generations are PUBLIC.

    The purpose of this site is to allow everyone to openly experiment with Flux Pro, so that we can assess it's strengths and weaknesses collectively rather than in isolation, and to learn about it's prompting styles from one another.

    A heavily damaged battlecruiser fills the frame, its matte-finish metal exterior weathered and scratched, with exposed pipes and antennae visible in stark, high-contrast lighting. Motion blur and pale blue exhaust trails create a sense of urgency, as if captured by a war photographer at a shutter speed of 1/1000th of a second. In the background, a chaotic firefight between smaller fighter craft plays out, with bright tracer paths and intense flashes from energy weapon impacts, set against the massive scale of a distant planet and the dark, starry vastness of space. Lens flares and atmospheric fog add to the sense of tension as shields flicker and fail on the battlecruiser, casting an eerie, desaturated glow on the surrounding environment, emphasizing the gritty realism of the scene.
    A heavily damaged battlecruiser fills the frame, weathered matte-finish metal exterior with exposed pipes and antennae, motion blur and pale blue exhaust trails creating a sense of urgency, set against a backdrop of a chaotic firefight with bright tracer paths, harsh lighting contrasts, and smoke-filled atmosphere, with the distant planet or moon looming large.
    Opium den, 1800s San Francisco, narrow Jackson Street alley. Thick smoke and jasmine incense fill the cramped, dimly lit room. Faded red lantern glows above a door marked 'Lucky House.' Inside, worn benches and scarred tables clutter the space. Faded silk tapestries of dragons and phoenixes adorn the walls, illuminated by flickering candles. A chipped ornate mirror reflects eerie shadows on a sawdust-covered floor. Mrs. Lee, stern-faced in her 50s, sits behind a counter in a traditional embroidered dress. Opium users huddle with slack, vacant faces, smoking clay pipes; one coughs violently. A young woman sits alone, tears streaming from sunken, red-rimmed eyes, pale and clammy. Jack, pale and sweaty, trembles as he smokes across from Sarah, a prostitute uneasy amid the desperation and addiction. Coughs, snores, and sobs fill the heavy air, contrasting the vibrant city outside. A haunting, timeless escape steeped in hopelessness.
    A heavily damaged battlecruiser fills the foreground, scarred by scorch marks and hull breaches, its utilitarian design with exposed pipes and structural elements revealed under harsh sunlight casting long, unforgiving shadows. Beyond, smaller fighter craft engage in a chaotic dogfight, their pale blue thruster exhausts blurring with motion, amidst brief flashes of energy weapon impacts and dissipating fireballs from small explosions. Distant, a crescent moon rises over the shoulder of the crippled battlecruiser, providing context to the vastness of the battle scene unfolding. A film grain texture is visible, especially in shadowed areas, and subtle lens flares underscore the authenticity of the high-speed capture on 70mm IMAX film, looking as if shot through an 800mm telephoto lens, thus compressing the scene's perspective.
    War-torn, dark metallic hues of a battlecruiser's matte-finish exterior fill the frame from a low-angle perspective, weathered and scratched with exposed pipes and antennae that stretch beyond its mangled hull like arms - the high-speed blur of its motion contrasting against the pale, blue trails of exhaust fire streaming behind it as if echoing its urgent fight for survival amidst the unforgiving vastness of space. To the rear, abstract forms conflagrate in the distance with miniature fighter aircraft arcing across a fiery tapestry of clashes, shells bursting in radiant, blazing coruscations amidst jagged lines, while distantly, a mottled celestial body lends depth to this maelstrom. Dark flares from a besieged shield flicker weakly as intense, brutal illumination brings desolate, jagged wreckage - shattered piping and fractured metal a stark testament to grim industrial determination in both utilitarian surfaces that stud the stricken hulk and in molten scar tissue laced across explosive wounds.
    Opium den, 1800s San Francisco, narrow Jackson Street alley. Thick smoke and jasmine incense fill the cramped, dimly lit room. Faded red lantern glows above a door marked 'Lucky House.' Inside, worn benches and scarred tables clutter the space. Faded silk tapestries of dragons and phoenixes adorn the walls, illuminated by flickering candles. A chipped ornate mirror reflects eerie shadows on a sawdust-covered floor. Mrs. Lee, stern-faced in her 50s, sits behind a counter in a traditional embroidered dress. Opium users huddle with slack, vacant faces, smoking clay pipes; one coughs violently. A young woman sits alone, tears streaming from sunken, red-rimmed eyes, pale and clammy. Jack, pale and sweaty, trembles as he smokes across from Sarah, a prostitute uneasy amid the desperation and addiction. Coughs, snores, and sobs fill the heavy air, contrasting the vibrant city outside. A haunting, timeless escape steeped in hopelessness.
    A heavily damaged battlecruiser fills the frame of an intense space battle scene, captured in a close-up shot with shallow depth of field using a Hasselblad camera at a shutter speed of 1/1000th of a second and an ISO of 400 on 70mm IMAX film. The matte-finish metal exterior of the battlecruiser is weathered and scratched, with exposed pipes and antennae visible against a chaotic background of a space firefight. Motion blur on the ship's thrusters and pale blue exhaust trails emphasize urgency, as vibrant tracer paths and intense flashes from energy weapon impacts illuminate the distance, set against the backdrop of a distant planet or moon shrouded in smoke, debris, lens flares, and atmospheric fog.
    A hyperrealistic photograph captured on 70mm IMAX film using a Hasselblad camera, depicts a damaged battlecruiser in the foreground, its weathered matte metal exterior with exposed pipes, antennae, and abstract shapes of fractured forms creating a sense of urgency with motion blur and pale blue exhaust trails; in the background, a firefight unfolds with bright tracer paths, intense flashes and debris-filled atmosphere evoking grittiness and realism with shields casting eerie glows amidst practical surfaces and subtle warmth from the nearby star.

      Stable Diffusion 3 (SD3)

    • SD3 Medium - stableDiffusion3SD3_sd3Medium.safetensors
    • SD3 Medium Incl. Clips - stableDiffusion3SD3_sd3MediumInclClips.safetensors
    • SD3 Medium Incl Clip FP16 - stableDiffusion3SD3_sd3MediumInclClip.safetensors
    • SD3 Medium Incl T5XXL - stableDiffusion3SD3_sd3MediumInclT5XXL.safetensors
    • Text Encoder - Clip L - stableDiffusion3SD3_textEncoderClipL.safetensors
    • Text Encoder - Clip G - stableDiffusion3SD3_textEncoderClipG.safetensors
    • Text Encoder - T5 e4m3fn - stableDiffusion3SD3_textEncoderT5E4m3fn.safetensors
    • Text Encoder - T5XXLFP16 - stableDiffusion3SD3_textEncoderT5XXLFP16.safetensors
    • ComfyUI Workflows - stableDiffusion3SD3_comfyuiWorkflows_trainingData.zip
    • Demo Prompts - stableDiffusion3SD3_demoPrompts_trainingData.zip

      Stable Diffusion 3.5 Large

    • Large - stableDiffusion35_large.safetensors
    • Workflow - stableDiffusion35_workflow_trainingData.zip

      Stable Diffusion 3.5 Large Turbo

    • Large Turbo - stableDiffusion35_largeTurbo.safetensors
    • Workflow - stableDiffusion35_workflow_trainingData.zip

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