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    🚨 All generations are PUBLIC.

    The purpose of this site is to allow everyone to openly experiment with Flux Pro, so that we can assess it's strengths and weaknesses collectively rather than in isolation, and to learn about it's prompting styles from one another.

    🐰✨ Spring into Creativity! 🌸🥚

    Celebrate the season of renewal with fresh artistic perspectives! Let spring colors and new beginnings inspire your creative journey.

    A gaunt human figure dissolves into rivulets of obsidian liquid, center-frame within a collapsing cathedral. Baroque chiaroscuro illuminates cracked marble ribs arching overhead, while shattered stained glass casts neon-teal shards across decaying pews. Hieronymus Bosch-inspired grotesquery emerges in stone cracks forming clusters of blind eyes. Slimy dissolution textures contrast with bone-dry altar dust. Low-angle perspective amplifies both architectural grandeur and bodily fragility. Dominant blacks and ashen grays pierced by toxic luminescence. Tactile paradox: viscous corruption pools on fractal-patterned floor tiles as guttering candlelight warps the air into liquid-looking shadows.
    A gaunt human figure dissolves into rivulets of obsidian liquid, center-frame within a collapsing cathedral. Baroque chiaroscuro illuminates cracked marble ribs arching overhead, while shattered stained glass casts neon-teal shards across decaying pews. Hieronymus Bosch-inspired grotesquery emerges in stone cracks forming clusters of blind eyes. Slimy dissolution textures contrast with bone-dry altar dust. Low-angle perspective amplifies both architectural grandeur and bodily fragility. Dominant blacks and ashen grays pierced by toxic luminescence. Tactile paradox: viscous corruption pools on fractal-patterned floor tiles as guttering candlelight warps the air into liquid-looking shadows.
    Create a photorealistic image of a full figured Goth fashion model with a bold, crimson-red hair color and matching lipstick. The model should be wearing a black leather corset with silver studs and a flowing, dark purple skirt. The background should be a deep, rich black, and the lighting should be dramatic and intense, with a slight blue tone. The camera should be positioned at a slight angle, looking up at the model from a low vantage point, using a DSLR camera with a 50mm lens, and settings of f/2.8, 1/125s, ISO 200, and daylight white balance. The style should be inspired by the works of Goth fashion photographers, with a focus on capturing the model's bold, edgy style. Extremely detailed scene, extremely intricate details, detailed skin complexion and texture; This detailed photo is used in a professional fashion model portfolio This sharp photo is an example of perfect portrait This award-winning photo shows photography mastery This sharp photo is full of incredible details This high megapixel photo has capture subtle fine details and is composed with refined framing
    Create a photorealistic image of a young actress, taken by a celebrity photographer like Annie Leibovitz or Mark Seliger. The image should capture the actress's expressive features, including her bright blue eyes and subtle smile. The background should be a soft, creamy white, and the lighting should be soft and warm, with a slight golden tone. The camera should be positioned at a slight angle, looking up at the actress from a low vantage point, using a medium-format camera with a 80mm lens, and settings of f/2.8, 1/125s, ISO 100, and daylight white balance. The style should be inspired by the works of celebrity photographers, with a focus on capturing the actress's personality and charisma. Extremely detailed scene, extremely intricate details, detailed skin complexion and texture; This detailed photo is used in a professional fashion model portfolio This sharp photo is an example of perfect portrait This award-winning photo shows photography mastery This sharp photo is full of incredible details This high megapixel photo has capture subtle fine details and is composed with refined framing
    In a sun-drenched urban landscape, a charming Pumukel figure stands defiant, his childlike innocence contrasting sharply with the looming threat of destruction. His round, cherubic face bears an expression of determined resolve, echoing the iconic stoicism of Saitama from One Punch Man. Vibrant, cel-shaded colors pop against a backdrop of crumbling skyscrapers, their jagged silhouettes framing the scene with ominous energy. The Pumukel's diminutive stature is accentuated by low-angle composition, making him appear larger than life despite his small size. Streaks of golden light pierce through dust-filled air, creating a dramatic chiaroscuro effect that heightens the tension. Swirling debris and shattered concrete orbit the central figure, frozen in mid-air to convey a moment of suspended action. The Pumukel's signature red hat and blue overalls remain pristine amidst the chaos, a beacon of hope and resilience. In the distance, shadowy forms of monstrous adversaries loom, their presence felt but not fully revealed. The overall atmosphere blends whimsy with apocalyptic dread, inviting viewers to ponder the collision of innocence and power. This scene draws inspiration from the dynamic compositions of Yusuke Murata, the bold color palettes of Takashi Murakami, and the surreal juxtapositions found in René Magritte's works.
    3dkitten, An eye-level, high-angle, 3D, low-angle shot shows a small, cute, cartoonish, brownish-white cat with round black eyes, a small nose, a mouth with a tongue sticking out, and ears pointed up, holding a tennis racket in its right hand. The cat has a round body, round ears, and a small round nose. It is wearing a fluffy collar with white feathers on it. The tennis racket is tan with a white grid pattern on the handle and a wooden frame. The background is light beige, and the cat's shadow can be seen on the floor in front of it.
    A highly detailed computer generated image of a fantasy character, possibly a goblin or a creature from The Lord of the Rings, the character is depicted in close-up, at a low angle, with emphasis on his face and upper body, the subject has a pale, Gollum-like complexion with a slightly wrinkled texture and large, expressive blue eyes that are wide open, revealing sharp, pointy teeth, the eyes are framed by thick, dark eyelashes and the character's skin is smooth and pale, with a few freckles scattered across his chest and shoulders, the background is a dark, dimly lit room with a gradient of blue and black creating a sense of depth and mystery, the lighting is soft and diffused, casting subtle shadows that enhance the texture of his skin and the contours of his face, the overall style is realistic with a touch of hyperrealism, emphasizing the surreal and fantastical nature of the character
    The air hangs heavy, thick with the metallic tang of coming rain and the acrid bite of sulphur from bruised, bruised clouds overhead. A low rumble vibrates through the wooden frame of the house entry as my father stands beside me, his weathered face etched in the dim, crepuscular light filtering through the open door. The scent of wet earth and ozone mingles with the faint, familiar smell of his worn leather jacket, a comforting anchor in the brewing storm. Water droplets cling to his shoulders like scattered diamonds, reflecting the sickly yellow glow from the sky. A silent tension stretches between us, a mix of shared anticipation and unspoken anxieties, reminiscent of the quiet drama in Andrew Wyeth's paintings. The scene unfolds in muted, earthy tones, punctuated by the harsh yellow of the clouds and the cool blues of the encroaching twilight, the composition emphasizing the vastness of the storm and the smallness of our figures, bathed in the soft, diffused light of a post-storm sunset, echoing the emotional depth and atmospheric stillness of the Barbizon school.
    A striking, low-angle dark fantasy painting of a formidable female skeletal figure cloaked in a flowing, blood-red hooded robe, her form armored in shadowy, intricate plating. She wields a blood-stained scythe with unwavering resolve, her intense gaze piercing through the darkness. This piece is inspired by the haunting styles of Brom and Greg Rutkowski, infused with the vibrant, macabre elegance of Day of the Dead motifs. Dramatic lighting amplifies the composition, casting bold contrasts between light and shadow, while a deep color palette of rich reds, shadowy blacks, and somber grays fills the scene. Behind her, a dark, mist-laden forest adds depth, framing her presence in a cinematic, immersive experience.
    A photograph of an exoplanet hominid life form, known as the Emberstone Kin, shown in its natural environment. This subject is a female of the species. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph's background portrays the creature's environment, and fills the entire image area. A minimalist iridescent Art Deco border, comprised of interlocking geometric lines, rendered in metallic sfumato colors that subtly catch and reflect light, adds a bit of elegance to the image. Centered at the bottom of the bottom of the photograph, within the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A dreamlike surrealist scene depicts three characters in a cacophonous dance, set against a dystopian backdrop of twisted metal and concrete, viewed from a dynamic worm's-eye perspective. The figure on the far left, a humanoid with elongated limbs and bulbous, bioluminescent skin reminiscent of a H.R. Giger painting, stands backlit by a burning cityscape. This character is laughing maniacally as they're manipulated by unseen strings like a marionette. In the center, an anthropomorphic, low-poly, 8-bit video game-inspired rabbit wearing a gas mask and a fedora, is breakdancing on top of a pile of rubble. The character's animations are purposefully jerky, as if viewed on a low frame-rate console. Tendrils of debris orbit this character as it spins. On the far right, a futuristic anime-inspired octopus-like being with iridescent blue-green mottled skin, stands statue-still amidst a maelstrom of fluttering origami paper. This character's detached gaze is lost within the flames devouring the cityscape. Extensive overgrowth and broken neon signs dominate the surrounding environment, drawing warm ambient light from embers and burning debris, casting a kaleidoscopic glow over the tableau.
    A photograph of an exoplanet hominid life form, known as the Emberstone Kin, shown in its natural environment. The photograph has a minimalist iridescent Art Deco border with interlocking geometric lines, rendered in metallic sfumato colors that subtly catch and reflect light. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph's background portrays the creature's environment, and fills the entire image area. Centered at the bottom of the bottom of the photograph, within the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    In a sun-drenched urban landscape, a charming Pumukel figure stands defiant, his childlike innocence contrasting sharply with the looming threat of destruction. His round, cherubic face bears an expression of determined resolve, echoing the iconic stoicism of Saitama from One Punch Man. Vibrant, cel-shaded colors pop against a backdrop of crumbling skyscrapers, their jagged silhouettes framing the scene with ominous energy. The Pumukel's diminutive stature is accentuated by low-angle composition, making him appear larger than life despite his small size. Streaks of golden light pierce through dust-filled air, creating a dramatic chiaroscuro effect that heightens the tension. Swirling debris and shattered concrete orbit the central figure, frozen in mid-air to convey a moment of suspended action. The Pumukel's signature red hat and blue overalls remain pristine amidst the chaos, a beacon of hope and resilience. In the distance, shadowy forms of monstrous adversaries loom, their presence felt but not fully revealed. The overall atmosphere blends whimsy with apocalyptic dread, inviting viewers to ponder the collision of innocence and power. This scene draws inspiration from the dynamic compositions of Yusuke Murata, the bold color palettes of Takashi Murakami, and the surreal juxtapositions found in René Magritte's works.
    A photograph of an exoplanet hominid life form, known as the Emberstone Kin, shown in its natural environment. This subject is a female of the species. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph's background portrays the creature's environment, and fills the entire image area. A minimalist iridescent Art Deco border, comprised of interlocking geometric lines, rendered in metallic sfumato colors that subtly catch and reflect light, adds a bit of elegance to the image. Centered at the bottom of the bottom of the photograph, within the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A photograph of an exoplanet hominid life form, known as the Emberstone Kin, shown in its natural environment. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph's background portrays the creature's environment, and fills the entire image area. The photograph features a minimalist iridescent Art Deco border with interlocking geometric lines, rendered in metallic sfumato colors that subtly catch and reflect light. Centered at the bottom of the bottom of the photograph, within the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A photograph of the Emberstone Kin, an exoplanet hominid life form, shown in its natural environment. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph's background portrays the creature's environment, and fills the entire image area. A simple Art Deco border of interlocking lines frames the photograph. Centered at the bottom of the bottom of the photograph is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A photograph of the Emberstone Kin, an exoplanet hominid life form, shown in its natural environment. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph's background portrays the creature's environment, and fills the entire image area. A simple Art Deco border frames the photograph. Centered at the bottom of the bottom of the photograph is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A futuristic vehicle channels the essence of a Victorian horse-drawn carriage, where flowing gothic architecture meets cutting-edge automotive design. Ornate wrought-iron scrollwork intertwines with sleek carbon fiber panels, while gargoyle hood ornaments come alive with subtle LED underlighting. The wheels combine modern low-profile tires with elaborate spoke patterns reminiscent of cathedral windows. Tinted smart-glass windows are framed by pointed gothic arches, while the grill features intricate laser-cut patterns suggesting both circuit boards and medieval heraldry. The color scheme balances glossy blacks and metallic silvers with subtle purple-to-blue chromatic shifts. Inspiration from H.R. Giger's biomechanical aesthetics, Daniel Simon's revolutionary vehicle concepts, and Antoni Gaudí's architectural fluidity, with touches of Chris Foss's bold futuristic vision.
    A photograph of the Emberstone Kin, an exoplanet hominid life form, shown in its natural environment. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph's background portrays the creature's environment, and fills the entire image area. The photograph features a filigree, minimalist Art Deco border with interlocking geometric lines rendered in metallic sfumato colors that subtly catch and reflect light. Centered at the bottom of the bottom of the photograph is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A photograph of an exoplanet hominid life form. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph shows the female of the species, portrayed in its natural environment. The photograph fills the image frame. The photogeraaph has a transparent border overlay, comprised of a minimalist iridescent Art Deco series of interlocking geometric lines, rendered in metallic sfumato colors that subtly catch and reflect light. Centered at the bottom of the bottom of the photograph, as part of the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A photograph of an exoplanet hominid life form. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph shows the female of the species, portrayed in its natural environment. The photograph fills the image frame. The photogeraaph has a transparent border overlay, comprised of a minimalist iridescent Art Deco series of interlocking geometric lines, rendered in metallic sfumato colors that subtly catch and reflect light. Centered at the bottom of the bottom of the photograph, as part of the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A photograph of an exoplanet hominid life form. The photograph shows the female of the species, portrayed in its natural environment. The photogeraaph has a transparent border overlay, comprised of a minimalist iridescent Art Deco series of interlocking geometric lines, which run along the outer edges of the image frame. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of (flame-colored:1.6), fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph fills the image frame. Centered at the bottom of the bottom of the photograph, as part of the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A photograph of an exoplanet hominid life form. The photograph shows the female of the species, portrayed in its natural environment. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph fills the image frame. The photogeraaph has a transparent border overlay, comprised of a minimalist iridescent Art Deco series of interlocking geometric lines, rendered in metallic sfumato colors that subtly catch and reflect light. Centered at the bottom of the bottom of the photograph, as part of the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    This is a photograph featuring a person wearing a bulky, futuristic helmet that covers their head and extends to the shoulders, with a metallic visor and a prominent, angular protrusion on the front. The helmet has a dark, weathered appearance, suggesting it's made of metal or a similar durable material. The person is dressed in a dark brown, heavy-duty jacket, which is buttoned up and appears to be made of thick fabric, possibly leather or a similar rugged material. The background is an industrial setting, likely a greenhouse or a similar structure, characterized by a translucent, dome-shaped roof made of glass or plastic panels. The panels are arranged in a curved, segmented pattern, supported by metal frames. The overall color palette of the image is muted, with a dominant greenish tint from the roof and a greyish hue from the helmet and background structures. The photograph is taken from a low angle, looking up at the person, which emphasizes the height and bulkiness of the helmet. The lighting is diffused, creating a soft, even illumination without harsh shadows. The image evokes a sense of a dystopian or sci-fi atmosphere, with the industrial setting and the futuristic helmet suggesting a possible post-apocalyptic or advanced technological environment.
    A photograph of an exoplanet hominid life form. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph shows the female of the species, portrayed in its natural environment. The photograph fills the image frame. The photogeraaph has a transparent border overlay, comprised of a minimalist iridescent Art Deco series of interlocking geometric lines, rendered in metallic sfumato colors that subtly catch and reflect light. Centered at the bottom of the bottom of the photograph, as part of the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A futuristic vehicle channels the essence of a Victorian horse-drawn carriage, where flowing gothic architecture meets cutting-edge automotive design. Ornate wrought-iron scrollwork intertwines with sleek carbon fiber panels, while gargoyle hood ornaments come alive with subtle LED underlighting. The wheels combine modern low-profile tires with elaborate spoke patterns reminiscent of cathedral windows. Tinted smart-glass windows are framed by pointed gothic arches, while the grill features intricate laser-cut patterns suggesting both circuit boards and medieval heraldry. The color scheme balances glossy blacks and metallic silvers with subtle purple-to-blue chromatic shifts. Drawing inspiration from H.R. Giger's biomechanical aesthetics, Daniel Simon's revolutionary vehicle concepts, and Antoni Gaudí's architectural fluidity, with touches of Chris Foss's bold futuristic vision
    War-torn, dark metallic hues of a battlecruiser's matte-finish exterior fill the frame from a low-angle perspective, weathered and scratched with exposed pipes and antennae that stretch beyond its mangled hull like arms - the high-speed blur of its motion contrasting against the pale, blue trails of exhaust fire streaming behind it as if echoing its urgent fight for survival amidst the unforgiving vastness of space. To the rear, abstract forms conflagrate in the distance with miniature fighter aircraft arcing across a fiery tapestry of clashes, shells bursting in radiant, blazing coruscations amidst jagged lines, while distantly, a mottled celestial body lends depth to this maelstrom. Dark flares from a besieged shield flicker weakly as intense, brutal illumination brings desolate, jagged wreckage - shattered piping and fractured metal a stark testament to grim industrial determination in both utilitarian surfaces that stud the stricken hulk and in molten scar tissue laced across explosive wounds.
    highly detailed, digital illustration depicting a zombie-like woman with pale green skin and pale, glowing orange eyes, her hair is styled in a loose, voluminous bun with red ribbons, and she wears a black, off-the-shoulder dress with intricate red rose embroidery on the shoulders and collar, the dress has a low neckline, revealing a hint of cleavage, her face is adorned with dark, blood-stained makeup, including red streaks across her cheeks and nose, giving her a macabre appearance, the background is a solid black, which contrasts starkly with her pale skin and the vivid red of her eyes, the overall style is reminiscent of gothic or horror art, with a strong emphasis on detailed, realistic textures and shading, the image is framed by a white border, with the word unead prominently displayed in the top right corner, accompanied by a skull and crossbones logo, suggesting a theme of undead or horror, the illustration is highly polished, with meticulous attention to detail, making it a visually striking and immersive piece of art
    A photograph of an exoplanet hominid life form, known as the Emberstone Kin, shown in its natural environment. The photograph has a minimalist iridescent Art Deco border with interlocking geometric lines, rendered in metallic sfumato colors that subtly catch and reflect light. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph's background portrays the creature's environment, and fills the entire image area. Centered at the bottom of the bottom of the photograph, within the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A photograph of the Emberstone Kin, an exoplanet hominid life form, shown in its natural environment. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph's background portrays the creature's environment, and fills the entire image area. The bottom of the photograph shows a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A photograph of the Emberstone Kin, an exoplanet hominid life form, shown in its natural environment. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph's background portrays the creature's environment, and fills the entire image area. The bottom of the photograph shows a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A photograph of the Emberstone Kin, an exoplanet hominid life form, shown in its natural environment. The photograph has a minimalist Art Deco border with interlocking geometric lines that are rendered in metallic sfumato colors which subtly catch and reflect light. The border is entirely transparent, has no background fill, allowing the card’s main background to be visible through the design. Its delicate, unobtrusive pattern enhances the card’s refined appearance, evoking the timeless elegance and sophistication associated with the Art Deco era. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph's background portrays the creature's environment, and fills the entire image area. The bottom of the photograph shows a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    sketch on old paper, professional female assassin, pointing forward with gun, close-up of gun barrel hole, gothic clothing, sensuality, attraction, minimalist drawing, marked silhouette, stylized silhouette, low angle, bold strokes, hard shadows, black and white, touch of red and gold, black background, gradients, watercolor and black ink, background framed in a circular stroke
    Create a photorealistic image of a introspective writer, taken by a portrait photographer like Arnold Newman or Dorothea Lange. The image should capture the writer's thoughtful expression, including their furrowed brow and contemplative gaze. The background should be a muted, earthy tone, and the lighting should be soft and warm, with a slight golden tone. The camera should be positioned at a slight angle, looking up at the writer from a low vantage point, using a medium-format camera with a 80mm lens, and settings of f/4, 1/125s, ISO 100, and daylight white balance. The style should be inspired by the works of portrait photographers, with a focus on capturing the writer's introspection and creativity Extremely detailed scene, extremely intricate details, detailed skin complexion and texture; This detailed photo is used in a professional actress portfolio. This sharp photo is an example of perfect portrait. This award-winning photo shows photography mastery. This sharp photo is full of incredible details. This high megapixel photo has capture subtle fine details and is composed with refined framing.
    A photograph of an exoplanet hominid life form, known as the Emberstone Kin, shown in its natural environment. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph's background portrays the creature's environment, and fills the entire image area. The photograph has a minimalist iridescent Art Deco border with interlocking geometric lines, rendered in metallic sfumato colors that subtly catch and reflect light. Centered at the bottom of the bottom of the photograph, within the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A photograph of an exoplanet hominid life form. The photograph shows the male and female pair of the species, portrayed in its natural environment. The photograph has a (transparent Art Deco border:1.3) comprised of a minimalist series of interlocking geometric lines, that run along the outer edges of the image frame. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of (flame-colored:1.6), fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph fills the image frame. Centered at the bottom of the bottom of the photograph, as part of the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A photograph of an exoplanet hominid life form. The photograph shows the female of the species, portrayed in its natural environment. The photograph has a (transparent Art Deco border:1.3) comprised of a minimalist series of interlocking geometric lines, that run along the outer edges of the image frame. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of (flame-colored:1.6), fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph fills the image frame. Centered at the bottom of the bottom of the photograph, as part of the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A photograph of an exoplanet hominid life form. The photograph shows the female of the species, portrayed in its natural environment. The photograph has a (transparent Art Deco border:1.3) comprised of a minimalist series of interlocking geometric lines, that run along the outer edges of the image frame. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of (flame-colored:1.6), fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph fills the image frame. Centered at the bottom of the bottom of the photograph, as part of the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A photograph of an exoplanet hominid life form. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph shows the female of the species, portrayed in its natural environment. The photograph fills the image frame. The photogeraaph has a transparent border overlay, comprised of a minimalist iridescent Art Deco series of interlocking geometric lines, rendered in metallic sfumato colors that subtly catch and reflect light. Centered at the bottom of the bottom of the photograph, as part of the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A futuristic vehicle channels the essence of a Victorian horse-drawn carriage, where flowing gothic architecture meets cutting-edge automotive design. Ornate wrought-iron scrollwork intertwines with sleek carbon fiber panels, while gargoyle hood ornaments come alive with subtle LED underlighting. The wheels combine modern low-profile tires with elaborate spoke patterns reminiscent of cathedral windows. Tinted smart-glass windows are framed by pointed gothic arches, while the grill features intricate laser-cut patterns suggesting both circuit boards and medieval heraldry. The color scheme balances glossy blacks and metallic silvers with subtle purple-to-blue chromatic shifts. Drawing inspiration from H.R. Giger's biomechanical aesthetics, Daniel Simon's revolutionary vehicle concepts, and Antoni Gaudí's architectural fluidity, with touches of Chris Foss's bold futuristic vision
    In a futuristic world, a young Scandinavian biowitch, an expert hacker merged with biotechnology, stands tall. Her amber eyes, low jawline, and prominent cheeks define her diamond-shaped face, while her muscular build and toned back exude strength. Golden blonde hair, styled in a choppy haircut, frames her determined expression. Dressed in nanofiber jumpsuit, she embodies the fusion of fashion and technology. The biowitch, with her fingertips touching, simulates interaction with virtual objects, her movements graceful and precise. This scene, set in a cybernetic dance factory, with magnetic levitation support and tiki torches illuminating the space, captures a moment of defensive posture and technological innovation, leaving viewers enthralled by the fusion of human and machine, where the boundaries of reality blur in this post-cyberpunk era.,
    A photograph of an exoplanet hominid life form, known as the Emberstone Kin, shown in its natural environment. This subject is a female of the species. A minimalist iridescent Art Deco border, comprised of interlocking geometric lines, rendered in metallic sfumato colors that subtly catch and reflect light, adds a bit of elegance to the image. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph's background portrays the creature's environment, and fills the entire image area. Centered at the bottom of the bottom of the photograph, within the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A photograph of an exoplanet hominid life form, known as the Emberstone Kin, shown in its natural environment. The photograph has a minimalist iridescent Art Deco border with interlocking geometric lines, rendered in metallic sfumato colors that subtly catch and reflect light. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph's background portrays the creature's environment, and fills the entire image area. Centered at the bottom of the bottom of the photograph, within the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A futuristic vehicle channels the essence of a Victorian horse-drawn carriage, where flowing gothic architecture meets cutting-edge automotive design. Ornate wrought-iron scrollwork intertwines with sleek carbon fiber panels, while gargoyle hood ornaments come alive with subtle LED underlighting. The wheels combine modern low-profile tires with elaborate spoke patterns reminiscent of cathedral windows. Tinted smart-glass windows are framed by pointed gothic arches, while the grill features intricate laser-cut patterns suggesting both circuit boards and medieval heraldry. The color scheme balances glossy blacks and metallic silvers with subtle purple-to-blue chromatic shifts. Inspiration from H.R. Giger's biomechanical aesthetics, Daniel Simon's revolutionary vehicle concepts, and Antoni Gaudí's architectural fluidity, with touches of Chris Foss's bold futuristic vision.
    A photograph of an exoplanet hominid life form. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph shows the female of the species, portrayed in its natural environment. The photograph fills the image frame. The photogeraaph has a transparent border overlay, comprised of a minimalist iridescent Art Deco series of interlocking geometric lines, rendered in metallic sfumato colors that subtly catch and reflect light. Centered at the bottom of the bottom of the photograph, as part of the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A futuristic vehicle channels the essence of a Victorian horse-drawn carriage, where flowing gothic architecture meets cutting-edge automotive design. Ornate wrought-iron scrollwork intertwines with sleek carbon fiber panels, while gargoyle hood ornaments come alive with subtle LED underlighting. The wheels combine modern low-profile tires with elaborate spoke patterns reminiscent of cathedral windows. Tinted smart-glass windows are framed by pointed gothic arches, while the grill features intricate laser-cut patterns suggesting both circuit boards and medieval heraldry. The color scheme balances glossy blacks and metallic silvers with subtle purple-to-blue chromatic shifts. Inspiration from H.R. Giger's biomechanical aesthetics, Daniel Simon's revolutionary vehicle concepts, and Antoni Gaudí's architectural fluidity, with touches of Chris Foss's bold futuristic vision.
    A futuristic vehicle channels the essence of a Victorian horse-drawn carriage, where flowing gothic architecture meets cutting-edge automotive design. Ornate wrought-iron scrollwork intertwines with sleek carbon fiber panels, while gargoyle hood ornaments come alive with subtle LED underlighting. The wheels combine modern low-profile tires with elaborate spoke patterns reminiscent of cathedral windows. Tinted smart-glass windows are framed by pointed gothic arches, while the grill features intricate laser-cut patterns suggesting both circuit boards and medieval heraldry. The color scheme balances glossy blacks and metallic silvers with subtle purple-to-blue chromatic shifts. Inspiration from H.R. Giger's biomechanical aesthetics, Daniel Simon's revolutionary vehicle concepts, and Antoni Gaudí's architectural fluidity, with touches of Chris Foss's bold futuristic vision.
    A photograph of the Emberstone Kin, an exoplanet hominid life form, shown in its natural environment. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph's background portrays the creature's environment, and fills the entire image area. The bottom of the photograph bears a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    In a sun-drenched urban landscape, a charming Pumukel figure stands defiant, his childlike innocence contrasting sharply with the looming threat of destruction. His round, cherubic face bears an expression of determined resolve, echoing the iconic stoicism of Saitama from One Punch Man. Vibrant, cel-shaded colors pop against a backdrop of crumbling skyscrapers, their jagged silhouettes framing the scene with ominous energy. The Pumukel's diminutive stature is accentuated by low-angle composition, making him appear larger than life despite his small size. Streaks of golden light pierce through dust-filled air, creating a dramatic chiaroscuro effect that heightens the tension. Swirling debris and shattered concrete orbit the central figure, frozen in mid-air to convey a moment of suspended action. The Pumukel's signature red hat and blue overalls remain pristine amidst the chaos, a beacon of hope and resilience. In the distance, shadowy forms of monstrous adversaries loom, their presence felt but not fully revealed. The overall atmosphere blends whimsy with apocalyptic dread, inviting viewers to ponder the collision of innocence and power. This scene draws inspiration from the dynamic compositions of Yusuke Murata, the bold color palettes of Takashi Murakami, and the surreal juxtapositions found in René Magritte's works.
    A dark, rain-soaked alleyway, dominated by a moody, film noir-inspired aesthetic, stands as the central subject, shot from a slightly low-angle, full-frame perspective with a Hasselblad H6D-100c and 80mm f/2.8 lens. The atmosphere is enriched by intricate, hand-painted details reminiscent of Japanese Ukiyo-e woodblock prints, blended with the mysterious ambiance of Gothic Romanticism. Darth Vader stands imposingly at the center, shrouded in shadows, with his black armor glistening with raindrops and textured to evoke Francisco Goya's bold, expressive works. The iconic red lightsaber casts an eerie glow, illuminating the wet surfaces around him, and is juxtaposed with warm, golden lighting from distant street lamps and cool, blueish tones from the rain-soaked pavement. The air is filled with a misty, atmospheric fog subtly shrouding the surroundings.
    sketch on old paper, ninja, with katana raised ready to attack, movement, linen mask, black jumpsuit with red sash, cape rising in the air, minimalist drawing, marked silhouette, stylized silhouette, low angle, bold strokes, hard shadows, black and white, touch of red and gold, black fantasy background, gradients, watercolor and black ink, background framed in a circular stroke
    A photograph of an exoplanet hominid life form, known as the Emberstone Kin, shown in its natural environment. This subject is a female of the species. The photograph has a minimalist iridescent Art Deco border with interlocking geometric lines, rendered in metallic sfumato colors that subtly catch and reflect light. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph's background portrays the creature's environment, and fills the entire image area. Centered at the bottom of the bottom of the photograph, within the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    A photograph of an exoplanet hominid life form. The Emberstone Kin is a hominid species native to the volcanic plateaus of Ignis Prime. Standing around 6 feet tall, its robust, sinewy frame is covered in ash-gray skin with faint, ember-like bioluminescent patterns that flicker softly in low light. Its elongated arms end in dexterous, claw-tipped fingers capable of carving into the volcanic rock to uncover nutrient-rich crystals, its primary food source. A mane of flame-colored, fibrous hair crowns its head, serving as both insulation and a display during social rituals. Its piercing, golden eyes are adapted to see in intense glare and dim light, while its deep, resonant vocalizations communicate across the rumbling terrain. The photograph shows the female of the species, portrayed in its natural environment. The photograph fills the image frame. The photogeraaph has a transparent border overlay, comprised of a minimalist iridescent Art Deco series of interlocking geometric lines, rendered in metallic sfumato colors that subtly catch and reflect light. Centered at the bottom of the bottom of the photograph, as part of the overlaid border, is a small placard that bears the name "Emberstone Kin" in Art Deco style lettering.
    ORIGINAL PROMPT: An artwork done in the style of artist (tomer hanuka:1.4), as a (watercolor paint:1.6). A found professional high-fashion photograph of a dark-haired woman with piercing gray eyes, wearing a luxurious black and red dress of an Aesthet design, and a (black and red hat with a large black bow on it:1.8). She is elegant, glamorous, seductive, and yet innocent. She wears professionally applied make-up, and is very beauty focused. She is set (in a vast opulent art nouveau styled room:1.4) in a shadowy and moody low-contrast cinematic scene that uses soft volumetric and ambient fill lighting. Vibrant rim lighting and bold edge lighting separate the various layers scenic layers. The photograph captures an almost supernatural ambiance with a blend of organic and mechanical elements hinting at dystopian visions, futuristic landscapes, of surrealistic situations. This is a professional and highly detailed fine art photograph, of high quality, comparable to those created by the likes of Chuck Close and Stanley Artgerm Lau. The image uses an almost monochromatic color scheme of reds and blacks. There is an emphasis on texture and minute detail, with dark and intricate textures. It has a dynamic composition, uses a slight vignette, and has superb bokeh. PRODUCTION PROMPT: An artwork done in the style of artist (tomer hanuka:1.4), as a (watercolor paint:1.6). A mysterious woman, veiled by shadows, reclines against the lavish backdrop of an opulent art nouveau room, where the lines between elegance and menace blur. Her luxuriant black and red attire seems almost alive in the soft glow of cinematic lighting that dances across her features like a siren's call. Dark hair cascades down her back, framing her face, where piercing gray eyes seem to hold a thousand secrets. The surrounding space is a realm of decadence and mystery, where whispers of dystopian futures and surrealistic landscapes hang in the air, an aura that threatens to suffocate or seduce all who enter this twilight world.
    ORIGINAL PROMPT: An artwork done in the style of artist (jon mcnaught:1.4), as a (made of felt:1.6). A found professional high-fashion photograph of a dark-haired woman with piercing gray eyes, wearing a luxurious black and red dress of an Aesthet design, and a (black and red hat with a large black bow on it:1.8). She is elegant, glamorous, seductive, and yet innocent. She wears professionally applied make-up, and is very beauty focused. She is set (in a vast opulent art nouveau styled room:1.4) in a shadowy and moody low-contrast cinematic scene that uses soft volumetric and ambient fill lighting. Vibrant rim lighting and bold edge lighting separate the various layers scenic layers. The photograph captures an almost supernatural ambiance with a blend of organic and mechanical elements hinting at dystopian visions, futuristic landscapes, of surrealistic situations. This is a professional and highly detailed fine art photograph, of high quality, comparable to those created by the likes of Chuck Close and Stanley Artgerm Lau. The image uses an almost monochromatic color scheme of reds and blacks. There is an emphasis on texture and minute detail, with dark and intricate textures. It has a dynamic composition, uses a slight vignette, and has superb bokeh. PRODUCTION PROMPT: An artwork done in the style of artist (jon mcnaught:1.4), as a (made of felt:1.6). A woman in a luxurious black and red Aesthetic dress stands elegantly against a richly detailed opulent Art Nouveau backdrop, bathed in soft volumetric lighting that casts deep shadows. Her dark hair frames her heart-shaped face, while piercing gray eyes seem to hold an otherworldly intensity. Thick, velvety textures and fine makeup emphasize her sensual curves, set against a moody low-contrast cinematic scene that blends organic and mechanical elements with hints of dystopian futurism.
    sketch on old paper, ninja, with katana raised ready to attack, movement, linen mask, black jumpsuit with red sash, cape rising in the air, minimalist drawing, marked silhouette, stylized silhouette, low angle, bold strokes, hard shadows, black and white, touch of red and gold, black fantasy background, gradients, watercolor and black ink, background framed in a circular stroke
    sketch on old paper, professional assassin, pointing forward with gun, close-up of gun barrel hole, gothic clothing, sensuality, attraction, minimalist drawing, marked silhouette, stylized silhouette, low angle, bold strokes, hard shadows, black and white, touch of red and gold, black background, gradients, watercolor and black ink, background framed in a circular stroke

      Stable Diffusion 3 (SD3)

    • SD3 Medium - stableDiffusion3SD3_sd3Medium.safetensors
    • SD3 Medium Incl. Clips - stableDiffusion3SD3_sd3MediumInclClips.safetensors
    • SD3 Medium Incl Clip FP16 - stableDiffusion3SD3_sd3MediumInclClip.safetensors
    • SD3 Medium Incl T5XXL - stableDiffusion3SD3_sd3MediumInclT5XXL.safetensors
    • Text Encoder - Clip L - stableDiffusion3SD3_textEncoderClipL.safetensors
    • Text Encoder - Clip G - stableDiffusion3SD3_textEncoderClipG.safetensors
    • Text Encoder - T5 e4m3fn - stableDiffusion3SD3_textEncoderT5E4m3fn.safetensors
    • Text Encoder - T5XXLFP16 - stableDiffusion3SD3_textEncoderT5XXLFP16.safetensors
    • ComfyUI Workflows - stableDiffusion3SD3_comfyuiWorkflows_trainingData.zip
    • Demo Prompts - stableDiffusion3SD3_demoPrompts_trainingData.zip

      Stable Diffusion 3.5 Large

    • Large - stableDiffusion35_large.safetensors
    • Workflow - stableDiffusion35_workflow_trainingData.zip

      Stable Diffusion 3.5 Large Turbo

    • Large Turbo - stableDiffusion35_largeTurbo.safetensors
    • Workflow - stableDiffusion35_workflow_trainingData.zip

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