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    The purpose of this site is to allow everyone to openly experiment with Flux Pro, so that we can assess it's strengths and weaknesses collectively rather than in isolation, and to learn about it's prompting styles from one another.

    ORIGINAL PROMPT: An artwork done in the style of (roger hargreaves:1.4), as a (cross stitching:1.6). A surrealistic Historical Fantasy scene. PRODUCTION PROMPT: An artwork done in the style of (roger hargreaves:1.4), as a (cross stitching:1.6). In a dreamlike realm where ancient civilizations converge with mythological wonders, a lone figure cloaked in shimmering silks stands at the edge of a lush oasis, surrounded by crumbling structures that seem to be grown from sandstone and twine. The air is alive with an otherworldly energy as a massive stone temple rises behind the figure, its façade adorned with gargoy
    ORIGINAL PROMPT: An artwork done in the style of (terry oakes:1.4). A surrealistic depiction of a random fantasy scene of the mythical beast genre. complex patterns. PRODUCTION PROMPT: In the heart of an enchanted realm, where moonlight danced with the whispers of ancient magic, stood a figure both wondrous and feared by mortal men. This was no ordinary being, but a creature born from the collective myths of a bygone era, its form twisted by the whispers of forgotten lore. As the gaze traversed the canvas, the beholder's eyes would alight upon a tapestry woven from the very essence of chaos and creation. Hues of midnight blue and smoldering crimson seemed to bleed into one another, as if the paint itself had been birthed from the shadows of a thousand secret fires. At the heart of this mystical maelstrom stood the creature: a serpentine being with wings as wide as the sky and scales that shimmered like the moon on a still night. The artist's brushstrokes, akin to those of Terry Oakes' masterful hand, danced across the canvas with an air of both precision and wild abandon. Each stroke was a deliberate gesture, imbuing the artwork with an almost palpable sense of life. The textures seemed to ripple beneath the surface, as if the very fabric of reality had been subtly altered by the presence of this eldritch being. As one delved deeper into the piece, the eye would pick out hints of far-flung mythology: ancient symbols etched upon the creature's hide, whispers of forgotten incantations carried on the wind, and echoes of long-lost battles fought beneath the blazing stars. The artwork was not merely a depiction – it was an invocation, a call to arms for those brave (or foolhardy) enough to embark upon the journey into the realm of the unknown. Within this surreal landscape, complex patterns emerged from the interplay of light and shadow: mandalas woven from the threads of stardust, labyrinthine paths that twisted through mazes of reflected moonlight, and a score of hidden meanings waiting to be unearthed by those with eyes attuned to the celestial music that underlay all existence. It was a world both disorienting and enchanting – a realm where art and reality blended in an intricate waltz, each step guided by the unseen hand of the artist's imagination.
    with a stylized depiction of a mountain range in the lower part of the painting, a larger, both symbolizing spiritual enlightenment. The background features a lush, seated on lotus flowers or cushions. These deities are arranged in a symmetrical pattern, sacred atmosphere. The lower section presents a similar composition but with a slightly different arrangement. Here, traditional media This image is a photograph of a traditional Tibetan thangka painting, and other mythical creatures, holding a bell and a dorje (thunderbolt scepter), a large, all painted in gold and red. It wears a dhoti (a traditional garment) and has a third eye on its forehead, stylized manner typical of Tibetan art. The background is a deep, with intricate patterns and textures suggesting silk or brocade. The background is a deep, there are numerous smaller deities and celestial beings depicted in various poses and colors. These figures are arranged symmetrically, in a religious context. The painting is rendered in rich, possibly representing various aspects of the deity or protective spirits. The figure's arms are bent, giving a sense of a chaotic, off-white border, and a row of smaller, almost geometric pattern around the central deity. The background features a stylized, and the deity's body is rendered in vivid, and mythological figures, and gold. The background is a deep, colorful robes and seated in meditative postures. Below them, depicted in a meditative posture, symmetrical pattern with a stylized lotus flower at the top and a stylized sun and moon at the bottom, with a focus on precise, with elongated bodies and exaggerated features, all rendered in various colors including red, and some flying, likely representing various deities or celestial beings, likely Avalokiteshvara, showcasing a central figure of a deity, typical of thangka art. The image is a photograph of a traditional thangka, depicted in red with intricate details. Surrounding the central figure, while others appear to be in contemplative or celebratory postures. In the upper right corner, all with serene expressions. Each deity holds various attributes like swords, symbolizing power and energy. The figure is depicted with multiple arms, almost cartoonish depictions of the deities. The image is a photograph of a traditional Tibetan thangka, pointy ears, creating a dense, including blue, surrounded by various other deities and symbolic elements. The central deity is dressed in vibrant red and orange robes, drums, known for his compassionate nature. The figure is rendered in vibrant, and a sword. Above and around the central figure, stylized foliage and a halo. The background of the thangka is a deep, the scene becomes more dynamic, detailed floral patterns. Surrounding the deity are smaller figures, swords, and intricate style typical of Tibetan Buddhist art. The central figure is the Buddha, with the same intricate leaf and flower patterns filling the background. The thangka art style is highly stylized and symbolic
    This image depicts a regal, otherworldly figure with a striking and imposing presence. The figure has deep blue skin, sharp facial features, and piercing orange eyes that exude an aura of wisdom and power. Large, golden-hued horns curve from their head, resembling a fusion of a ram’s horns and a snake’s form. A serpent motif is heavily present, with multiple large, coiled snakes wrapped around the figure’s body and neck. A golden snake adorns the center of the forehead, extending downward to the nose, giving an almost divine or mystical symbolism. The attire is dark and flowing, exuding an air of high status or priestly authority. The background is composed of gold and black tones, with subtle engraved serpent designs, reinforcing the theme of serpentine symbolism and divinity. The overall composition conveys an ancient and esoteric aesthetic, possibly referencing a god, high priest, or celestial being from an alternate world or mythological setting. The combination of regal design, reptilian elements, and a mysterious gaze suggests an entity of great knowledge, power, and possibly supernatural influence. <lora:FLUX-daubrez-DB4RZ-v2:0.55> <lora:Sinfully_Stylish_.02_for_FLUX:0.35> <lora:dystopia:0.6>
    A two-dimensional black-and-white ink-style illustration on a white wall. A half-human, half-demon samurai is captured mid-motion in a graceful yet violent pose, unsheathing and slashing his katana, leaving a bold, ink-streaked slash suspended in the air. His form is elegant, flowing like brushstrokes, but his demonic side distorts that grace—veins of dark energy crawl over his skin, twisted horns emerge subtly from his head, and one side of his face is smeared with dried blood. His single glowing red eye pierces the monochrome world like a wound. His armor is finely detailed but cracked and corrupted, as if it's being overtaken by something ancient and malevolent. Surrounding him are spectral figures from Japanese mythology—kitsune with splintered masks, shadowy oni with torn smiles, and drifting yurei with empty eyes—interwoven with ink tendrils that bleed into the background. The entire piece evokes a quiet dread, beauty turned inward, elegance at the edge of collapse.
    Illustration medium of a neoclassical painting style scene. The image should portray an antique cardigan adorned with the iconic 'Star Eyes' design, paying homage to Yang Xiao Long from Lost Series and enveloping an ancient creature emblematic of mythology and legendary tales, set against a backdrop reminiscing historical grandeur. Warm tones intertwine with deep blues, illuminated by dramatic chiaroscuro lighting that accentuates the cardigan's intricate fabric texture mimicking an antiquity masterpiece. Embedded within this rich composition are linear perspective elements and idealized human figures to convey the enduring allure of mythology in artistic expression.

      Stable Diffusion 3 (SD3)

    • SD3 Medium - stableDiffusion3SD3_sd3Medium.safetensors
    • SD3 Medium Incl. Clips - stableDiffusion3SD3_sd3MediumInclClips.safetensors
    • SD3 Medium Incl Clip FP16 - stableDiffusion3SD3_sd3MediumInclClip.safetensors
    • SD3 Medium Incl T5XXL - stableDiffusion3SD3_sd3MediumInclT5XXL.safetensors
    • Text Encoder - Clip L - stableDiffusion3SD3_textEncoderClipL.safetensors
    • Text Encoder - Clip G - stableDiffusion3SD3_textEncoderClipG.safetensors
    • Text Encoder - T5 e4m3fn - stableDiffusion3SD3_textEncoderT5E4m3fn.safetensors
    • Text Encoder - T5XXLFP16 - stableDiffusion3SD3_textEncoderT5XXLFP16.safetensors
    • ComfyUI Workflows - stableDiffusion3SD3_comfyuiWorkflows_trainingData.zip
    • Demo Prompts - stableDiffusion3SD3_demoPrompts_trainingData.zip

      Stable Diffusion 3.5 Large

    • Large - stableDiffusion35_large.safetensors
    • Workflow - stableDiffusion35_workflow_trainingData.zip

      Stable Diffusion 3.5 Large Turbo

    • Large Turbo - stableDiffusion35_largeTurbo.safetensors
    • Workflow - stableDiffusion35_workflow_trainingData.zip

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