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    The purpose of this site is to allow everyone to openly experiment with Flux Pro, so that we can assess it's strengths and weaknesses collectively rather than in isolation, and to learn about it's prompting styles from one another.

    Create a dark and grim scene set during the time of the plague in the Middle Ages. The setting is a narrow, dirty street lined with old, half-timbered houses, some of which are partially collapsed or in severe disrepair. A person dressed in tattered rags sits slumped against the wall of one of these houses, their face hidden in despair. The streets are littered with filth and debris, with rats scurrying around and sitting on the corpses that are scattered along the path. The atmosphere is heavy and suffocating, with the stench of decay hanging in the air, enhancing the sense of death and desolation. The overall mood is haunting, capturing the hopelessness and horror of the plague era. A town sign reads “Death lives here”
    Create a dark and grim scene set during the time of the plague in the Middle Ages. The setting is a narrow, dirty street lined with old, half-timbered houses, some of which are partially collapsed or in severe disrepair. A person dressed in tattered rags sits slumped against the wall of one of these houses, their face hidden in despair. The streets are littered with filth and debris, with rats scurrying around and sitting on the corpses that are scattered along the path. The atmosphere is heavy and suffocating, with the stench of decay hanging in the air, enhancing the sense of death and desolation. The overall mood is haunting, capturing the hopelessness and horror of the plague era. A town sign reads “Death lives here”
    Cinematic style, realism, cinematic quality, Pastel, a young women half portrait,She is looking in disbelieve as her face is disintegrating into fractals which are dominant on one half of her face so that no skin is visible anymore only colorful crystal like looking mathematical and colorful fractals. The fractals are also waving over the other half of her face, getting slightly weaker and less pronounced, fading out. The background is misterious blue with shining stars.
    Cinematic style, realism, cinematic quality, Pastel, a young women half portrait,She is looking in disbelieve as her face is disintegrating into fractals which are dominant on one half of her face so that no skin is visible anymore only colorful crystal like looking mathematical and colorful fractals. The fractals are also waving over the other half of her face, getting slightly weaker and less pronounced, fading out. The background is misterious blue with shining stars.
    A torrential thunderstorm rages, lightning illuminating the grotesque figure of Homer Simpson, re-imagined as Frankenstein's monster. His skin is a sickly green hue, stitches crisscrossing his forehead and neck, one bolt protruding at an awkward angle. His trademark balding hair is even more sparse and disheveled, and his eyes bulge with a mixture of hunger and confusion. Clutched in his oversized, bolted hand is a half-eaten sprinkled doughnut, pink frosting smeared across his monstrous jowls. Rain lashes down, plastering his tattered clothes to his hulking frame. The background is a blur of wind-whipped trees and flashes of lightning, the thunder echoing like a monstrous growl. Despite the horror, a flicker of Homer's familiar dopiness remains, making the scene both terrifying and absurdly funny. This is a monstrous parody, a collision of classic horror and iconic cartoon imagery. The style evokes the bold lines and lurid colors of a classic EC Comics horror panel, with a touch of Matt Groening's signature caricature style. The desired emotion is a blend of fear and amusement, a grotesque comedy rendered with a dark, saturated color palette and dramatic lighting to emphasize the stormy atmosphere and Homer's monstrous transformation.
    Cinematic style, realism, cinematic quality, Pastel, a young women half portrait,She is looking in disbelieve as her face is disintegrating into fractals which are dominant on one half of her face so that no skin is visible anymore only colorful crystal like looking mathematical and colorful fractals. The fractals are also waving over the other half of her face, getting slightly weaker and less pronounced, fading out. The background is misterious blue with shining stars.
    A torrential thunderstorm rages, lightning illuminating the grotesque figure of Homer Simpson, re-imagined as Frankenstein's monster. His skin is a sickly green hue, stitches crisscrossing his forehead and neck, one bolt protruding at an awkward angle. His trademark balding hair is even more sparse and disheveled, and his eyes bulge with a mixture of hunger and confusion. Clutched in his oversized, bolted hand is a half-eaten sprinkled doughnut, pink frosting smeared across his monstrous jowls. Rain lashes down, plastering his tattered clothes to his hulking frame. The background is a blur of wind-whipped trees and flashes of lightning, the thunder echoing like a monstrous growl. Despite the horror, a flicker of Homer's familiar dopiness remains, making the scene both terrifying and absurdly funny. This is a monstrous parody, a collision of classic horror and iconic cartoon imagery. The style evokes the bold lines and lurid colors of a classic EC Comics horror panel, with a touch of Matt Groening's signature caricature style. The desired emotion is a blend of fear and amusement, a grotesque comedy rendered with a dark, saturated color palette and dramatic lighting to emphasize the stormy atmosphere and Homer's monstrous transformation.
    A torrential thunderstorm rages, lightning illuminating the grotesque figure of Homer Simpson, re-imagined as Frankenstein's monster. His skin is a sickly green hue, stitches crisscrossing his forehead and neck, one bolt protruding at an awkward angle. His trademark balding hair is even more sparse and disheveled, and his eyes bulge with a mixture of hunger and confusion. Clutched in his oversized, bolted hand is a half-eaten sprinkled doughnut, pink frosting smeared across his monstrous jowls. Rain lashes down, plastering his tattered clothes to his hulking frame. The background is a blur of wind-whipped trees and flashes of lightning, the thunder echoing like a monstrous growl. Despite the horror, a flicker of Homer's familiar dopiness remains, making the scene both terrifying and absurdly funny. This is a monstrous parody, a collision of classic horror and iconic cartoon imagery. The style evokes the bold lines and lurid colors of a classic EC Comics horror panel, with a touch of Matt Groening's signature caricature style. The desired emotion is a blend of fear and amusement, a grotesque comedy rendered with a dark, saturated color palette and dramatic lighting to emphasize the stormy atmosphere and Homer's monstrous transformation.
    A mysterious Slaanesh priest stands in a dimly lit, opulent chamber, adorned with flowing robes of iridescent silk that shimmer with every subtle movement. Intricate golden filigree adorns the priest's headdress, catching the warm glow of scattered candles. The air is thick with the scent of exotic incense, creating a hazy, dreamlike atmosphere. Surrounding the figure are ornate sculptures and artifacts, their curves and contours echoing the sensuous themes of Slaanesh. Soft, ethereal light filters through stained glass windows, casting a kaleidoscope of colors across the scene. The priest's expression is one of serene ecstasy, eyes half-closed in rapture. In the background, glimpses of writhing shapes and shadowy forms hint at unseen pleasures and desires. The composition balances elements of beauty and intensity, creating a captivating yet unsettling tableau. The style evokes the lush, decadent aesthetic of Gustav Klimt, combined with the otherworldly surrealism of Zdzisław Beksiński and the ethereal luminosity of John William Waterhouse.
    A side profile view of a mermaid emerging from side of a lake. They are half emerged from the placcid surface. The surface waterline runs through the center median line of the image dividing the image in two halfs, one half above water and the other half below water. The above waterhalf uses bright and cheery colors to create a sense of happiness and ease, the human torso half of the mermaid is resting their arms and head on the shore of the lake, they are looking at the viewer with a calm and inviting look. The background of the top half of the scene is a calm and inviting forest scene, with large beautiful trees and bushes of covered in an overwhelming amount of flowers. The below waterhalf makes use of dark and gloomy colors, the scales of the mermaid's tail look sharp, the tail fin is ripped and tattered, these are various combat scars on the mermaid's tail. The tail extends from the waterline down below the waterline of the scene. In the background of the below waterhalf can be seen various dark and twisting waterweeds such as seaweed and kelp. The scene is viewed from a side profile at an angle level with the waterline. The dichotomy between the above water and below water halves of the scene color choices creates a sense of unease which harkens back to the old legends of mermaids drowning unwary passersby. The focus of the scene is on the details of the mermaid with a close view.
    Misty Valley, a close-up of a mysterious female entity, one half of her body and face is beautiful, angelic appearance, blue eyes, white hair, the other half of her body and face is demonic, coal-black skin, red eye and hair are burning with fire, demonic horn, on her back are wings corresponding to each part of the body. Dark atmosphere, cinematic, masterpiece, clear focus. .35mm photograph, film, bokeh, professional, 4k, highly detailed
    Misty Valley, a close-up of a mysterious female entity, one half of her body and face is beautiful, angelic appearance, blue eyes, white hair, the other half of her body and face is demonic, coal-black skin, red eye and hair are burning with fire, demonic horn, on her back are wings corresponding to each part of the body. Dark atmosphere, cinematic, masterpiece, clear focus. .35mm photograph, film, bokeh, professional, 4k, highly detailed
    A mysterious Slaanesh priest stands in a dimly lit, opulent chamber, adorned with flowing robes of iridescent silk that shimmer with every subtle movement. Intricate golden filigree adorns the priest's headdress, catching the warm glow of scattered candles. The air is thick with the scent of exotic incense, creating a hazy, dreamlike atmosphere. Surrounding the figure are ornate sculptures and artifacts, their curves and contours echoing the sensuous themes of Slaanesh. Soft, ethereal light filters through stained glass windows, casting a kaleidoscope of colors across the scene. The priest's expression is one of serene ecstasy, eyes half-closed in rapture. In the background, glimpses of writhing shapes and shadowy forms hint at unseen pleasures and desires. The composition balances elements of beauty and intensity, creating a captivating yet unsettling tableau. The style evokes the lush, decadent aesthetic of Gustav Klimt, combined with the otherworldly surrealism of Zdzisław Beksiński and the ethereal luminosity of John William Waterhouse.
    Misty Valley, a close-up of a mysterious female entity, one half of her body and face is beautiful, angelic appearance, blue eyes, white hair, the other half of her body and face is demonic, coal-black skin, red eye and hair are burning with fire, demonic horn, on her back are wings corresponding to each part of the body. Dark atmosphere, cinematic, masterpiece, clear focus.
    ORIGINAL PROMPT: An artwork done in the style of (david downton:1.4), as a (fujicolor pro 400h:1.6). A surrealistic Post-Apocalyptic Fantasy scene. PRODUCTION PROMPT: An artwork done in the style of (david downton:1.4), as a (fujicolor pro 400h:1.6). In a desolate realm where twilight reigns, a lone tree stands as if kissed by the setting sun, its branches twisted and gnarled like a chorus of withered fingers grasping for the heavens. The air is heavy with an otherworldly mist that clings to the skin like a damp shroud, imbuing all it touches with a sense of forgotten memories and half-forgotten dreams. A faint glow emanates from the depths of the tree's trunk, where the bark seems to writhe and pulse like a living entity. In the background, a cityscape rises from the mist-shrouded earth, its buildings crumbling and worn like bones, as if nature has claimed them back after an eternal slumber. Towering spires pierce the sky, shrouded in a perpetual veil of mist, their delicate tips reaching for the darkness that gathers on the horizon. To one side, a band of creatures gather around a central altar, where human bones are arranged in a macabre ritual dance. Their faces aglow with ethereal light, they chant ancient incantations as they weave a tapestry of forbidden knowledge and forgotten lore. In their midst, a single figure stands apart – a lone survivor of this ravaged world, whose weary eyes seem to hold the weight of countless worlds yet unexplored. As dusk deepens, the tree's glow intensifies, casting an eerie radiance over the assembly, and bathing them all in its holy, mystical light. In this sacred moment, time seems to bend and warp, allowing us a glimpse into realms both ancient and unseen – realms where myth and legend dance with reality itself.
    ORIGINAL PROMPT: An artwork done in the style of (terry oakes:1.4). A surrealistic depiction of a random fantasy scene of the mythical beast genre. complex patterns. PRODUCTION PROMPT: In the realm of mystique and ancient lore, where myths dwelled and legends roamed free, a magnificent artwork stood as testament to the boundless creativity of its creator. Titled "Mythic Convergence," this surrealistic portrait was a symphony of colors, textures, and patterns that transported the viewer to a realm beyond the ordinary. The composition began with a soft, ethereal glow that emanated from the subject at the heart of the piece. The creature itself was a mesmerizing amalgamation of diverse mythological beasts, woven together in a tapestry of serpentine scales, wings, and armored plating. The colors danced across its body, shifting between shimmering iridescent blues, emerald greens, and burnished golds that seemed to radiate an inner light. The brushstrokes were bold and expressive, imbuing the artwork with a sense of spontaneity and unbridled energy. Complex patterns adorned the creature's limbs, evoking intricate mosaics that seemed to hold secrets and stories of their own. Ancient runes and mystical symbols wove through these designs, infusing the artwork with an aura of mystique and foreboding. To one side, delicate tendrils of smoke curled upward like wisps of cloud, carrying whispers from the realms beyond our mortal world. The air was thick with an otherworldly energy that seemed to pulsate in harmony with the beat of the viewer's heart. As the eye traveled across the canvas, it discovered hidden facets and layerings that whispered tales of forgotten eras and half-remembered legends. Every detail seemed to vibrate with a life force that coursed through the very essence of the artwork itself – an ephemeral convergence of reality and fantasy, woven from threads both tangible and intangible. Terry Oakes' signature style infused this masterpiece with an air of mystique and enchantment, transporting viewers to realms both magical and obscure. In "Mythic Convergence," the boundaries between myth and reality dissolved, revealing a glimpse into the uncharted territories that lay beyond the veils of our mundane
    A torrential thunderstorm rages, lightning illuminating the grotesque figure of Homer Simpson, re-imagined as Frankenstein's monster. His skin is a sickly green hue, stitches crisscrossing his forehead and neck, one bolt protruding at an awkward angle. His trademark balding hair is even more sparse and disheveled, and his eyes bulge with a mixture of hunger and confusion. Clutched in his oversized, bolted hand is a half-eaten sprinkled doughnut, pink frosting smeared across his monstrous jowls. Rain lashes down, plastering his tattered clothes to his hulking frame. The background is a blur of wind-whipped trees and flashes of lightning, the thunder echoing like a monstrous growl. Despite the horror, a flicker of Homer's familiar dopiness remains, making the scene both terrifying and absurdly funny. This is a monstrous parody, a collision of classic horror and iconic cartoon imagery. The style evokes the bold lines and lurid colors of a classic EC Comics horror panel, with a touch of Matt Groening's signature caricature style. The desired emotion is a blend of fear and amusement, a grotesque comedy rendered with a dark, saturated color palette and dramatic lighting to emphasize the stormy atmosphere and Homer's monstrous transformation.
    A long, narrow canal, filled with dark, still water and vibrant green aquatic plants, runs through the ruins of a large stone building. The walls of the building, made of gray stone, are crumbling and overgrown with patches of green grass and weeds. The ruins have arched windows and doorways, and remnants of brick structures are visible in the middle section. A person in a canoe is paddling through the canal in the middle of the image; A lush, dense, green mountain range rises steeply behind the ruins, filling the upper half of the composition. The light is soft and diffused, creating a serene and somewhat melancholic atmosphere. The water reflects the surrounding structures and greenery. The overall impression is one of time and nature reclaiming structures built by humans; a balance between decay and verdant growth. Realistic style, but with a touch of impressionism in the way the light is rendered and the lushness of the vegetation. Include detailed textures in the stone and water.
    Create a dark and grim scene set during the time of the plague in the Middle Ages. The setting is a narrow, dirty street lined with old, half-timbered houses, some of which are partially collapsed or in severe disrepair. A person dressed in tattered rags sits slumped against the wall of one of these houses, their face hidden in despair. The streets are littered with filth and debris, with rats scurrying around and sitting on the corpses that are scattered along the path. The atmosphere is heavy and suffocating, with the stench of decay hanging in the air, enhancing the sense of death and desolation. The overall mood is haunting, capturing the hopelessness and horror of the plague era. A town sign reads “Death lives here”
    A majestic feline creature, half-dragon, perches atop a moss-covered stone before an ancient cave mouth. Its sleek form shimmers with iridescent blue scales instead of fur, each one catching the sunlight filtering through the foliage above. Powerful leathery wings fold neatly against its sides, while a long, sinuous tail tipped with spikes curls gracefully behind it. In the distance, a crystal-clear pool reflects the azure sky, fed by a cascading waterfall that plunges into its depths. Lush vegetation surrounds this enchanting scene, bathed in warm, golden light, creating an atmosphere of wonder and magic. The overall aesthetic should evoke classic Disney animations with their signature charm and vibrancy. Rendered in stunning detail, capturing every scale's shine and every feather's texture. The environment should be equally captivating, showcasing the brilliance of the surrounding flora and fauna. Make sure to use a wide range of brilliant colors throughout the scene, avoiding shades of green for the scales, so they stand out vividly,
    ORIGINAL PROMPT: An artwork done in the style of artist (enki bilal:1.4), as a (parquetry:1.6). An evocative and detailed Comedy Fantasy scene. PRODUCTION PROMPT: An artwork done in the style of artist (enki bilal:1.4), as a (parquetry:1.6). In a whimsical tavern nestled in a sun-dappled forest, a stout and jovial wizard, bespectacled with wonder, leans against a worn wooden bar as he downs a frothy mug of ale. The patron's wild grey hair sticks out in every direction, as if electrified by the magical forces at play within him. In the background, enchanted patrons – one half-human and half-animal – clink mugs together in merry celebration, while wisps of glittering fireflies weave through the air like a thousand tiny lanterns.

      Stable Diffusion 3 (SD3)

    • SD3 Medium - stableDiffusion3SD3_sd3Medium.safetensors
    • SD3 Medium Incl. Clips - stableDiffusion3SD3_sd3MediumInclClips.safetensors
    • SD3 Medium Incl Clip FP16 - stableDiffusion3SD3_sd3MediumInclClip.safetensors
    • SD3 Medium Incl T5XXL - stableDiffusion3SD3_sd3MediumInclT5XXL.safetensors
    • Text Encoder - Clip L - stableDiffusion3SD3_textEncoderClipL.safetensors
    • Text Encoder - Clip G - stableDiffusion3SD3_textEncoderClipG.safetensors
    • Text Encoder - T5 e4m3fn - stableDiffusion3SD3_textEncoderT5E4m3fn.safetensors
    • Text Encoder - T5XXLFP16 - stableDiffusion3SD3_textEncoderT5XXLFP16.safetensors
    • ComfyUI Workflows - stableDiffusion3SD3_comfyuiWorkflows_trainingData.zip
    • Demo Prompts - stableDiffusion3SD3_demoPrompts_trainingData.zip

      Stable Diffusion 3.5 Large

    • Large - stableDiffusion35_large.safetensors
    • Workflow - stableDiffusion35_workflow_trainingData.zip

      Stable Diffusion 3.5 Large Turbo

    • Large Turbo - stableDiffusion35_largeTurbo.safetensors
    • Workflow - stableDiffusion35_workflow_trainingData.zip

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