EnragedAntelope
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    photograph, masterpiece, rodian alien, dressed as Captain America, holding shield, jumping toward a helicopter, holding a lightsaber, crumbling monastery, faded manuscripts, silent prayers, remnants of spiritual devotion Full body shot. Dynamic action shot, very detailed. Volumetric lighting <lora:RodiantestSkin1:1. 0>, <lora:neg4all_bdsqlsz_xl_V7:1. 0>

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    EasyNegative, bokeh, film grain, blur, noise

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    The leftmost character is a realistic robotic woman from a sci-fi setting with metallic materials and sharp neon lights accentuating her face, posing regally with her hand on a nearby marble pedestal, while the center character is a childlike minimalist hand-drawn cartoon rabbit playing a bright sunny yellow ukulele in a carefree manner, oblivious to the surroundings. On the opposite side of the scene is a highly stylized, vibrant comic book style samurai wolf leaping through the air with electricity crackling at his claws as he prepares to pounce, viewed at an angle from slightly below. All characters are set against the backdrop of a ruined Gothic stone castle at sunset with moss and ivy reclaiming the decrepit stonework.
    Inside the ancient Roman Aqueducts, a vibrantly colored, handmade paper mache sculpture of an Indian Vulture in mid spreads its patchy wings amidst the morning stillness of sunrise, sun rays peeking through arches reflecting warm tones off weathered stonework textures highlighted by grungy contrasts
    A gritty Low-Poly art vampire cringes in agony as a glistening Alien bursting from a glowing, ethereal Lightbox spews entrails out past an eerie Steampunk automaton holding a lantern in an abandoned, lantern lit, steam fog-shrouded laboratory that seems to be on the precipice of demolishment.
    A warm, golden background with delicate florals and curved lines, with three characters arranged in a whimsical, triangular formation viewed from a 45-degree angle, blending Cubism's fragmented forms with Rococo's gentle curves, The Cubist Clown sits at the center, rendered in oil paints and digital media with sharp, angular lighting accentuating geometric shapes, The Rococo Maid stands to the left in an 18th-century-inspired gown with delicate patterns and smooth textures, The Pop Surrealist sits to the right with a smooth, blended face and abstract patterns on their clothing, all set against a backdrop of subtle, indirect light emanating from the left
    A faded, desaturated analog film photograph, bathed in warm, golden lighting, cool, blue-toned accents, and soft, diffused lighting, captures a whimsical scene of three unique characters arranged in a triangular formation. The Steampunk Inventor, foreground left, stands with intricate clockwork mechanisms strapped to their head and torso, wielding a steam-powered siphon gun, dressed in worn, grainy leather and brass goggles. The Pop Art Starlet takes center stage, clad in a bold, graphic costume featuring red and blue stripes and polka dots, striking a confident pose. An Art Deco-inspired aristocrat stands elegantly to the right, adorned in sleek, metallic silver and gold, with rich black and white accents, holding a stylized, geometric mask. Atmospheric fog and lens flares add depth to the scene, set against a cityscape blending Steampunk's industrial, distressed aesthetic with Art Deco's sleek, geometric lines and Pop Art's vibrant colors. Copper etching, industrial-style patination, silk-screen printing, stenciling, hand-painting, and ornate metalwork techniques add intricate details.
    A five-limbed, radially symmetrical alien stands upright on a spongy, mottled ground, midst towering pastel crystal formations in a vast field. It's approximately two meters tall, its translucent skin revealing internal structures, with a fine, hair-like sensory texture and iridescent sheen. Bioluminescent patterns pulse on its body as it interacts with fractal-patterned vegetation, under the mixed red and blue illumination of a binary star system, casting prismatic patterns and a dreamlike atmosphere.
    A vibrant, cartoon-styled anthropomorphic fox in a red spacesuit is floating near a nebula, surrounded by stars and planets. The fox has a big smile and is waving at a watercolor-painted, Victorian-era styled octopus emerging from a nearby gas giant. The octopus's elegant, lace-trimmed spacesuit is adorned with pearls and gemstones, and it's gesturing graciously towards the fox. In the background, a low-poly, 8-bit pixel art astronaut dog is peeking out of the cockpit of a retro-futuristic spaceship. The dog's face is lit up by the warm glow of the ship's console, and it's watching the unlikely encounter with curiosity. Soft, ethereal light from the nebula illuminates the entire scene, giving it a dreamy quality.
    In a surreal, vibrant dreamscape, a Picasso-inspired humanoid with geometric shapes for body parts, a Van Gogh-style sunflower that can move on its own, and a Monet-inspired water nymph are interacting in a whimsical dance. The Picasso figure is playing a trumpet, while the Van Gogh sunflower is twirling gracefully, and the Monet nymph is conducting the entire scene with a delicate hand gesture.
    The dimly lit, crowded underground mining space seems to stretch cavernously below Juneau. Heavy, velvet black and deep amethyst fabrics envelop support structures, entwined chaotically yet forming soft corridors the seedy-eyed locals stumble through in bitter isolation against the rage of icy frost above and all hope in heavy hues swallowed, diffused away entirely beneath an eternity hard-lamp cast across pitted crystalline frost with chilled miners, as bleak gold glazes smolder against ornate fretworks and fine frutages torn, molded straight free above ground beneath crystalline glacial ceilings while low-slow fires fight for survival at raggy wet tethers dight. In dark Alaskin friges they await fortunes.
    A close-up portrait of the Hulk's face and upper body, with a vintage, high-contrast aesthetic reminiscent of 35mm film photography shot on a Nikon F3 with 50mm f/1.4 lens using Kodak Tri-X 400 film. The Hulk's intense, green-tinged skin has visible pores, fine lines, and subtle imperfections, with natural shadows accentuating his furrowed brow and gritted teeth. Pronounced muscles have a realistic, textured quality, complemented by subtle veins and natural shadows. Short, dark hair is slightly unkempt, framing the Hulk's intense, deep-set eyes with a hint of green in the iris and bloodshot sclera. The scene is backlit by a dim, gritty urban alley, with a subtle green tint applied over a black and white base image, while steam rises from a manhole cover in the background and dramatic shadows dance across the Hulk's face, amplified by the organic, analog-look film grain of the Kodak Tri-X 400 film. Vignetting, chromatic aberration, lens dust, and scratches add a vintage aesthetic. The background is slightly blurred to suggest the Hulk's movement, while overall the image has a slightly softened look.
    In a whimsical, dreamlike setting reminiscent of a fantastical forest, with low-hanging tree branches and vibrant mist, three characters from different art styles interact in unison. To the left stands a stoic, noir-inspired detective with a sharp jawline and fedora, rendered in high-contrast shadows and 1940s film grain, intently examining an object in his hand. In the center, a brilliant and colorful, ultra-realistic sci-fi android, complete with metallic sheen, glowing circuits and transparent sections, gently tends to a small sprouting plant with nurturing intent, soft light bouncing off surrounding dew drops. On the right, a whimsical, hand-drawn cartoonish gnome exudes joyful expression, reminiscent of storybook illustrations, adding abstract textures and patterns, using a watercolor-inspired brush, emphasizing expressive and loose movement as he prepares to dive headfirst into the water of a gleaming lake below.
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