Epie Ryuzaki
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    The photo shows Michael Jackson in a sharply tailored black- and- white pinstripe suit, exuding elegance and flair. The suit is slim- fitting, with structured shoulders and crisp lapels, giving him a polished look. He pairs it with a white shirt, either with a subtle black tie or an open collar for a relaxed, stylish touch. His hair is styled in loose curls framing his face, and he may wear dark sunglasses, adding a sense of mystery. Michael’s pose is confident and poised, capturing his cool charisma. A signature glove might also subtly appear, completing his iconic style

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    More prompts from Epie Ryuzaki

    The GoPro perspective shows an exhilarating view from the man's point of view as he skydives from Big Ben. The camera captures the vast, open sky with scattered clouds, creating a dramatic backdrop. Big Ben appears in the frame, diminishing rapidly as the man descends. The iconic clock tower and surrounding rooftops of London come into view, creating a breathtaking contrast with the expansive sky. The ground below is a patchwork of streets and buildings, slowly growing larger as he freefalls. The man’s harness and parachute are visible in the frame, with the skydiver’s hands gripping the parachute's release mechanism.
    A beautifully crafted treehouse perched among tall, leafy trees, accessible by a spiral wooden staircase that wraps around the tree trunk. The treehouse has a pointed roof and large windows that offer panoramic views of the surrounding forest. Vines and flowers grow around the structure, blending it harmoniously with nature.
    cctv footage shown a werewolf giving a middle finger to the camera,
    The tokusatsu Iron Man motorcycle would have a striking, futuristic design, reflecting the retro-futuristic style of the 1980s. It would be sleek and angular, with a streamlined body in metallic red and gold, mirroring Iron Man’s armor. The bike would feature glowing blue or neon accents along the sides and handlebars, adding a high-tech vibe. The front of the motorcycle would be equipped with a distinctive, aggressive-looking headlight, possibly shaped like Iron Man's eyes. The wheels would be large and robust, with chrome rims and intricate, circuit-like patterns on the tires. The bike might include additional mechanical elements, such as retractable wings or energy weapons, fitting the tokusatsu theme. To emphasize its connection to Iron Man, the motorcycle would incorporate design motifs from the suit, like angular lines and armor-like plating. The overall look would combine functionality with a dramatic, heroic flair, typical of tokusatsu aesthetics, making it both a high-performance vehicle and a striking visual companion to the hero’s armor.
    The comic art of the T-800 from *Terminator* showcases the iconic cyborg in a dynamic, action-packed scene. The T-800 is drawn with a detailed, gritty style, emphasizing its mechanical endoskeleton. The metallic surface of its body is rendered with sharp lines and shadows, giving it a menacing, almost lifelike appearance. The red eyes of the T-800 glow ominously, contrasting against the dark, smoky background. Sparks fly off its exposed joints, adding a sense of motion and intensity. The T-800 holds a large, futuristic weapon in one hand, aimed directly at the viewer, while its other hand is in mid-swing, showcasing its raw power and precision. The overall color palette is dominated by dark grays, silvers, and reds, enhancing the grim, apocalyptic tone of the scene. The background features crumbling buildings and burning wreckage, further immersing the viewer in a world on the brink of destruction. This artwork captures the relentless nature of the T-800, making it a striking piece that embodies the essence of the *Terminator* franchise.
    Wesley Snipes as Neo in a sleek black leather outfit, standing confidently in a dark, high-tech environment. His sunglasses reflect a neon green code, hinting at the virtual reality of The Matrix.
    a magazine cover named [Gila- Gila] with caricature art depicting about a man who late for work chasing a yellow bus,
    The movie poster for *Backstabber: Legacy of Vengeance* features Hulk Hogan in a commanding and intense pose. The background is a dramatic blend of dark, stormy skies and burning buildings, setting a tense and action-packed tone. Hogan stands front and center, dressed in a rugged, tactical outfit that reflects his character's battle-worn experience. His expression is fierce, conveying a sense of determined vengeance. The title *Backstabber: Legacy of Vengeance* is prominently displayed at the top in bold, metallic letters, with the words "Legacy" and "Vengeance" highlighted to emphasize the film's central themes. Below the title, a tagline reads: “The past comes back with a vengeance,” adding intrigue to the plot. In the lower part of the poster, dynamic action shots show Hogan in mid-combat, alongside other key characters and antagonists from the film. Explosions and fiery effects frame the scene, enhancing the high-octane feel of the poster. The overall color scheme combines dark reds and blacks, punctuated by bright, fiery highlights, creating a visually striking and dramatic effect.
    dvd screengrab from 2002 anime movie (Lord of The Rings) drawing by (Akira Toriyama) animated by (Toei Animation) featuring scene of Gandalf and Bilbo Baggins,
    The Polaroid photo captures Arnold Schwarzenegger in a candid moment, walking toward the camera with his signature confident stride. The scene is set in the 1990s, evident from the fashion and the slightly faded, warm tone of the Polaroid film, giving the image a nostalgic feel. Arnold is wearing a bold red jacket, the vibrant color standing out against the more muted background. The jacket has a classic 90s cut—slightly oversized, with a casual yet stylish vibe. Beneath the jacket, you can see the collar of a simple t-shirt, likely in a neutral color, adding to the laid-back look. He pairs the jacket with well-fitted jeans, the light wash and straight-leg style typical of the era. His expression is relaxed, yet focused, as if he's in the middle of a casual day, but his presence commands attention. His hair is styled in the classic, slightly tousled look he was known for during that time, completing the iconic 90s aesthetic. The background is slightly blurred, emphasizing Arnold as the central figure. The Polaroid's white border frames the moment, with the photo having a slightly aged look, perhaps with a tiny handwritten note at the bottom, adding a personal touch. The overall image captures a cool, effortless moment of 90s Arnold, blending his star power with the everyday vibe of the era.
    A Mickey Mouse head-shaped creamy chocolate cake is a whimsical and elegant treat. The cake is sculpted to resemble Mickey’s iconic head, with smooth, glossy chocolate covering it. The ears are rounded and domed, and the face features Mickey’s distinctive eyes, smile, and nose, crafted with precision using chocolate or fondant. The creamy chocolate is rich and velvety, with a luscious filling like chocolate mousse or ganache. The outer layer is a shiny, dark chocolate glaze, giving the cake a polished and playful appearance.
    stills from 1971 low budget tv movie "The Incredibles Hulk"
    ## Terminator: Hybrid Movie Poster Concept **Image:** A stark, futuristic cityscape, dominated by towering skyscrapers and imposing metal structures. A single, lone figure stands in the foreground, their silhouette partially obscured by a blinding light. **Color Palette:** Predominantly dark tones, with hints of blue and red for a metallic, otherworldly feel. The figure's silhouette should be outlined in a glowing, neon-like color. **Text:** * **Title:** Terminator: Hybrid * **Tagline:** "The future is not human." **Additional Elements:** * **Symbolism:** A shattered mirror or a fractured reflection, representing the hybrid's internal conflict. * **Visual Effects:** Subtle, atmospheric effects like rain, fog, or neon-lit signs to enhance the futuristic setting. **Overall Mood:** A sense of mystery, tension, and impending doom. The poster should evoke a feeling of both awe and fear, suggesting that the hybrid is a force to be reckoned with.
    The Greece-themed entrance and props for the wrestling pay-per-view event evoke the grandeur and mythology of ancient Greece, creating an immersive and dramatic atmosphere. **Entrance Ramp:** The entrance ramp is designed to resemble a grand, ancient Greek temple. Columns with Corinthian capitals line the sides, adorned with golden and marble-like textures. The ramp itself is covered with a rich, deep blue carpet that mimics the color of the Aegean Sea. **Backdrop:** The backdrop features a large, elaborately decorated archway resembling the Parthenon, complete with sculpted reliefs of Greek gods, mythological figures, and intricate geometric patterns. Golden laurel wreaths are prominently displayed around the arch, symbolizing victory and honor. **Props:** - **Statues:** Flanking the ramp are large, impressive statues of Greek gods and heroes, such as Zeus, Athena, and Hercules. These statues are illuminated by spotlights and backlit to create dramatic shadows and enhance their grandeur. - **Grecian Urns:** Decorative Grecian urns, featuring hand-painted scenes of epic battles and mythological stories, are placed strategically around the entrance area. - **Mythological Elements:** The entrance features fog machines to simulate the mythical ambiance of ancient Greece, creating a misty effect that adds to the grandeur. Occasionally, bursts of golden confetti simulate falling ancient treasures. **Lighting and Effects:** The lighting is warm and golden, resembling the light of the Greek sun, with occasional flashes of blue and white to evoke the sea. Dramatic, classical music with grand orchestral scores accompanies the entrance, enhancing the theme and setting the tone for the event. Overall, the Greece-themed entrance creates a majestic and epic atmosphere, transporting the audience to a time of myth and legend and setting the stage for an unforgettable wrestling pay-per-view.
    A stunning and intricate illustration of London's iconic Big Ben clock tower, masterfully crafted by the talented artist Jim Kay. The illustration showcases the grandeur of the Victorian Gothic-style structure, with its intricate detailing and rich, earthy colors. The sky is a mix of warm oranges and purples, casting an enchanting glow on the towering clock. Pedestrians and carriages move along the cobblestone streets, adding to the bustling atmosphere of the historic city.
    The 1950s comic cover for "RoboCop vs Terminator 2" depicts a high-intensity battle between a battle-damaged RoboCop and a relentless Terminator. RoboCop is mid-leap, aiming a dual-barreled ray gun, while the Terminator, with half its human exterior torn away to reveal its endoskeleton, fires a massive plasma rifle. The background is a chaotic, dystopian cityscape with crumbling buildings, flaming wreckage, and dark, stormy skies. The title is bold and metallic, with the tagline, "This Time, It’s War!" The cover uses a darker color palette and captures the escalating conflict in classic 1950s sci-fi comic style.
    The photo depicts an unusual and oddly amusing scene of a snail fight event. In a small, makeshift ring on a patch of grass, two snails are positioned in the center, their antennae extended as they slowly inch toward each other. The ring is outlined by a circle of small pebbles, giving the event a sense of structure, despite its absurdity. A few spectators, including children and adults, crouch around the ring, watching with a mix of curiosity and amusement. Some are laughing, while others are snapping photos with their phones. The organizer, a person with a humorous air, stands nearby, perhaps holding a small stick or a leaf to gently nudge the snails closer together. The atmosphere is light-hearted and filled with laughter, as everyone seems to be in on the joke of this slow-motion "battle." In the background, the setting is a sunny park with trees and a few picnic blankets, adding to the playful and relaxed vibe of the scene. The snails, oblivious to the attention, continue their slow, deliberate movements, making the event both ridiculous and endearing.
    The TV broadcast still of Hollywood Hulk Hogan on WCW Nitro shows him confidently walking to the ring. He’s dressed in his signature black and white attire, featuring a "Hollywood" logo and a prominent "NWO" on his sleeveless shirt, complemented by black leather pants and a bandana. Hogan’s powerful stride and intense expression highlight his imposing presence. Bright arena lights illuminate him, creating dramatic shadows and emphasizing his muscular physique. The excited crowd in the background is blurred, adding to the electrifying atmosphere. The still captures Hogan’s dominant persona and the high-energy environment of WCW Nitro.
    The 1970s-style poster for *Iron Man VS Kamen Rider* features Iron Man and Kamen Rider in bold, dynamic poses with simplified, retro designs. The background includes classic comic book-style explosions or action lines in bright, primary colors like red, yellow, and blue. The title is displayed in large, blocky, retro fonts with a slight 3D effect, and includes both English and Japanese katakana. The color palette is saturated with flat, primary colors and minimal gradients, reflecting the vintage comic book aesthetic. Additional elements include bold borders or frames and graphic accents like stars or rays, enhancing the retro look.
    The Japanese movie poster for *Iron Man VS Kamen Rider* would feature a dynamic and visually striking design. Iron Man and Kamen Rider, both in their iconic suits, would be depicted in powerful, confrontational poses at the center. Iron Man’s metallic red and gold armor contrasts with Kamen Rider’s sleek, colorful suit, typically featuring bold patterns and vibrant colors like green, red, and black. The background would highlight a dramatic clash between the two heroes, with effects such as energy blasts, explosions, and dynamic lighting to emphasize the intensity of their battle. Elements of a futuristic cityscape or a high-energy battlefield would enhance the action-packed atmosphere. The title, *Iron Man VS Kamen Rider*, would be prominently displayed at the top in bold, stylized fonts, incorporating both English and Japanese katakana. The poster’s color palette would mix bright, bold colors with metallic and glowing effects to capture the high-energy, dramatic nature of the crossover event.
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