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    An ultra- high- resolution, surreal brutalism an angel beuty A high- angle, full- body analog film photograph of Portrait :: young sweet sad Beauty ::the concrete high old Vintage buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: huge Vintage spaceahip:: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3. 5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3. 5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains

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    Portrait :: charming super powerful woman :: full body::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::Full body pin up digital painting of Alison Brie Portrait is very dynamic and in futuristic atmosphere ::A graceful Beauty vibrant,full body 20-year-old woman with porcelain skin and short, wavy, fiery red hair, The figure, a strikingly delicate feminine, sparks around body, flame in eyes . woman made of dust and rain, depicted in full growth, as if created by nature itself, gracefully demonstrates unrivaled captivating elegance and sophistication. Snowflakes in the background::Under water:: colourfull fishes:: 8k resolution vignette dynamic lighting Kodak Ektar 1900s photograph
    An ultra-high-resolution, surreal masterpiece of an angel beuty sculpted in molten gold, seamlessly merging divine elegance with abstract artistry. The angel is portrayed in a powerful yet humble pose, with its head bowed and hands clasped in prayer, exuding a sense of spiritual serenity and profound reverence. Its form is fluid and dynamic, as if carved from streams of golden liquid, with every curve and fold of its flowing robes meticulously detailed to capture the illusion of movement. A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty:brutalism style::city in fire ::winter :: siberia :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds
    Portrait :: charming super powerful woman :: full body::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::Full body pin up digital painting of Alison Brie Portrait is very dynamic and in futuristic atmosphere ::A graceful Beauty vibrant,full body 20 . woman made of dust and rain, depicted in full growth, as if created by nature itself, gracefully demonstrates unrivaled captivating elegance and sophistication. Snowflakes in the background::Under water:: colourfull fishes:: 8k resolution vignette dynamic lighting Kodak Ektar 1900s photograph
    Portrait :: wide lens;;young sweet sad Beauty charming cyborg in jump one meter above ground ::splash picture of a beautiful young woman standing with short-cut, gray hair, with her bangs framing a heart-shaped face, and beautiful big blue eyes that gaze lustily out at the camera. Her robotic legs and arms are full of electrical wires and metal parts not cover by skin or any othet cover. She is dressed in a red, skin-tight suit A stunning young woman with curly blonde hair :;. rotary kiln made from steel::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, “Surreal dystopian brutalist architecture industrial landscape heavy pollutiom
    A highly detailed close-up portrait of a surreal dystopian woman, captured as if shot with a Yashica Mat-124G on Fujichrome slide film and developed in cross-process (C-41), with saturated colors, color shifts, high contrast, and subtle film grain. The woman has pure white skin, big beauty eyes, and dark blue eyebrows. Her lips are painted a deep red. Her long, wavy blue hair falls over her shoulders. She wears a skinny white outfit that is decorated with large, bold 1960s-style geometric patterns, such as circles, curves, and waves, in red and orange. The background is abstract and also features a vintage mid-century modern geometric design, in retro colors like red, orange, mustard, and cream, adding depth and visual rhythm. The entire scene has an analog film aesthetic, blending surrealism and 1960s pop style.
    A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty charming woman ;; the concrete ::brutalism style::dystopian cyborg city ::winter :: siberia ::Vintage car ::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, and her small, fragile nature.
    A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty charming woman ;; the concrete ::brutalism style::dystopian cyborg city ::winter :: siberia ::Vintage car ::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, and her small, fragile nature.
    Portrait :: natural tones :: made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::Old mirrors in background:: porcelain skin ;;smile ::futuristic humanoid figure made partly of reflective white metal .. Portrait is very dynamic and in futuristic atmosphere
    Dystopian Beksiński style , surreal brutalism dystopian woman beauty sculpted in rusty black and red metal::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist architecture, massive concrete forest:: hugh abandoned buildings with cracks and weathered stains,
    An ultra-high-resolution, surreal masterpiece of an angel beuty sculpted in molten iron, seamlessly merging divine elegance with abstract artistry. The angel is portrayed in a powerful yet humble pose, with its head bowed and hands clasped in prayer, exuding a sense of spiritual serenity and profound reverence. Its form is fluid and dynamic, as if carved from streams of black rusty metal, with every curve and fold of its flowing robes meticulously detailed to capture the illusion of movement. ;;brutalism style::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds
    Portrait :: charming super powerful woman :: full body::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::Full body pin up digital painting of Alison Brie Portrait is very dynamic and in futuristic atmosphere ::A graceful Beauty vibrant,full body 20-year-old woman with porcelain skin and short, wavy, fiery red hair, The figure, a strikingly delicate feminine, sparks around body, flame in eyes . woman made of dust and rain, depicted in full growth, as if created by nature itself, gracefully demonstrates unrivaled captivating elegance and sophistication. Snowflakes in the background::Under water:: colourfull fishes:: 8k resolution vignette dynamic lighting Kodak Ektar 1900s photograph
    Dystopian Beksiński style , surreal brutalism dystopian woman beauty sculpted in rusty black and red metal::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist architecture, massive concrete forest:: hugh abandoned buildings with cracks and weathered stains,
    no gravity::no hope::no Life::Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust surrealizm : abstract style;; action painting Yashica 124matg kodak portra 160vc,r:: Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust:: :Dust dirt snowflakes The color is matte Yashica 124matg ilford 1600, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette
    An ultra-high-resolution, surreal masterpiece of an angel beuty sculpted in molten gold, seamlessly merging divine elegance with abstract artistry. The angel is portrayed in a powerful yet humble pose, with its head bowed and hands clasped in prayer, exuding a sense of spiritual serenity and profound reverence. Its form is fluid and dynamic, as if carved from streams of golden liquid, with every curve and fold of its flowing robes meticulously detailed to capture the illusion of movement. A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty:brutalism style::city in fire ::winter :: siberia :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds
    A meeting place of nothingness and infiniy in Beauty woman face;;surrealizm : abstract style;; action painting Yashica 124matg kodak portra 160vc,r:: Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust::
    "Surreal dystopian brutalist architecture, in abandoned city made from massive reddish concrete structures with cracks and weathered stains, rising from foggy reflective water :: natural tones :: by Lee Jeffries:: Vintage car:: birds in the sky
    Design a monochromatic, professional-looking world made entirely of styrofoam. The scene should be elegant, with smooth textures and striking contrasts between light and shadow. Focus on clean, minimalist shapes, such as rounded buildings and soft rolling hills, crafted with precisionHyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust The black-and-white palette should highlight depth and dimension, giving the image a polished, sophisticated look suitable as a presentation background. The atmosphere should feel calm and refined, like a serene, stylized dreamscape.” photo illustration there is a beauty woman, body is centered in the frame, shoulders tilted back ever so slightly, exuding an ethereal confidence. —by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600
    An ultra-high-resolution, surreal brutalism dystopian woman beauty sculpted in rusty black and red metal::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, birds in the sky
    “A monochromatic, vintage-inspired close-up of a massive industrial gear mechanism, showcasing intricate teeth and weathered textures. The setting exudes a gritty, steampunk vibe, with aged metal, bolts, and visible wear from years of labor. The lighting highlights the detailed rust patterns and gives the scene a dramatic, moody atmosphere, evoking a sense of timeworn engineering and industrial strength.”
    “A true solargraphy-style long-exposure image created with a real camera obscura, capturing Kraków’s Main Market Square with St. Mary’s Basilica in the background. The exposure lasts for many months (6–12), resulting in a deeply textured and organic image formed by natural light on light-sensitive paper. A woman stands perfectly still for the entire duration, wearing a traditional Kraków folk costume with colorful embroidery, floral headpiece, and red beads. The image features real analog imperfections: random blotches, water stains, scratches, paper warping, and faded zones due to weather and seasonal shifts. The unique, unpredictable character of the photo reflects the mystical quality of analog photography. Solar trails arch across the sky. The composition has intentional framing, evoking the emotional and cultural spirit of Kraków. The photo includes strong vignette shadows, slight geometric distortions, and underexposed corners — all enhancing the soulful, analog atmosphere that cannot be fully recreated digitally.”
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