:A vintage medium-format film photograph of a... -

:A vintage medium- format film photograph of a young Beauty charming sad woman in an 11th- century village in Poland. ::Inspired by mannerism A surrealistic 90mm art inspired by the style of Magritte. the photography elements are captured with a Hasselblad v 5. 2 The image has the look of an old ORWO film, with a slightly faded, nostalgic atmosphere. Vignete:: abstract style; action painting : Hyperdetailed in the style of blink- and- you- miss- it detail, full body, desaturated colours, fine airbrush art, hyper detailed, ultra realism, impressive art deco analogous colors vignette detailed light dust::"

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2 months

Guidance 3

Seed 7346965986847857

Steps 35

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“A black-and-white photograph in the style of an analog Yashica 124 Mat G camera. A woman in a long, flowing dress stands alone on an empty street at dusk. Her face is slightly blurred, as if dissolving into the air, while the shadows around her seem to form shapes that are impossible to identify. The soft glow of a streetlamp casts long reflections on the cobblestone, and the subtle grain of the film adds a nostalgic touch. In the background, old buildings with fogged-up windows appear to be watching the scene. The shot has a slight vignette, and the contrast between light and shadow creates an unsettling, almost dreamlike surreal effect.”

Portrait :: At the edge of a monumental, brutalist precipice floats a young, ethereal woman, her body suspended horizontally, caught between reality and the surreal. A man stands on the jagged edge, holding her hand effortlessly, as if she weighs nothing, his silhouette distorted, almost otherworldly. The background unravels into a surreal dystopian landscape—a labyrinth of cement towers, warped steel structures, and spiraling smokestacks, forming an abstract web of shapes. Heavy, toxic rain clouds loom oppressively, blending muted grays and earthy tones with industrial gleams. The cracked, desolate ground below echoes abandonment, resembling a fragmented canvas. Captured through the lens of a vintage Yashica Mat 124G, 80mm f/3.5, on Ilford 1600 film, the scene is filled with heavy grain, dirt, and raw melancholy. The composition pulses with an unsettling, abstract energy, blending influences from Lee Jeffries, Alessio Albi, and Adrian Kuipers.

Full-body ultra-realistic portrait of a powerful woman warrior standing in a battle-ready stance, summoning a massive sphere of condensed energy in her hands. Her muscular, athletic physique is accentuated by the dramatic lighting, casting deep shadows across her features. Her short, wild, fiery red hair flows with raw energy, as his piercing, glowing eyes lock onto hers unseen opponent.

The background features a surreal, post-apocalyptic landscape, with towering mushroom clouds from atomic explosions in the distance. Dust, dirt, and snowflakes swirl in the air, illuminated by the eerie orange glow of destruction. The scene is hyper-detailed, with fine airbrush effects, desaturated colors, and a cinematic vignette adding depth and drama.

The warrior’s minimal battle-worn clothing clings to his form, textured with fabric folds and subtle tears, hinting at countless battles fought. His hands crackle with raw power, veins pulsing with contained energy, as the sphere of fire he conjures glows with an intense, otherworldly light.

The artwork blends spicy realism, ultra-realism, and surrealism, drawing inspiration from Syd Mead, H.R. Giger, and Zaha Hadid. Captured through a Yashica Mat124G with Ilford 1600 film grain, the scene has a grainy, vintage quality, adding to its raw intensity.

A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty charming woman ;; Pose: She stands with a gentle forward tilt, head bowed slightly in a moment of serene introspection, her massive mechanical wings curving gracefully behind her lithe form, poor clothing::the concrete ::dystopian::brutalism style::city ::winter :: siberia ::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing
“Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds

Made with yashica 124 mat-g::A vintage medium-format film photograph of a young Beauty woman in an 18th-century barn in Bronowice, Poland. The image has the look of an old ORWO film, She wears traditional Polish folk clothing from the era, including a richly embroidered vest, a white blouse with puffed sleeves, and a long floral skirt. Her red hair is braided and tied with a ribbon. She stands on a flower field wooden barn, holding a pitchfork, surrounded by chickens pecking at the straw-covered floor. In the background, a cow and a horse stand near wooden beams,,
vintage photography, ORWO film, 18th-century Poland, traditional folk clothing, rustic barn, farm animals, pitchfork, soft natural light Vignete:: Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust::"

A mysterious woman sits in an enchanted forest, her dress woven from intertwining tree roots, her lower face gently cloaked in moss. The moonlight casts a deep, warm glow, illuminating the scene with rich, golden hues and deep crimson shadows, reminiscent of a late-night café bathed in candlelight. Tiny trees surround her like silent guardians, their leaves tinged with a soft, amber luminescence. The air is thick with mystery, as if nature itself hums a quiet, nocturnal melody. The background blurs into an impressionistic haze, evoking both dreamlike solitude and the quiet hum of unseen life.

An ultra-high-resolution, surreal masterpiece of an angel beuty sculpted in molten iron, seamlessly merging divine elegance with abstract artistry. The angel is portrayed in a powerful yet humble pose, with its head bowed and hands clasped in prayer, exuding a sense of spiritual serenity and profound reverence. Its form is fluid and dynamic, as if carved from streams of black rusty metal, with every curve and fold of its flowing robes meticulously detailed to capture the illusion of movement. ;;brutalism style::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing
“Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds

Dystopian Beksiński style artwork detail, highly detailed, photorealistic, cinematic, influenced by Gil Elvgren, Patrick Nagel, Enki Bilal, Olivia, surreal brutalism dystopian full body Woman beauty Dystopian Beksiński style , surreal brutalism dystopian full body Woman beauty sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::
“Surreal dystopian brutalist forest:: cracks and weathered stains, sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::
“Surreal dystopian brutalist forest:: cracks and weathered stains,

An ultra-high-resolution, surreal brutalism an angel beuty A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty ::the concrete high old Vintage buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: huge Vintage spaceahip:: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::
“Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains,

A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty charming woman ;; poor clothing::the concrete ::brutalism style::city ::winter :: siberia ::Vintage car ::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing
“Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds

A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty charming woman ;; the concrete ::brutalism style::dystopian cyborg city ::winter :: siberia ::Vintage car ::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing
“Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, and her small, fragile nature.

A highly detailed close-up portrait of a surreal woman, captured as if shot with a Yashica Mat-124G on Fujichrome slide film and developed in cross-process (C-41), with saturated colors, color shifts, high contrast, and subtle film grain. The woman has pure white skin, big beauty eyes, and dark blue eyebrows. Her lips are painted a deep navy blue. Her long, wavy green hair falls over her shoulders. She wears a skinny white outfit that is decorated with large, bold 1960s-style geometric patterns, such as circles, curves, and waves, in red and orange. The background is abstract and also features a vintage mid-century modern geometric design, in retro colors like red, orange, mustard, and cream, adding depth and visual rhythm. The entire scene has an analog film aesthetic, blending surrealism and 1960s pop style.

An ultra-high-resolution, surreal brutalism dystopian woman beauty sculpted in rusty black and red metal::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::
“Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, birds in the sky

$Portrait :: A young, ethereal woman stands alone at the very peak of the Great Pyramid of Giza, her figure small and fragile against the vast, surreal landscape. The brutalist dystopian atmosphere remains, as heavy, toxic clouds loom low in the sky, casting an eerie, muted light over the ancient stones. The pyramid’s surface is weathered, with cracks and rough textures, blending the timelessness of the structure with the decay of an imagined, polluted future. The background dissolves into an abstract haze where the desert meets surreal industrial shapes—fractured smokestacks and metallic shadows rising faintly in the distance. Captured through a vintage Yashica Mat 124G, 80mm f/3.5, on Ilford 1600 film, the scene is gritty and haunting, with grains, dirt, and melancholic tones. The woman, dressed in simple, flowing fabrics, appears out of place yet deeply connected to this desolate, otherworldly moment.$

A surreal DMT-core scene: a woman gazing out over a strange, hypnotic landscape. But instead of a tranquil ocean, the water is an infinite digital matrix—its surface pulsating in deep green hues, cascading with endless streams of numbers, symbols, and cryptic code, like a glitching waterfall of pure information. The digits form and dissolve, creating unstable, shifting patterns that ripple like waves before disintegrating into new sequences, distorting perception with their relentless visual rhythm.

The sky above flickers between static and neon green storms, illuminating the scene with an eerie glow. The sand beneath her feet isn’t just sand—it shimmers, flickering like unstable pixels, reacting to her presence as if the entire reality is on the verge of collapse into raw data. The horizon stretches endlessly, bending and warping as though space itself is being rewritten in real time.

"Surreal dystopian brutalist architecture, in abandoned city madę with massive concrete structures with cracks and weathered stains, rising from foggy reflective water :: natural tones :: by Lee Jeffries

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