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    The purpose of this site is to allow everyone to openly experiment with Flux Pro, so that we can assess it's strengths and weaknesses collectively rather than in isolation, and to learn about it's prompting styles from one another.

    An absurdly epic confrontation unfolds as a dramatically downsized Godzilla, now only eight inches tall but maintaining all his fearsome features and atomic presence, squares off against an ordinary yellow rubber duck in a bathroom environment. The tiny kaiju's scales still gleam with detail, his atomic breath now merely a blue sparkle, while the completely unperturbed rubber duck towers slightly over him with its characteristic innocent smile. Water droplets create miniature puddles around them, reflecting the scene like tiny mirrors and adding gravitas to this ridiculous standoff. Bathroom tiles and chrome fixtures provide a sterile arena for their confrontation, with soft bathroom lighting casting dramatic shadows that treat this silly scenario with all the seriousness of a kaiju film. The artwork merges the whimsical humor of Pixar's concept artists with the detailed monster designs of Wayne Douglas Barlowe and the playful narrative style of James Gurney, creating a perfectly balanced blend of epic and adorable.
    An absurdly epic confrontation unfolds as a dramatically downsized Godzilla, now only eight inches tall but maintaining all his fearsome features and atomic presence, squares off against an ordinary yellow rubber duck in a bathroom environment. The tiny kaiju's scales still gleam with detail, his atomic breath now merely a blue sparkle, while the completely unperturbed rubber duck towers slightly over him with its characteristic innocent smile. Water droplets create miniature puddles around them, reflecting the scene like tiny mirrors and adding gravitas to this ridiculous standoff. Bathroom tiles and chrome fixtures provide a sterile arena for their confrontation, with soft bathroom lighting casting dramatic shadows that treat this silly scenario with all the seriousness of a kaiju film. The artwork merges the whimsical humor of Pixar's concept artists with the detailed monster designs of Wayne Douglas Barlowe and the playful narrative style of James Gurney, creating a perfectly balanced blend of epic and adorable.
    A surrealist, Scandinavian-pictorialist cityscape inhabited by Disquieting Americana architecture with Freudian undertones - including disembodied legs as sink pedestals that contrast with the seemingly innocent snowy scenery - houses along the snow lined cobblestone roads display disjointed attributes perhaps mirroring human 'faultiness', evinced past those frostier scenes further - towards quaint yet faint structures - past and dilapidated suggesting inner dread in sub-bossed art style, like surreal dreams reminiscent of surrealist art style created by Polish Countryside folk artists on paper which explores feelings through body gestures - Goliath Beetle gently sitting on lone woman painted like human figurine from broken side-by half past three position looking downwards - possibly signifying man's dependence - displaying best penciled quality illustrating subtle lights reflecting tiny windows that open up fractured stories using strong subtle pencil side lighting via charcoal against brown laid background - producing intense imagery.
    An ultra-HD, hyper-realistic image capturing the delicate artistry of a tiny hobbit beautician standing cautiously on the bridge of a giant woman’s nose. The hobbit, dressed in intricately woven attire with fine embroidery, holds a precision mascara wand, carefully coating each of the giantess’s long, thick eyelashes. The deep, reflective iris of the giant woman mirrors the tiny figure working on her, adding a mesmerizing sense of scale. Every detail is masterfully rendered: the individual fibers of each lash, the rich, glossy texture of the mascara, and the subtle shimmer of light reflecting in her eye. The soft, natural lighting enhances the flawless skin texture of the giantess, while the shallow depth of field keeps the viewer’s focus on the intimate interaction. A cinematic perspective brings the scene to life, emphasizing the contrast between the tiny beautician’s meticulous touch and the vast beauty of the giant woman's eye.

      Stable Diffusion 3 (SD3)

    • SD3 Medium - stableDiffusion3SD3_sd3Medium.safetensors
    • SD3 Medium Incl. Clips - stableDiffusion3SD3_sd3MediumInclClips.safetensors
    • SD3 Medium Incl Clip FP16 - stableDiffusion3SD3_sd3MediumInclClip.safetensors
    • SD3 Medium Incl T5XXL - stableDiffusion3SD3_sd3MediumInclT5XXL.safetensors
    • Text Encoder - Clip L - stableDiffusion3SD3_textEncoderClipL.safetensors
    • Text Encoder - Clip G - stableDiffusion3SD3_textEncoderClipG.safetensors
    • Text Encoder - T5 e4m3fn - stableDiffusion3SD3_textEncoderT5E4m3fn.safetensors
    • Text Encoder - T5XXLFP16 - stableDiffusion3SD3_textEncoderT5XXLFP16.safetensors
    • ComfyUI Workflows - stableDiffusion3SD3_comfyuiWorkflows_trainingData.zip
    • Demo Prompts - stableDiffusion3SD3_demoPrompts_trainingData.zip

      Stable Diffusion 3.5 Large

    • Large - stableDiffusion35_large.safetensors
    • Workflow - stableDiffusion35_workflow_trainingData.zip

      Stable Diffusion 3.5 Large Turbo

    • Large Turbo - stableDiffusion35_largeTurbo.safetensors
    • Workflow - stableDiffusion35_workflow_trainingData.zip

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