Portrait :: wide lens;;young sweet sad Beauty... -

Portrait :: wide lens; young sweet sad Beauty charming cyborg in jump one meter above ground ::splash picture of a beautiful young woman standing with short- cut, gray hair, with her bangs framing a heart- shaped face, and beautiful big blue eyes that gaze lustily out at the camera. Her robotic legs and arms are full of electrical wires and metal parts not cover by skin or any othet cover. She is dressed in a red, skin- tight suit A stunning young woman with curly blonde hair :; rotary kiln made from steel::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3. 5::ilford 1600 grains and dirts::: rainy, “Surreal dystopian brutalist architecture industrial landscape heavy pollutiom

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Guidance 3

Seed 7840887924415225

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$Portrait :: A young, ethereal woman stands alone at the very peak of the Great Pyramid of Giza, her figure small and fragile against the vast, surreal landscape. The brutalist dystopian atmosphere remains, as heavy, toxic clouds loom low in the sky, casting an eerie, muted light over the ancient stones. The pyramid’s surface is weathered, with cracks and rough textures, blending the timelessness of the structure with the decay of an imagined, polluted future. The background dissolves into an abstract haze where the desert meets surreal industrial shapes—fractured smokestacks and metallic shadows rising faintly in the distance. Captured through a vintage Yashica Mat 124G, 80mm f/3.5, on Ilford 1600 film, the scene is gritty and haunting, with grains, dirt, and melancholic tones. The woman, dressed in simple, flowing short partly transparent fabrics, appears out of place yet deeply connected to this desolate, otherworldly moment.$

“A black-and-white photograph in the style of an analog Yashica 124 Mat G camera. A woman in a long, flowing dress stands alone on an empty street at dusk. Her face is beauty, amwhile the shadows around her seem to form shapes that are impossible to identify. The soft glow of a streetlamp casts long reflections on the cobblestone, and the subtle grain of the film adds a nostalgic touch. In the background, old buildings with fogged-up windows appear to be watching the scene. The shot has a slight vignette, and the contrast between light and shadow creates an unsettling, almost dreamlike surreal effect.”

Portrait :: wide lens;;young sweet sad Beauty charming cyborg in jump one meter above ground ::splash picture of a beautiful young woman standing with short-cut, gray hair, with her bangs framing a heart-shaped face, and beautiful big blue eyes that gaze lustily out at the camera. Her robotic legs and arms are full of electrical wires and metal parts not cover by skin or any othet cover. She is dressed in a red, skin-tight suit A stunning young woman with curly blonde hair :;. rotary kiln made from steel::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy,
“Surreal dystopian brutalist architecture industrial landscape heavy pollutiom

Full body Dystopian Beksiński style artwork detail, highly detailed, photorealistic, cinematic, influenced by Gil Elvgren, Patrick Nagel, Enki Bilal, Olivia, surreal brutalism dystopian full body Woman beauty Dystopian Beksiński style , surreal brutalism dystopian full body Woman beauty sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::
“Surreal dystopian brutalist forest:: cracks and weathered stains, sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::
“Surreal dystopian brutalist forest:: cracks and weathered stains,

Portrait :: sweet sad charming woman on the concrete Lonely tower high above clouds ::Sunrise:::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, surrounding lights and deep shadowa, creating a dynamic and depressing atmosphere" ::dystopian city:: dystopian style::
“Surreal dystopian brutalist architecture, massive concrete structures with cracks and weathered stains, rising from foggy reflective black water. Monochromatic, soft diffused lighting, cinematic atmosphere, high detail,

Design a monochromatic, professional-looking world made entirely of styrofoam. The scene should be elegant, with smooth textures and striking contrasts between light and shadow. Focus on clean, minimalist shapes, such as rounded buildings and soft rolling hills, crafted with precisionHyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust The black-and-white palette should highlight depth and dimension, giving the image a polished, sophisticated look suitable as a presentation background. The atmosphere should feel calm and refined, like a serene, stylized dreamscape.” photo illustration there is a beauty woman, body is centered in the frame, shoulders tilted back ever so slightly, exuding an ethereal confidence. —by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600

A mysterious woman sits in an enchanted forest, her dress woven from intertwining tree roots, her lower face gently cloaked in moss. The moonlight casts a deep, warm glow, illuminating the scene with rich, golden hues and deep crimson shadows, reminiscent of a late-night café bathed in candlelight. Tiny trees surround her like silent guardians, their leaves tinged with a soft, amber luminescence. The air is thick with mystery, as if nature itself hums a quiet, nocturnal melody. The background blurs into an impressionistic haze, evoking both dreamlike solitude and the quiet hum of unseen life.

Portrait :: At the edge of a monumental, brutalist precipice floats a young, ethereal woman, her body suspended horizontally, caught between reality and the surreal. A man stands on the jagged edge, holding her hand effortlessly, as if she weighs nothing, his silhouette distorted, almost otherworldly. The background unravels into a surreal dystopian landscape—a labyrinth of cement towers, warped steel structures, and spiraling smokestacks, forming an abstract web of shapes. Heavy, toxic rain clouds loom oppressively, blending muted grays and earthy tones with industrial gleams. The cracked, desolate ground below echoes abandonment, resembling a fragmented canvas. Captured through the lens of a vintage Yashica Mat 124G, 80mm f/3.5, on Ilford 1600 film, the scene is filled with heavy grain, dirt, and raw melancholy. The composition pulses with an unsettling, abstract energy, blending influences from Lee Jeffries, Alessio Albi, and Adrian Kuipers.

An ultra-high-resolution, surreal brutalism an angel beuty sculpted A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty ::the concrete high old Vintage buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::
“Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains,

An ultra-high-resolution, surreal brutalism an angel beuty A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty ::the concrete high old Vintage buildings ::brutalism dystopian style:: space ship::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: huge Vintage spaceahip:: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::
“Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains,

Portrait :: charming super powerful woman :: full body::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::Full body pin up digital painting of Alison Brie Portrait is very dynamic and in futuristic atmosphere ::A graceful Beauty vibrant,full body 20-year-old woman with porcelain skin and short, wavy, fiery red hair, Super detailed 8K depiction of a Beauty pin up Woman seemingly made entirely of mist and smoke. The Woman face is shrouded in swirling mist, with her facial features formed from textured wisps of vapor, and deep, piercing Beauty blue eyes that convey a sense of power and mystery. Her long hair flow like waves of smoke, seamlessly merging with the surrounding mist, as if they are an extension of the ethereal atmosphere. SHe wears a spectral, mist-like cloak Drapek over her head and shoulders, appearing as though it is composed of dense vapor, with edges that dissolve into the surrounding haze. The mist and smoke twist and spiral around her, creating a supernatural and otherworldly aura that envelops her entire presence. The lighting is eerie and shadowed, softly illuminating parts of his face while other areas are obscured by the thick, drifting mist. The color palette consists of misty grays and smoky whites, emphasizing the ghostly and spectral nature of the beautifull witch The background is dark and enveloped in mist, keeping the focus on the Beauty pin up Woman, who appears to be an entity conjured from pure vapor. The overall art style is highly detailed, ethereal, and haunting, emphasizing the mystical and ghostly essence of the Beauty, train The figure, a strikingly delicate feminine, sparks around body, flame in eyes . woman made of dust and rain, depicted in full growth, as if created by nature itself, gracefully demonstrates unrivaled captivating elegance and sophistication. Snowflakes in the background::Under water:: colourfull fishes:: 8k resolution vignette dynamic lighting Kodak Ektar 1900s photograph

Dystopian Beksiński style artwork detail, highly detailed, photorealistic, cinematic, influenced by Gil Elvgren, Patrick Nagel, Enki Bilal, Olivia, surreal brutalism dystopian full body Woman beauty Dystopian Beksiński style , surreal brutalism dystopian full body Woman beauty sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::
“Surreal dystopian brutalist forest:: cracks and weathered stains, sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::
“Surreal dystopian brutalist forest:: cracks and weathered stains,

no gravity::no hope::no Life::Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust surrealizm : abstract style;; action painting Yashica 124matg kodak portra 160vc,r:: Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust:: :Dust dirt snowflakes The color is matte Yashica 124matg ilford 1600, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette

Made with yashica 124 mat-g “Create a black-and-white surreal scene where everything is made of balls of styrene, with the exception of a girl’s dress, which is red colored. The world is made of smooth styrene textures, with the girl standing in front of a giant styrene sphere. The sphere is massive and shiny, reflecting the stylized, monochromatic landscape around it. The girl, also made of styrene, stands out with her soft, flowing dress in a vibrant color, contrasting against the stark black-and-white surroundings. The scene should feel dreamlike and futuristic, with the girl’s colorful dress as the only hint of warmth in an otherwise cold and glossy world.”

A highly detailed close-up portrait of a surreal dystopian woman, captured as if shot with a Yashica Mat-124G on Fujichrome slide film and developed in cross-process (C-41), with saturated colors, color shifts, high contrast, and subtle film grain. The woman has pure white skin, big beauty eyes, and dark blue eyebrows. Her lips are painted a deep red. Her long, wavy blue hair falls over her shoulders. She wears a skinny white outfit that is decorated with large, bold 1960s-style geometric patterns, such as circles, curves, and waves, in red and orange. The background is abstract and also features a vintage mid-century modern geometric design, in retro colors like red, orange, mustard, and cream, adding depth and visual rhythm. The entire scene has an analog film aesthetic, blending surrealism and 1960s pop style.

$Portrait :: A solitary, ethereal woman stands atop Olympus Mons, the tallest mountain on Mars, her delicate silhouette stark against a crimson-hued, alien sky. She gazes at an otherworldly sunrise, where the sun appears smaller and colder, casting elongated, abstract shadows across the jagged, dust-covered Martian surface. The landscape below spirals into surreal forms—fractured, geometric craters and impossibly smooth, metallic ridges reflecting faint, unnatural light. The atmosphere is thin, tinged with hues of deep red, orange, and faint purples, blending into an abstract, dreamlike haze. The woman’s flowing garments seem weightless in the low gravity, moving unnaturally, as if alive. Her figure contrasts with the barren desolation, embodying both fragility and quiet defiance. Strange, translucent shapes hover faintly in the distant horizon, blending industrial elements with the raw, untamed terrain. Captured through a vintage Yashica Mat 124G, 80mm f/3.5 lens on imagined Ilford 1600 film, the scene exudes heavy grains, cosmic dirt, and an aura of surreal melancholy. The composition pulses with abstraction and isolation, as if Mars itself is alive, quietly observing the observer.$

"Surreal dystopian brutalist architecture, in abandoned city madę with massive concrete structures with cracks and weathered stains, rising from foggy reflective water :: natural tones :: by Lee Jeffries

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