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    Full body Dystopian Beksiński style artwork detail, highly detailed, photorealistic, cinematic, influenced by Gil Elvgren, Patrick Nagel, Enki Bilal, Olivia, surreal brutalism dystopian full body Woman beauty Dystopian Beksiński style, surreal brutalism dystopian full body Woman beauty sculpted in black liquid::A high- angle, full- body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3. 5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3. 5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist forest:: cracks and weathered stains, sculpted in black liquid::A high- angle, full- body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3. 5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3. 5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist forest:: cracks and weathered stains,

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    Guidance 3
    Seed 3690960572948399
    Steps 35
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    An ultra-high-resolution, surreal brutalism an angel beuty A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty ::the concrete high old Vintage buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: huge Vintage spaceahip:: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains,
    no gravity::no hope::no Life::Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust surrealizm : abstract style;; action painting Yashica 124matg kodak portra 160vc,r:: Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust:: :Dust dirt snowflakes The color is matte Yashica 124matg ilford 1600, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette
    An ultra-high-resolution, surreal masterpiece of an angel beuty sculpted in molten iron, seamlessly merging divine elegance with abstract artistry. The angel is portrayed in a powerful yet humble pose, with its head bowed and hands clasped in prayer, exuding a sense of spiritual serenity and profound reverence. Its form is fluid and dynamic, as if carved from streams of black rusty metal, with every curve and fold of its flowing robes meticulously detailed to capture the illusion of movement. ;;brutalism style::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds
    "Surreal dystopian brutalist architecture, in abandoned city madę with massive concrete structures with cracks and weathered stains, rising from foggy reflective water :: natural tones :: by Lee Jeffries
    An ethereal and ancient representation of a biomechanical being, blending elements of humanity, technology, and celestial god. Yashica 124matg kodak portra 160nc,r::appears partially constructed of ceramic small balls. Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust wet
    Portrait :: charming super powerful woman :: full body::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::Full body pin up digital painting of Alison Brie Portrait is very dynamic and in futuristic atmosphere ::A graceful Beauty vibrant,full body 20-year-old woman with porcelain skin and short, wavy, fiery red hair, The figure, a strikingly delicate feminine, sparks around body, flame in eyes . woman made of dust and rain, depicted in full growth, as if created by nature itself, gracefully demonstrates unrivaled captivating elegance and sophistication. Snowflakes in the background::Under water:: colourfull fishes:: 8k resolution vignette dynamic lighting Kodak Ektar 1900s photograph
    no gravity::no hope::no Life::Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust surrealizm : abstract style;; action painting Yashica 124matg kodak portra 160vc,r:: Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust:: :Dust dirt snowflakes The color is matte Yashica 124matg ilford 1600, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette
    A futuristic, humanoid figure, 1950s New York City crowd, captured with a Yashica 124 Mat-G, Ilford 50 film, and wide-angle lens. The figure's reflective black metal body, partially constructed of cracked, porcelain-like material, reveals a glowing golden core, symbolizing fragility and resilience. Her serene face, with a smooth, mirror-like metallic surface and faintly etched abstract features, is turned downward, conveying quiet grace and otherworldly sadness. The surrounding crowd, depicted in motion with vague features, provides a surreal contrast to the highly detailed, luminous figure. The image is bathed in full sun, with the reflective surfaces capturing surrounding lights and colors, evoking a dynamic, futuristic atmosphere, reminiscent of the works of Syd Mead, H.R. Giger, and Ash Thorp, with a blend of industrial, cyberpunk, and art deco elements.
    A mysterious woman sits in an enchanted forest, her dress woven from intertwining tree roots, her lower face gently cloaked in moss. The moonlight casts a deep, warm glow, illuminating the scene with rich, golden hues and deep crimson shadows, reminiscent of a late-night café bathed in candlelight. Tiny trees surround her like silent guardians, their leaves tinged with a soft, amber luminescence. The air is thick with mystery, as if nature itself hums a quiet, nocturnal melody. The background blurs into an impressionistic haze, evoking both dreamlike solitude and the quiet hum of unseen life.
    A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty charming woman ;; poor clothing::the concrete ::brutalism style::city ::winter :: siberia ::Vintage car ::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds
    An ultra-high-resolution, surreal masterpiece of an angel beuty sculpted in molten gold, seamlessly merging divine elegance with abstract artistry. The angel is portrayed in a powerful yet humble pose, with its head bowed and hands clasped in prayer, exuding a sense of spiritual serenity and profound reverence. Its form is fluid and dynamic, as if carved from streams of golden liquid, with every curve and fold of its flowing robes meticulously detailed to capture the illusion of movement. A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty:brutalism style::city in fire ::winter :: siberia :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds
    A highly detailed close-up portrait of a surreal dystopian woman, captured as if shot with a Yashica Mat-124G on Fujichrome slide film and developed in cross-process (C-41), with saturated colors, color shifts, high contrast, and subtle film grain. The woman has pure white skin, big beauty eyes, and dark blue eyebrows. Her lips are painted a deep red. Her long, wavy blue hair falls over her shoulders. She wears a skinny white outfit that is decorated with large, bold 1960s-style geometric patterns, such as circles, curves, and waves, in red and orange. The background is abstract and also features a vintage mid-century modern geometric design, in retro colors like red, orange, mustard, and cream, adding depth and visual rhythm. The entire scene has an analog film aesthetic, blending surrealism and 1960s pop style.
    A surreal DMT-core scene: a woman gazing out over a strange, hypnotic landscape. But instead of a tranquil ocean, the water is an infinite digital matrix—its surface pulsating in deep green hues, cascading with endless streams of numbers, symbols, and cryptic code, like a glitching waterfall of pure information. The digits form and dissolve, creating unstable, shifting patterns that ripple like waves before disintegrating into new sequences, distorting perception with their relentless visual rhythm. The sky above flickers between static and neon green storms, illuminating the scene with an eerie glow. The sand beneath her feet isn’t just sand—it shimmers, flickering like unstable pixels, reacting to her presence as if the entire reality is on the verge of collapse into raw data. The horizon stretches endlessly, bending and warping as though space itself is being rewritten in real time.
    A meeting place of nothingness and infiniy in Beauty eyes reflection ;;surrealizm : abstract style;; action painting Yashica 124matg kodak portra 160vc,r:: Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust::
    Portrait :: At the edge of a monumental, brutalist precipice floats a young, ethereal woman, her body suspended horizontally, caught between reality and the surreal. A man stands on the jagged edge, holding her hand effortlessly, as if she weighs nothing, his silhouette distorted, almost otherworldly. The background unravels into a surreal dystopian landscape—a labyrinth of cement towers, warped steel structures, and spiraling smokestacks, forming an abstract web of shapes. Heavy, toxic rain clouds loom oppressively, blending muted grays and earthy tones with industrial gleams. The cracked, desolate ground below echoes abandonment, resembling a fragmented canvas. Captured through the lens of a vintage Yashica Mat 124G, 80mm f/3.5, on Ilford 1600 film, the scene is filled with heavy grain, dirt, and raw melancholy. The composition pulses with an unsettling, abstract energy, blending influences from Lee Jeffries, Alessio Albi, and Adrian Kuipers.
    Delicate femine being crazy in Logic At the heart of the sphere, two cones emerged, their points facing each other, a duality of light and shadow, of creation and destruction, At the cone's right apex, a large, loosely drawn spiral - the positive absolute zero, a point of unimaginable intensity, a maelstrom of energy that whispered of annihilation and rebirth, a reminder that even in the face of oblivion, creation lingered. At the cone's right base, a wavy, undulating line – the positive speed of light c+, the limit of human comprehension, She drew a symbol there, a symbol as ancient as time itself, a symbol that whispered of infinity, of interconnectedness, of the eternal dance of existence. ∞. The singular infinity. It was the fulcrum, the point of balance, the nexus where past and future collided, where particle and wave exchanged places, where control surrendered to chaos, and chaos gave birth to control. SHe filled the space between the cones with a chaotic mass of charcoal lines, a whirlwind of energy that represented the clash of opposing forces, the spark of consciousness, the very essence of existence.
    A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty charming woman ;; the concrete ::brutalism style::dystopian cyborg city ::winter :: siberia ::Vintage car ::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, and her small, fragile nature.
    "Surreal dystopian brutalist architecture, in abandoned city madę with massive concrete structures with cracks and weathered stains, rising from foggy reflective water :: natural tones :: by Lee Jeffries
    Portrait :: wide lens;;young sweet sad Beauty charming cyborg in jump one meter above ground ::splash picture of a beautiful young woman standing with short-cut, gray hair, with her bangs framing a heart-shaped face, and beautiful big blue eyes that gaze lustily out at the camera. Her robotic legs and arms are full of electrical wires and metal parts not cover by skin or any othet cover. She is dressed in a red, skin-tight suit A stunning young woman with curly blonde hair :;. rotary kiln made from steel::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, “Surreal dystopian brutalist architecture industrial landscape heavy pollutiom
    Full body Dystopian Beksiński style artwork detail, highly detailed, photorealistic, cinematic, influenced by Gil Elvgren, Patrick Nagel, Enki Bilal, Olivia, surreal brutalism dystopian full body Woman beauty Dystopian Beksiński style , surreal brutalism dystopian full body Woman beauty sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist forest:: cracks and weathered stains, sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist forest:: cracks and weathered stains,
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