A high-angle, full-body analog film photograph of... -

A high- angle, full- body analog film photograph of Portrait :: young sweet sad Beauty charming woman; poor clothing::the concrete ::brutalism style::city ::winter :: siberia ::Vintage car ::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3. 5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3. 5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high- angle shot emphasizes the city around her, :: birds :: birds

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A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty charming woman ;; poor clothing::the concrete ::brutalism style::city ::winter :: siberia ::Vintage car ::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing
“Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds

Portrait :: charming super powerful woman :: full body::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::Full body pin up digital painting of Alison Brie Portrait is very dynamic and in futuristic atmosphere ::A graceful Beauty vibrant,full body 20-year-old woman with porcelain skin and short, wavy, fiery red hair, The figure, a strikingly delicate feminine, sparks around body, flame in eyes . woman made of dust and rain, depicted in full growth, as if created by nature itself, gracefully demonstrates unrivaled captivating elegance and sophistication. Snowflakes in the background::Under water:: colourfull fishes:: 8k resolution vignette dynamic lighting Kodak Ektar 1900s photograph

An ultra-high-resolution, surreal masterpiece of an angel beuty sculpted in molten iron, seamlessly merging divine elegance with abstract artistry. The angel is portrayed with its head bowed and hands clasped in prayer, as if carved from streams of black rusty metal, with every curve and fold of its flowing robes meticulously detailed to capture the illusion of movement. ;;brutalism style::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing
“Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds

Portrait :: wide lens;;young sweet sad Beauty charming cyborg in jump one meter above ground ::splash picture of a beautiful young woman standing with short-cut, gray hair, with her bangs framing a heart-shaped face, and beautiful big blue eyes that gaze lustily out at the camera. Her robotic legs and arms are full of electrical wires and metal parts not cover by skin or any othet cover. She is dressed in a red, skin-tight suit A stunning young woman with curly blonde hair :;. rotary kiln made from steel::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy,
“Surreal dystopian brutalist architecture industrial landscape heavy pollutiom

$Portrait :: A young, ethereal woman stands alone at the very peak of the Great Pyramid of Giza, her figure small and fragile against the vast, surreal landscape. The brutalist dystopian atmosphere remains, as heavy, toxic clouds loom low in the sky, casting an eerie, muted light over the ancient stones. The pyramid’s surface is weathered, with cracks and rough textures, blending the timelessness of the structure with the decay of an imagined, polluted future. The background dissolves into an abstract haze where the desert meets surreal industrial shapes—fractured smokestacks and metallic shadows rising faintly in the distance. Captured through a vintage Yashica Mat 124G, 80mm f/3.5, on Ilford 1600 film, the scene is gritty and haunting, with grains, dirt, and melancholic tones. The woman, dressed in simple, flowing fabrics, appears out of place yet deeply connected to this desolate, otherworldly moment.$

“A black-and-white photograph in the style of an analog Yashica 124 Mat G camera. A woman in a long, flowing dress stands alone on an empty street at dusk. Her face is slightly blurred, as if dissolving into the air, while the shadows around her seem to form shapes that are impossible to identify. The soft glow of a streetlamp casts long reflections on the cobblestone, and the subtle grain of the film adds a nostalgic touch. In the background, old buildings with fogged-up windows appear to be watching the scene. The shot has a slight vignette, and the contrast between light and shadow creates an unsettling, almost dreamlike surreal effect.”

Design a monochromatic, professional-looking world made entirely of styrofoam. The scene should be elegant, with smooth textures and striking contrasts between light and shadow. Focus on clean, minimalist shapes, such as rounded buildings and soft rolling hills, crafted with precisionHyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust The black-and-white palette should highlight depth and dimension, giving the image a polished, sophisticated look suitable as a presentation background. The atmosphere should feel calm and refined, like a serene, stylized dreamscape.” photo illustration there is a beauty woman, body is centered in the frame, shoulders tilted back ever so slightly, exuding an ethereal confidence. —by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600

A futuristic, humanoid figure, 1950s New York City crowd, captured with a Yashica 124 Mat-G, Ilford 50 film, and wide-angle lens. The figure's reflective black metal body, partially constructed of cracked, porcelain-like material, reveals a glowing golden core, symbolizing fragility and resilience. Her serene face, with a smooth, mirror-like metallic surface and faintly etched abstract features, is turned downward, conveying quiet grace and otherworldly sadness. The surrounding crowd, depicted in motion with vague features, provides a surreal contrast to the highly detailed, luminous figure. The image is bathed in full sun, with the reflective surfaces capturing surrounding lights and colors, evoking a dynamic, futuristic atmosphere, reminiscent of the works of Syd Mead, H.R. Giger, and Ash Thorp, with a blend of industrial, cyberpunk, and art deco elements.

An ultra-high-resolution, surreal brutalism an angel beuty A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty ::the concrete high old Vintage buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: huge Vintage spaceahip:: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::
“Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains,

no gravity::no hope::no Life::Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust surrealizm : Beauty minimal clothing charming woman in poor black and abstract style;; action painting Yashica 124matg kodak portra 160vc,r:: Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust:: :Dust dirt snowflakes The color is matte Yashica 124matg ilford 1600, Full body picture of a beautiful young woman in delicate feminine form, in background close Atomic bomb exploasions : fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette Beauty minimal clothing charming woman: abstract style;; action painting Yashica 124matg kodak portra 160vc, natural light :: smile;;

Portrait :: A young, sweet, sad, and charming two women are levitating horizontally above the ground, just beyond the edge huge class of black smoke Her delicate form is held effortlessly by a cyborg Beauty in Feminie delicate gripping her hand as though she weighs nothing. The background features a surreal dystopian, brutalist industrial landscape, dominated by a cement plant and a kiln made from weathered steel. Heavy pollution looms in the air, adding a gritty, melancholic tone. The rainy atmosphere accentuates the natural tones, blending with the muted grays of the brutalist architecture. The scene is captured with a Yashica Mat 124G camera using an 80mm f/3.5 lens on Ilford 1600 film, producing noticeable grains and dirt effects. The cinematic style reflects the influence of Lee Jeffries, Alessio Albi, and Adrian Kuipers, emphasizing the raw emotion and haunting beauty of the moment.

Made with yashica 124 mat-g::A vintage medium-format film photograph of a young Beauty woman in an 18th-century barn in Bronowice, Poland. The image has the look of an old ORWO film, She wears traditional Polish folk clothing from the era, including a richly embroidered vest, a white blouse with puffed sleeves, and a long floral skirt. Her red hair is braided and tied with a ribbon. She stands on a flower field wooden barn, holding a pitchfork, surrounded by chickens pecking at the straw-covered floor. In the background, a cow and a horse stand near wooden beams,,
vintage photography, ORWO film, 18th-century Poland, traditional folk clothing, rustic barn, farm animals, pitchfork, soft natural light Vignete:: Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust::"

"Surreal dystopian brutalist architecture, in abandoned city made from massive reddish concrete structures with cracks and weathered stains, rising from foggy reflective water :: natural tones :: by Lee Jeffries:: Vintage car:: birds in the sky

A vibrant, full-body 20-year-old woman with luminous, porcelain skin and short, wavy, fiery red hair, styled in loose, effortless waves, beaming with warmth and confidence, as if radiating an inner light. Her eyes sparkle with a hint of mischief, fringed with thick lashes. An ethereal and futuristic representation of a biomechanical being, blending elements of humanity, technology, and celestial beauty, with delicate, swirling patterns of circuitry and wires visible beneath her translucent skin. She is draped in a flowing, light-transparent glowing red cloak, reminiscent of stained glass, that billows behind her like a cloud. Her pose is relaxed and inviting, conveying friendliness, positivity, and a sense of approachability, as if beckoning the viewer into her world. The background is a surreal, dystopian cityscape, with towering skyscrapers and neon-lit advertisements, evoking a sense of Blade Runner-esque futurism, shot through a Yashica Mat-124G lens, with a warm, film-grain texture and a shallow depth of field, using an 80mm f/3.5 lens, infusing the scene with a dreamy, retro-futuristic aesthetic, blending the styles of Syd Mead, H.R. Giger, and Zaha Hadid.

:A vintage medium-format film photograph of a young Beauty charming sad woman in an 11th-century village in Poland. ::Inspired by mannerism A surrealistic 90mm art inspired by the style of Magritte. the photography elements are captured with a Hasselblad v 5.2 The image has the look of an old ORWO film, with a slightly faded, nostalgic atmosphere. Vignete:: abstract style;; action painting : Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust::"

Dystopian Beksiński style artwork detail, highly detailed, photorealistic, cinematic, influenced by Gil Elvgren, Patrick Nagel, Enki Bilal, Olivia, surreal brutalism dystopian full body Woman beauty Dystopian Beksiński style , surreal brutalism dystopian full body Woman beauty sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::
“Surreal dystopian brutalist forest:: cracks and weathered stains, sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::
“Surreal dystopian brutalist forest:: cracks and weathered stains,

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