MB
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    An ethereal and ancient representation of a biomechanical being, blending elements of humanity, technology, and celestial god. Yashica 124matg kodak portra 160nc, r::appears partially constructed of ceramic small balls. Hyperdetailed in the style of blink- and- you- miss- it detail, full body, desaturated colours, spicy realism, fine airbrush art, hyper detailed, ultra realism, impressive art deco analogous colors vignette detailed light dust wet

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    FLUX.1 [dev]
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    Guidance 3
    Seed 7661148221927525
    Steps 35
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    Delicate femine being crazy in Logic At the heart of the sphere, two cones emerged, their points facing each other, a duality of light and shadow, of creation and destruction, At the cone's right apex, a large, loosely drawn spiral - the positive absolute zero, a point of unimaginable intensity, a maelstrom of energy that whispered of annihilation and rebirth, a reminder that even in the face of oblivion, creation lingered. At the cone's right base, a wavy, undulating line – the positive speed of light c+, the limit of human comprehension, She drew a symbol there, a symbol as ancient as time itself, a symbol that whispered of infinity, of interconnectedness, of the eternal dance of existence. ∞. The singular infinity. It was the fulcrum, the point of balance, the nexus where past and future collided, where particle and wave exchanged places, where control surrendered to chaos, and chaos gave birth to control. SHe filled the space between the cones with a chaotic mass of charcoal lines, a whirlwind of energy that represented the clash of opposing forces, the spark of consciousness, the very essence of existence.
    “A black-and-white photograph in the style of an analog Yashica 124 Mat G camera. A woman in a long, flowing dress stands alone on an empty street at dusk. Her face is slightly blurred, as if dissolving into the air, while the shadows around her seem to form shapes that are impossible to identify. The soft glow of a streetlamp casts long reflections on the cobblestone, and the subtle grain of the film adds a nostalgic touch. In the background, old buildings with fogged-up windows appear to be watching the scene. The shot has a slight vignette, and the contrast between light and shadow creates an unsettling, almost dreamlike surreal effect.”
    “A true solargraphy-style long-exposure image created with a real camera obscura, capturing Kraków’s Main Market Square with St. Mary’s Basilica in the background. The exposure lasts for many months (6–12), resulting in a deeply textured and organic image formed by natural light on light-sensitive paper. A woman stands perfectly still for the entire duration, wearing a traditional Kraków folk costume with colorful embroidery, floral headpiece, and red beads. The image features real analog imperfections: random blotches, water stains, scratches, paper warping, and faded zones due to weather and seasonal shifts. The unique, unpredictable character of the photo reflects the mystical quality of analog photography. Solar trails arch across the sky. The composition has intentional framing, evoking the emotional and cultural spirit of Kraków. The photo includes strong vignette shadows, slight geometric distortions, and underexposed corners — all enhancing the soulful, analog atmosphere that cannot be fully recreated digitally.”
    A highly detailed close-up portrait of a surreal ghost being, captured as if shot with a Yashica Mat-124G on Fujichrome slide film and developed in cross-process (C-41), with saturated colors, color shifts, high contrast, and subtle film grain, featuring pure white skin, big beautiful eyes, dark blue eyebrows, deep navy blue lips, and long wavy green hair falling over her shoulders; she wears a skinny white outfit decorated with large, bold 1960s-style geometric patterns such as birds, with a vintage mid-century modern geometric design in retro colors like red, orange, mustard, and cream, creating depth and visual rhythm, all blended into an analog film aesthetic combining surrealism and 1960s pop style
    An ultra-high-resolution, surreal masterpiece of an angel beuty sculpted in molten gold, seamlessly merging divine elegance with abstract artistry. The angel is portrayed in a powerful yet humble pose, with its head bowed and hands clasped in prayer, exuding a sense of spiritual serenity and profound reverence. Its form is fluid and dynamic, as if carved from streams of golden liquid, with every curve and fold of its flowing robes meticulously detailed to capture the illusion of movement. A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty:brutalism style::city in fire ::winter :: siberia :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds
    Portrait :: wide lens;;young sweet sad Beauty charming cyborg in jump one meter above ground ::splash picture of a beautiful young woman standing with short-cut, gray hair, with her bangs framing a heart-shaped face, and beautiful big blue eyes that gaze lustily out at the camera. Her robotic legs and arms are full of electrical wires and metal parts not cover by skin or any othet cover. She is dressed in a red, skin-tight suit A stunning young woman with curly blonde hair :;. rotary kiln made from steel::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, “Surreal dystopian brutalist architecture industrial landscape heavy pollutiom
    Portrait :: charming super powerful woman :: full body::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::Full body pin up digital painting of Alison Brie Portrait is very dynamic and in futuristic atmosphere ::A graceful Beauty vibrant,full body 20-year-old woman with porcelain skin and short, wavy, fiery red hair, The figure, a strikingly delicate feminine, sparks around body, flame in eyes . woman made of dust and rain, depicted in full growth, as if created by nature itself, gracefully demonstrates unrivaled captivating elegance and sophistication. Snowflakes in the background::Under water:: colourfull fishes:: 8k resolution vignette dynamic lighting Kodak Ektar 1900s photograph
    Portrait :: young sweet sad Beauty charming woman in jump one meter above The fuel rods after the explosion of the Chernobyl power plant. :: A mesmerizing artwork by Sasan, masterfully blending the textured realism of Antonio Mancini ::Vintage cars ::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: “Surreal dystopian
    Portrait :: charming super powerful woman :: full body::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::Full body pin up digital painting of Alison Brie Portrait is very dynamic and in futuristic atmosphere ::A graceful Beauty vibrant,full body 20-year-old woman with porcelain skin and short, wavy, fiery red hair, Super detailed 8K depiction of a Beauty pin up Woman seemingly made entirely of mist and smoke. The Woman face is shrouded in swirling mist, with her facial features formed from textured wisps of vapor, and deep, piercing Beauty blue eyes that convey a sense of power and mystery. Her long hair flow like waves of smoke, seamlessly merging with the surrounding mist, as if they are an extension of the ethereal atmosphere. SHe wears a spectral, mist-like cloak Drapek over her head and shoulders, appearing as though it is composed of dense vapor, with edges that dissolve into the surrounding haze. The mist and smoke twist and spiral around her, creating a supernatural and otherworldly aura that envelops her entire presence. The lighting is eerie and shadowed, softly illuminating parts of his face while other areas are obscured by the thick, drifting mist. The color palette consists of misty grays and smoky whites, emphasizing the ghostly and spectral nature of the beautifull witch The background is dark and enveloped in mist, keeping the focus on the Beauty pin up Woman, who appears to be an entity conjured from pure vapor. The overall art style is highly detailed, ethereal, and haunting, emphasizing the mystical and ghostly essence of the Beauty, train The figure, a strikingly delicate feminine, sparks around body, flame in eyes . woman made of dust and rain, depicted in full growth, as if created by nature itself, gracefully demonstrates unrivaled captivating elegance and sophistication. Snowflakes in the background::Under water:: colourfull fishes:: 8k resolution vignette dynamic lighting Kodak Ektar 1900s photograph
    A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty charming woman ;; Pose: She stands with a gentle forward tilt, head bowed slightly in a moment of serene introspection, her massive mechanical wings curving gracefully behind her lithe form, poor clothing::the concrete ::dystopian::brutalism style::city ::winter :: siberia ::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds
    “A black-and-white photograph in the style of an analog Yashica 124 Mat G camera. A woman in a long, flowing dress stands alone on an empty street at dusk. Her face is beauty, amwhile the shadows around her seem to form shapes that are impossible to identify. The soft glow of a streetlamp casts long reflections on the cobblestone, and the subtle grain of the film adds a nostalgic touch. In the background, old buildings with fogged-up windows appear to be watching the scene. The shot has a slight vignette, and the contrast between light and shadow creates an unsettling, almost dreamlike surreal effect.”
    Full body Dystopian Beksiński style artwork detail, highly detailed, photorealistic, cinematic, influenced by Gil Elvgren, Patrick Nagel, Enki Bilal, Olivia, surreal brutalism dystopian full body Woman beauty Dystopian Beksiński style , surreal brutalism dystopian full body Woman beauty sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist forest:: cracks and weathered stains, sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist forest:: cracks and weathered stains,
    A highly detailed close-up portrait of a surreal woman, captured as if shot with a Yashica Mat-124G on Fujichrome slide film and developed in cross-process (C-41), giving it high contrast, color shifts, and a vintage analog texture. The woman has snow-white skin, pure white eyes with no pupils, and dark blue eyebrows. Her lips are deep navy blue. Her hair is long, wavy, and vibrant green, falling over her shoulders. She’s wearing a white outfit with large red polka dots. The background is a vivid, rich red. The image should emulate the aesthetic of medium format slide film with cross-processing — strong contrast, saturated tones, greenish shadows, slight yellow highlights, and film grain.
    Dystopian Beksiński style artwork detail, highly detailed, photorealistic, cinematic, influenced by Gil Elvgren, Patrick Nagel, Enki Bilal, Olivia, surreal brutalism dystopian full body Woman beauty Dystopian Beksiński style , surreal brutalism dystopian full body Woman beauty sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist forest:: cracks and weathered stains, sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist forest:: cracks and weathered stains,
    :A vintage medium-format film photograph of a young Beauty sad woman in an 11th-century village in Poland. ::Inspired by mannerism A surrealistic 90mm art inspired by the style of Magritte. the photography elements are captured with a Hasselblad v 5.2 The image has the look of an old ORWO film, with a slightly faded, nostalgic atmosphere. Vignete:: abstract style;; action painting : Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust::"
    Portrait :: charming super powerful woman :: full body::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::Full body pin up digital painting of Alison Brie Portrait is very dynamic and in futuristic atmosphere ::A graceful Beauty vibrant,full body 20-year-old woman with porcelain skin and short, wavy, fiery red hair, Super detailed 8K depiction of a Beauty pin up Woman seemingly made entirely of mist and smoke. The Woman face is shrouded in swirling mist, with her facial features formed from textured wisps of vapor, and deep, piercing Beauty blue eyes that convey a sense of power and mystery. Her long hair flow like waves of smoke, seamlessly merging with the surrounding mist, as if they are an extension of the ethereal atmosphere. SHe wears a spectral, mist-like cloak Drapek over her head and shoulders, appearing as though it is composed of dense vapor, with edges that dissolve into the surrounding haze. The mist and smoke twist and spiral around her, creating a supernatural and otherworldly aura that envelops her entire presence. The lighting is eerie and shadowed, softly illuminating parts of his face while other areas are obscured by the thick, drifting mist. The color palette consists of misty grays and smoky whites, emphasizing the ghostly and spectral nature of the beautifull witch The background is dark and enveloped in mist, keeping the focus on the Beauty pin up Woman, who appears to be an entity conjured from pure vapor. The overall art style is highly detailed, ethereal, and haunting, emphasizing the mystical and ghostly essence of the Beauty, train The figure, a strikingly delicate feminine, sparks around body, flame in eyes . woman made of dust and rain, depicted in full growth, as if created by nature itself, gracefully demonstrates unrivaled captivating elegance and sophistication. Snowflakes in the background::Under water:: colourfull fishes:: 8k resolution vignette dynamic lighting Kodak Ektar 1900s photograph
    Portrait :: A young, ethereal woman stands alone at the very peak of the Great Pyramid of Giza, her figure small and fragile against the vast, surreal landscape. The brutalist dystopian atmosphere remains, as heavy, toxic clouds loom low in the sky, casting an eerie, muted light over the ancient stones. The pyramid’s surface is weathered, with cracks and rough textures, blending the timelessness of the structure with the decay of an imagined, polluted future. The background dissolves into an abstract haze where the desert meets surreal industrial shapes—fractured smokestacks and metallic shadows rising faintly in the distance. Captured through a vintage Yashica Mat 124G, 80mm f/3.5, on Ilford 1600 film, the scene is gritty and haunting, with grains, dirt, and melancholic tones. The woman, dressed in simple, flowing fabrics, appears out of place yet deeply connected to this desolate, otherworldly moment.
    “A black-and-white photograph in the style of an analog Yashica 124 Mat G camera. A woman in a long, flowing dress stands alone on an empty street at dusk. Her face is slightly blurred, as if dissolving into the air, while the shadows around her seem to form shapes that are impossible to identify. The soft glow of a streetlamp casts long reflections on the cobblestone, and the subtle grain of the film adds a nostalgic touch. In the background, old buildings with fogged-up windows appear to be watching the scene. The shot has a slight vignette, and the contrast between light and shadow creates an unsettling, almost dreamlike surreal effect.”
    :A vintage medium-format film photograph of a young Beauty charming sad woman in an 11th-century village in Poland. ::Inspired by mannerism A surrealistic 90mm art inspired by the style of Magritte. the photography elements are captured with a Hasselblad v 5.2 The image has the look of an old ORWO film, with a slightly faded, nostalgic atmosphere. Vignete:: abstract style;; action painting : Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust::"
    An ultra-high-resolution, surreal brutalism dystopian woman beauty sculpted in rusty black and red metal::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, birds in the sky
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