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    "Surreal dystopian brutalist architecture, in abandoned city madę with massive concrete structures with cracks and weathered stains, rising from foggy reflective water :: natural tones :: by Lee Jeffries

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    no gravity::no hope::no Life::Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust surrealizm : abstract style;; action painting Yashica 124matg kodak portra 160vc,r:: Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust:: :Dust dirt snowflakes The color is matte Yashica 124matg ilford 1600, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette
    “A monochromatic, vintage-inspired close-up of a massive industrial gear mechanism, showcasing intricate teeth and weathered textures. The setting exudes a gritty, steampunk vibe, with aged metal, bolts, and visible wear from years of labor. The lighting highlights the detailed rust patterns and gives the scene a dramatic, moody atmosphere, evoking a sense of timeworn engineering and industrial strength.”
    "Surreal dystopian brutalist architecture, in abandoned city madę with massive concrete structures with cracks and weathered stains, rising from foggy reflective water :: natural tones :: by Lee Jeffries
    A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty charming woman ;; Pose: She stands with a gentle forward tilt, head bowed slightly in a moment of serene introspection, her massive mechanical wings curving gracefully behind her lithe form, poor clothing::the concrete ::dystopian::brutalism style::city ::winter :: siberia ::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds
    A futuristic, humanoid figure, 1950s New York City crowd, captured with a Yashica 124 Mat-G, Ilford 50 film, and wide-angle lens. The figure's reflective black metal body, partially constructed of cracked, porcelain-like material, reveals a glowing golden core, symbolizing fragility and resilience. Her serene face, with a smooth, mirror-like metallic surface and faintly etched abstract features, is turned downward, conveying quiet grace and otherworldly sadness. The surrounding crowd, depicted in motion with vague features, provides a surreal contrast to the highly detailed, luminous figure. The image is bathed in full sun, with the reflective surfaces capturing surrounding lights and colors, evoking a dynamic, futuristic atmosphere, reminiscent of the works of Syd Mead, H.R. Giger, and Ash Thorp, with a blend of industrial, cyberpunk, and art deco elements.
    A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty charming woman ;; poor clothing::the concrete ::brutalism style::city ::winter :: siberia ::Vintage car ::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds
    An ultra-high-resolution, surreal brutalism an angel beuty sculpted A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty ::the concrete high old Vintage buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains,
    “A black-and-white photograph in the style of an analog Yashica 124 Mat G camera. A woman in a long, flowing dress stands alone on an empty street at dusk. Her face is slightly blurred, as if dissolving into the air, while the shadows around her seem to form shapes that are impossible to identify. The soft glow of a streetlamp casts long reflections on the cobblestone, and the subtle grain of the film adds a nostalgic touch. In the background, old buildings with fogged-up windows appear to be watching the scene. The shot has a slight vignette, and the contrast between light and shadow creates an unsettling, almost dreamlike surreal effect.”
    A vibrant, full-body 20-year-old woman with luminous, porcelain skin and short, wavy, fiery red hair, styled in loose, effortless waves, beaming with warmth and confidence, as if radiating an inner light. Her eyes sparkle with a hint of mischief, fringed with thick lashes. An ethereal and futuristic representation of a biomechanical being, blending elements of humanity, technology, and celestial beauty, with delicate, swirling patterns of circuitry and wires visible beneath her translucent skin. She is draped in a flowing, light-transparent glowing red cloak, reminiscent of stained glass, that billows behind her like a cloud. Her pose is relaxed and inviting, conveying friendliness, positivity, and a sense of approachability, as if beckoning the viewer into her world. The background is a surreal, dystopian cityscape, with towering skyscrapers and neon-lit advertisements, evoking a sense of Blade Runner-esque futurism, shot through a Yashica Mat-124G lens, with a warm, film-grain texture and a shallow depth of field, using an 80mm f/3.5 lens, infusing the scene with a dreamy, retro-futuristic aesthetic, blending the styles of Syd Mead, H.R. Giger, and Zaha Hadid.
    A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty charming woman ;; poor red tight short summer dress ::the concrete ::brutalism style::city ::winter :: siberia ::Vintage car ::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds
    Design a monochromatic, professional-looking world made entirely of styrofoam. The scene should be elegant, with smooth textures and striking contrasts between light and shadow. Focus on clean, minimalist shapes, such as rounded buildings and soft rolling hills, crafted with precisionHyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust The black-and-white palette should highlight depth and dimension, giving the image a polished, sophisticated look suitable as a presentation background. The atmosphere should feel calm and refined, like a serene, stylized dreamscape.” photo illustration there is a beauty woman, body is centered in the frame, shoulders tilted back ever so slightly, exuding an ethereal confidence. —by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600
    Portrait :: young sweet sad Beauty charming woman in jump one meter above ground on the concrete cement plant ::Vintage rotary kiln made from steel::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains,
    Portrait :: charming super powerful woman :: full body::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::Full body pin up digital painting of Alison Brie Portrait is very dynamic and in futuristic atmosphere ::A graceful Beauty vibrant,full body 20 . woman made of dust and rain, depicted in full growth, as if created by nature itself, gracefully demonstrates unrivaled captivating elegance and sophistication. Snowflakes in the background::Under water:: colourfull fishes:: 8k resolution vignette dynamic lighting Kodak Ektar 1900s photograph
    An ultra-high-resolution, surreal brutalism an angel beuty A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty ::the concrete high old Vintage buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: huge Vintage spaceahip:: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains,
    Dystopian Beksiński style , surreal brutalism dystopian woman beauty sculpted in rusty black and red metal::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist architecture, massive concrete forest:: hugh abandoned buildings with cracks and weathered stains,
    An ultra-high-resolution, surreal brutalism an angel beuty A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty ::the concrete high old Vintage buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: huge Vintage spaceahip:: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains,
    A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty charming woman ;; the concrete ::brutalism style::city ::winter :: siberia ::Vintage car ::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, and her small, fragile nature.
    A meeting place of nothingness and sadness ;surrealizm : Beauty minimal clothing charming woman: abstract style;; action painting Yashica 124matg kodak portra 160vc,r:: Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust::
    Portrait :: At the edge of a monumental, brutalist precipice floats a young, ethereal woman, her body suspended horizontally, caught between reality and the surreal. A man stands on the jagged edge, holding her hand effortlessly, as if she weighs nothing, his silhouette distorted, almost otherworldly. The background unravels into a surreal dystopian landscape—a labyrinth of cement towers, warped steel structures, and spiraling smokestacks, forming an abstract web of shapes. Heavy, toxic rain clouds loom oppressively, blending muted grays and earthy tones with industrial gleams. The cracked, desolate ground below echoes abandonment, resembling a fragmented canvas. Captured through the lens of a vintage Yashica Mat 124G, 80mm f/3.5, on Ilford 1600 film, the scene is filled with heavy grain, dirt, and raw melancholy. The composition pulses with an unsettling, abstract energy, blending influences from Lee Jeffries, Alessio Albi, and Adrian Kuipers.
    Full body Dystopian Beksiński style artwork detail, highly detailed, photorealistic, cinematic, influenced by Gil Elvgren, Patrick Nagel, Enki Bilal, Olivia, surreal brutalism dystopian full body Woman beauty Dystopian Beksiński style , surreal brutalism dystopian full body Woman beauty sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist forest:: cracks and weathered stains, sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist forest:: cracks and weathered stains,
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