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    An ultra- high- resolution, surreal masterpiece of an angel beuty sculpted in molten gold, seamlessly merging divine elegance with abstract artistry. The angel is portrayed in a powerful yet humble pose, with its head bowed and hands clasped in prayer, exuding a sense of spiritual serenity and profound reverence. Its form is fluid and dynamic, as if carved from streams of golden liquid, with every curve and fold of its flowing robes meticulously detailed to capture the illusion of movement. A high- angle, full- body analog film photograph of Portrait :: young sweet sad Beauty::poor red tight short summer dress ::the concrete high old Vintage buildings ::brutalism style::city in fire ::winter :: siberia :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3. 5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3. 5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high- angle shot emphasizes the city around her, :: birds :: birds

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    Guidance 3
    Seed 6712120136036675
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    Full body Dystopian Beksiński style artwork detail, highly detailed, photorealistic, cinematic, influenced by Gil Elvgren, Patrick Nagel, Enki Bilal, Olivia, surreal brutalism dystopian full body Woman beauty Dystopian Beksiński style , surreal brutalism dystopian full body Woman beauty sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist forest:: cracks and weathered stains, sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist forest:: cracks and weathered stains,
    Portrait :: charming super powerful woman :: full body::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::Full body pin up digital painting of Alison Brie Portrait is very dynamic and in futuristic atmosphere ::A graceful Beauty vibrant,full body 20-year-old woman with porcelain skin and short, wavy, fiery red hair, The figure, a strikingly delicate feminine, sparks around body, flame in eyes . woman made of dust and rain, depicted in full growth, as if created by nature itself, gracefully demonstrates unrivaled captivating elegance and sophistication. Snowflakes in the background::Under water:: colourfull fishes:: 8k resolution vignette dynamic lighting Kodak Ektar 1900s photograph
    Portrait :: natural tones :: made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::Old mirrors in background:: porcelain skin ;;smile ::futuristic humanoid figure made partly of reflective white metal .. Portrait is very dynamic and in futuristic atmosphere
    A surreal DMT-core scene: a woman gazing out over a strange, hypnotic landscape. But instead of a tranquil ocean, the water is an infinite digital matrix—its surface pulsating in deep green hues, cascading with endless streams of numbers, symbols, and cryptic code, like a glitching waterfall of pure information. The digits form and dissolve, creating unstable, shifting patterns that ripple like waves before disintegrating into new sequences, distorting perception with their relentless visual rhythm. The sky above flickers between static and neon green storms, illuminating the scene with an eerie glow. The sand beneath her feet isn’t just sand—it shimmers, flickering like unstable pixels, reacting to her presence as if the entire reality is on the verge of collapse into raw data. The horizon stretches endlessly, bending and warping as though space itself is being rewritten in real time.
    A futuristic, humanoid figure, 1950s New York City crowd, captured with a Yashica 124 Mat-G, Ilford 50 film, and wide-angle lens. The figure's reflective black metal body, partially constructed of cracked, porcelain-like material, reveals a glowing golden core, symbolizing fragility and resilience. Her serene face, with a smooth, mirror-like metallic surface and faintly etched abstract features, is turned downward, conveying quiet grace and otherworldly sadness. The surrounding crowd, depicted in motion with vague features, provides a surreal contrast to the highly detailed, luminous figure. The image is bathed in full sun, with the reflective surfaces capturing surrounding lights and colors, evoking a dynamic, futuristic atmosphere, reminiscent of the works of Syd Mead, H.R. Giger, and Ash Thorp, with a blend of industrial, cyberpunk, and art deco elements.
    An ultra-high-resolution, surreal brutalism an angel beuty A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty ::the concrete high old Vintage buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: huge Vintage spaceahip:: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains,
    “A black-and-white photograph in the style of an analog Yashica 124 Mat G camera. A woman in a long, flowing dress stands alone on an empty street at dusk. Her face is slightly blurred, as if dissolving into the air, while the shadows around her seem to form shapes that are impossible to identify. The soft glow of a streetlamp casts long reflections on the cobblestone, and the subtle grain of the film adds a nostalgic touch. In the background, old buildings with fogged-up windows appear to be watching the scene. The shot has a slight vignette, and the contrast between light and shadow creates an unsettling, almost dreamlike surreal effect.”
    :A vintage medium-format film photograph of a young Beauty charming sad woman in an 11th-century village in Poland. ::Inspired by mannerism A surrealistic 90mm art inspired by the style of Magritte. the photography elements are captured with a Hasselblad v 5.2 The image has the look of an old ORWO film, with a slightly faded, nostalgic atmosphere. Vignete:: abstract style;; action painting : Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust::"
    A vibrant, full-body 20-year-old woman with luminous, porcelain skin and short, wavy, fiery red hair, styled in loose, effortless waves, beaming with warmth and confidence, as if radiating an inner light. Her eyes sparkle with a hint of mischief, fringed with thick lashes. An ethereal and futuristic representation of a biomechanical being, blending elements of humanity, technology, and celestial beauty, with delicate, swirling patterns of circuitry and wires visible beneath her translucent skin. She is draped in a flowing, light-transparent glowing red cloak, reminiscent of stained glass, that billows behind her like a cloud. Her pose is relaxed and inviting, conveying friendliness, positivity, and a sense of approachability, as if beckoning the viewer into her world. The background is a surreal, dystopian cityscape, with towering skyscrapers and neon-lit advertisements, evoking a sense of Blade Runner-esque futurism, shot through a Yashica Mat-124G lens, with a warm, film-grain texture and a shallow depth of field, using an 80mm f/3.5 lens, infusing the scene with a dreamy, retro-futuristic aesthetic, blending the styles of Syd Mead, H.R. Giger, and Zaha Hadid.
    An ultra-high-resolution, surreal brutalism an angel beuty A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty ::the concrete high old Vintage buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: huge Vintage spaceahip:: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains,
    Full body Dystopian Beksiński style artwork detail, highly detailed, photorealistic, cinematic, influenced by Gil Elvgren, Patrick Nagel, Enki Bilal, Olivia, surreal brutalism dystopian full body Woman beauty Dystopian Beksiński style , surreal brutalism dystopian full body Woman beauty sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist forest:: cracks and weathered stains, sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist forest:: cracks and weathered stains,
    An ultra-high-resolution, surreal masterpiece of an angel beuty sculpted in molten gold, seamlessly merging divine elegance with abstract artistry. The angel is portrayed in a powerful yet humble pose, with its head bowed and hands clasped in prayer, exuding a sense of spiritual serenity and profound reverence. Its form is fluid and dynamic, as if carved from streams of golden liquid, with every curve and fold of its flowing robes meticulously detailed to capture the illusion of movement. A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty:brutalism style::city in fire ::winter :: siberia :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds
    A highly detailed close-up portrait of a surreal woman, captured as if shot with a Yashica Mat-124G on Fujichrome slide film and developed in cross-process (C-41), with saturated colors, color shifts, high contrast, and subtle film grain. The woman has pure white skin, big beauty eyes, and dark blue eyebrows. Her lips are painted a deep navy blue. Her long, wavy green hair falls over her shoulders. She wears a skinny white outfit that is decorated with large, bold 1960s-style geometric patterns, such as circles, curves, and waves, in red and orange. The background is abstract and also features a vintage mid-century modern geometric design, in retro colors like red, orange, mustard, and cream, adding depth and visual rhythm. The entire scene has an analog film aesthetic, blending surrealism and 1960s pop style.
    A mysterious woman sits in an enchanted forest, her dress woven from intertwining tree roots, her lower face gently cloaked in moss. The moonlight casts a deep, warm glow, illuminating the scene with rich, golden hues and deep crimson shadows, reminiscent of a late-night café bathed in candlelight. Tiny trees surround her like silent guardians, their leaves tinged with a soft, amber luminescence. The air is thick with mystery, as if nature itself hums a quiet, nocturnal melody. The background blurs into an impressionistic haze, evoking both dreamlike solitude and the quiet hum of unseen life.
    A meeting place of nothingness and infiniy in Beauty woman face;;surrealizm : abstract style;; action painting Yashica 124matg kodak portra 160vc,r:: Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust::
    Portrait :: charming super powerful woman :: full body::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::Full body pin up digital painting of Alison Brie Portrait is very dynamic and in futuristic atmosphere ::A graceful Beauty vibrant,full body 20-year-old woman with porcelain skin and short, wavy, fiery red hair, The figure, a strikingly delicate feminine, sparks around body, flame in eyes . woman made of dust and rain, depicted in full growth, as if created by nature itself, gracefully demonstrates unrivaled captivating elegance and sophistication. Snowflakes in the background::Under water:: colourfull fishes:: 8k resolution vignette dynamic lighting Kodak Ektar 1900s photograph
    Portrait :: At the edge of a monumental, brutalist precipice floats a young, ethereal woman, her body suspended horizontally, caught between reality and the surreal. A man stands on the jagged edge, holding her hand effortlessly, as if she weighs nothing, his silhouette distorted, almost otherworldly. The background unravels into a surreal dystopian landscape—a labyrinth of cement towers, warped steel structures, and spiraling smokestacks, forming an abstract web of shapes. Heavy, toxic rain clouds loom oppressively, blending muted grays and earthy tones with industrial gleams. The cracked, desolate ground below echoes abandonment, resembling a fragmented canvas. Captured through the lens of a vintage Yashica Mat 124G, 80mm f/3.5, on Ilford 1600 film, the scene is filled with heavy grain, dirt, and raw melancholy. The composition pulses with an unsettling, abstract energy, blending influences from Lee Jeffries, Alessio Albi, and Adrian Kuipers.
    Portrait :: charming super powerful woman :: full body::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::Full body pin up digital painting of Alison Brie Portrait is very dynamic and in futuristic atmosphere ::A graceful Beauty vibrant,full body 20-year-old woman with porcelain skin and short, wavy, fiery red hair, Super detailed 8K depiction of a Beauty pin up Woman seemingly made entirely of mist and smoke. The Woman face is shrouded in swirling mist, with her facial features formed from textured wisps of vapor, and deep, piercing Beauty blue eyes that convey a sense of power and mystery. Her long hair flow like waves of smoke, seamlessly merging with the surrounding mist, as if they are an extension of the ethereal atmosphere. SHe wears a spectral, mist-like cloak Drapek over her head and shoulders, appearing as though it is composed of dense vapor, with edges that dissolve into the surrounding haze. The mist and smoke twist and spiral around her, creating a supernatural and otherworldly aura that envelops her entire presence. The lighting is eerie and shadowed, softly illuminating parts of his face while other areas are obscured by the thick, drifting mist. The color palette consists of misty grays and smoky whites, emphasizing the ghostly and spectral nature of the beautifull witch The background is dark and enveloped in mist, keeping the focus on the Beauty pin up Woman, who appears to be an entity conjured from pure vapor. The overall art style is highly detailed, ethereal, and haunting, emphasizing the mystical and ghostly essence of the Beauty, train The figure, a strikingly delicate feminine, sparks around body, flame in eyes . woman made of dust and rain, depicted in full growth, as if created by nature itself, gracefully demonstrates unrivaled captivating elegance and sophistication. Snowflakes in the background::Under water:: colourfull fishes:: 8k resolution vignette dynamic lighting Kodak Ektar 1900s photograph
    "Surreal dystopian brutalist architecture, massive concrete structures with cracks and weathered stains, rising from foggy reflective water :: natural tones :: by Lee Jeffries
    futuristic Woman Beauty shape made entirely of reflective white metal ,very dynamic and in futuristic “Surreal dystopian brutalist architecture, massive concrete structures with cracks and weathered stains, rising from foggy reflective water. Monochromatic, soft diffused lighting, cinematic atmosphere, high detail, black and white Beauty Woman
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