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    Portrait :: sweet sad charming woman on the concrete Lonely tower high above clouds ::Sunrise:::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3. 5::ilford 1600 grains and dirts::: rainy, surrounding lights and deep shadowa, creating a dynamic and depressing atmosphere" ::dystopian city:: dystopian style:: “Surreal dystopian brutalist architecture, massive concrete structures with cracks and weathered stains, rising from foggy reflective black water. Monochromatic, soft diffused lighting, cinematic atmosphere, high detail,

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    :A vintage medium-format film photograph of a young Beauty sad woman in an 11th-century village in Poland. ::Inspired by mannerism A surrealistic 90mm art inspired by the style of Magritte. the photography elements are captured with a Hasselblad v 5.2 The image has the look of an old ORWO film, with a slightly faded, nostalgic atmosphere. Vignete:: abstract style;; action painting : Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust::"
    A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty charming woman ;; the concrete ::brutalism style::dystopian cyborg city ::winter :: siberia ::Vintage car ::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, and her small, fragile nature.
    A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty charming woman ;; poor clothing::the concrete ::brutalism style::city ::winter :: siberia ::Vintage car ::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds
    Portrait :: wide lens;;young sweet sad Beauty charming cyborg in jump one meter above ground ::splash picture of a beautiful young woman standing with short-cut, gray hair, with her bangs framing a heart-shaped face, and beautiful big blue eyes that gaze lustily out at the camera. Her robotic legs and arms are full of electrical wires and metal parts not cover by skin or any othet cover. She is dressed in a red, skin-tight suit A stunning young woman with curly blonde hair :;. rotary kiln made from steel::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, “Surreal dystopian brutalist architecture industrial landscape heavy pollutiom
    An ultra-high-resolution, surreal brutalism an angel beuty A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty ::the concrete high old Vintage buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: huge Vintage spaceahip:: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains,
    An ultra-high-resolution, surreal brutalism an angel beuty sculpted A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty ::the concrete high old Vintage buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains,
    An ultra-high-resolution, surreal brutalism an angel beuty sculpted A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty ::the concrete high old Vintage buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains,
    Delicate femine being crazy in Logic At the heart of the sphere, two cones emerged, their points facing each other, a duality of light and shadow, of creation and destruction, At the cone's right apex, a large, loosely drawn spiral - the positive absolute zero, a point of unimaginable intensity, a maelstrom of energy that whispered of annihilation and rebirth, a reminder that even in the face of oblivion, creation lingered. At the cone's right base, a wavy, undulating line – the positive speed of light c+, the limit of human comprehension, She drew a symbol there, a symbol as ancient as time itself, a symbol that whispered of infinity, of interconnectedness, of the eternal dance of existence. ∞. The singular infinity. It was the fulcrum, the point of balance, the nexus where past and future collided, where particle and wave exchanged places, where control surrendered to chaos, and chaos gave birth to control. SHe filled the space between the cones with a chaotic mass of charcoal lines, a whirlwind of energy that represented the clash of opposing forces, the spark of consciousness, the very essence of existence.
    Portrait :: natural tones :: made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::Old mirrors in background:: porcelain skin ;;smile ::futuristic humanoid figure made partly of reflective white metal .. Portrait is very dynamic and in futuristic atmosphere
    An ultra-high-resolution, surreal brutalism woman beauty sculpted in rusty black and white metal::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, birds in the sky
    Full body Dystopian Beksiński style artwork detail, highly detailed, photorealistic, cinematic, influenced by Gil Elvgren, Patrick Nagel, Enki Bilal, Olivia, surreal brutalism dystopian full body Woman beauty Dystopian Beksiński style , surreal brutalism dystopian full body Woman beauty sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist forest:: cracks and weathered stains, sculpted in black liquid::A high-angle, full-body analog film photograph of Portrait :: sweet sad woman ::the concrete dystopian concrete buildings ::brutalism dystopian style:: ::winter : :yellow dense fog:: A neutral yet intense gaze with large, vivid azure eyes looking directly ahead, eyebrows gently raised::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts:: “Surreal dystopian brutalist forest:: cracks and weathered stains,
    “A black-and-white photograph in the style of an analog Yashica 124 Mat G camera. A woman in a long, flowing dress stands alone on an empty street at dusk. Her face is slightly blurred, as if dissolving into the air, while the shadows around her seem to form shapes that are impossible to identify. The soft glow of a streetlamp casts long reflections on the cobblestone, and the subtle grain of the film adds a nostalgic touch. In the background, old buildings with fogged-up windows appear to be watching the scene. The shot has a slight vignette, and the contrast between light and shadow creates an unsettling, almost dreamlike surreal effect.”
    Portrait :: charming super powerful woman :: full body::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::Full body pin up digital painting of Alison Brie Portrait is very dynamic and in futuristic atmosphere ::A graceful Beauty vibrant,full body 20-year-old woman with porcelain skin and short, wavy, fiery red hair, The figure, a strikingly delicate feminine, sparks around body, flame in eyes . woman made of dust and rain, depicted in full growth, as if created by nature itself, gracefully demonstrates unrivaled captivating elegance and sophistication. Snowflakes in the background::Under water:: colourfull fishes:: 8k resolution vignette dynamic lighting Kodak Ektar 1900s photograph
    An ultra-high-resolution, surreal masterpiece of an angel beuty sculpted in molten iron, seamlessly merging divine elegance with abstract artistry. The angel is portrayed in a powerful yet humble pose, with its head bowed and hands clasped in prayer, exuding a sense of spiritual serenity and profound reverence. Its form is fluid and dynamic, as if carved from streams of black rusty metal, with every curve and fold of its flowing robes meticulously detailed to capture the illusion of movement. ;;brutalism style::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds
    A surreal DMT-core scene: a woman gazing out over a strange, hypnotic landscape. But instead of a tranquil ocean, the water is an infinite digital matrix—its surface pulsating in deep green hues, cascading with endless streams of numbers, symbols, and cryptic code, like a glitching waterfall of pure information. The digits form and dissolve, creating unstable, shifting patterns that ripple like waves before disintegrating into new sequences, distorting perception with their relentless visual rhythm. The sky above flickers between static and neon green storms, illuminating the scene with an eerie glow. The sand beneath her feet isn’t just sand—it shimmers, flickering like unstable pixels, reacting to her presence as if the entire reality is on the verge of collapse into raw data. The horizon stretches endlessly, bending and warping as though space itself is being rewritten in real time.
    Portrait :: charming super powerful woman :: full body::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::Full body pin up digital painting of Alison Brie Portrait is very dynamic and in futuristic atmosphere ::A graceful Beauty vibrant,full body 20-year-old woman with porcelain skin and short, wavy, fiery red hair, The figure, a strikingly delicate feminine, sparks around body, flame in eyes . woman made of dust and rain, depicted in full growth, as if created by nature itself, gracefully demonstrates unrivaled captivating elegance and sophistication. Snowflakes in the background::Under water:: colourfull fishes:: 8k resolution vignette dynamic lighting Kodak Ektar 1900s photograph
    "Surreal dystopian brutalist architecture, in abandoned city madę with massive concrete structures with cracks and weathered stains, rising from foggy reflective water :: natural tones :: by Lee Jeffries
    A meeting place of nothingness and infiniy in Beauty eyes reflection ;;surrealizm : abstract style;; action painting Yashica 124matg kodak portra 160vc,r:: Hyperdetailed in the style of blink-and-you-miss-it detail, full body, desaturated colours , spicy realism,, fine airbrush art, hyper detailed, ultra realism , impressive art deco analogous colors vignette detailed light dust::
    Portrait :: young sweet sad Beauty charming woman in jump one meter above The fuel rods after the explosion of the Chernobyl power plant. :: A mesmerizing artwork by Sasan, masterfully blending the textured realism of Antonio Mancini ::Vintage cars ::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: “Surreal dystopian
    A high-angle, full-body analog film photograph of Portrait :: young sweet sad Beauty charming woman ;; Pose: She stands with a gentle forward tilt, head bowed slightly in a moment of serene introspection, her massive mechanical wings curving gracefully behind her lithe form, poor clothing::the concrete ::dystopian::brutalism style::city ::winter :: siberia ::rusty::natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::: rainy, natural tones :: by Lee Jeffries, Alessio Albi, Adrian Kuipers ::made with yashica mat124g :: 80mm 3.5::ilford 1600 grains and dirts::" grains and dirts:: snowing “Surreal dystopian brutalist architecture, massive concrete city:: hugh abandoned buildings with cracks and weathered stains, She is perched precariously on a tower, within a vast, concrete brutalism city, with a wide field of view. The high-angle shot emphasizes the city around her, :: birds :: birds
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